House on Haunted Hill

I remember seeing this movie when I was a kid and how scary it was to me, especially the scene where Nora sees the old lady ghost for the first time. I haven't seen this movie since I was 6 years old and I remember watching with my mom recently the "100 scariest movies" on BRAVO and this movie was mentioned, I figured since I had the opportunity to see it again, why not? Like I said, it's somewhat lost it's edge, but still 'till this day, House on Haunted Hill will always remain a great movie to watch any stormy night.

Five strangers have been invited to a house on Haunted Hill, they are being offered by Vincent price $10,000 each, the catch? They have to spend the night at that house that has been cursed, thinking it's just a good old fashioned haunted party that Vincent's wife is throwing, they go along with it, especially since they could easily have $10,000. But things start to go a little crazy when horrible things happen to the guests, including the sights of ghosts. But questions are brought up when the wife seems pretty up on loosing her millionaire husband.

The story was great and the ending was one of the first great twist endings of our time. Again, I could always easily laugh at some scenes now a days, but I think it is because of the fact that I've seen so many horror movies. Because I still remember those horrible nightmares this movie gave me as a kid and that's what makes this movie special to me, it will remain as the greatest sleepover flick!

7/10

This film is truly awful. A revamp of the old Cat & the Canary formula. A theme done to death. Yet I love it for the shallow and stiff characters, lazy script and muddled story line. None of it works. The writer feels the need to 'explain' everything - but a psychological intepretation would have been better? But who could forget that final scene of the skeleton trundling out from the vat of acid - a giant string puppet!!! Oh what rubbish but I've seen this film time and time again and it IS a little scary in parts. I have to say I enjoy it more than the recent Gosford Park. Ahhh they don't make them like this anymore. Unintentionally funny throughout!!!

Forget the awful, senseless remake, the original 'The House On Haunted Hill' is one of the most entertaining and enjoyable chillers of all time. William Castle's over the top camp style is an acquired taste for many, but once you enter into the spirit of things you're in for a wild, fun ride. The legendary Vincent Price is in his element here as the cynical millionaire trapped in a loveless sham of a marriage, and Carol Ohmart, who I have only ever seen in the cult classic 'Spiderbaby', is a knockout as his tough as nails "better half". Their haunted house party guests, led by the much loved character actor Elisha Cook, Jr ('The Maltese Falcon' ,The Killing',etc.etc.), are well cast and amusing, and the whole thing is a hoot! I recommend this movie to all horror fans. It is quite possibly the single most entertaining horror thriller of the 50s. Supremely silly but still scary at the same time. Great stuff!

William Castle liked to promote his films with gimmicks, and the gimmick for THE HOUSE ON HAUNTED HILL was Emerg-O: at the peak of the action, a glowing skeleton "emerged from the screen" and flew out over the audience on a wire. By most accounts Emerg-O caused more laughter than chills, but fortunately Castle never relied on gimmicks alone: he also liked bona fide stars, and for HAUNTED HILL his star of choice was none other than the legendary horror star Vincent Price.

Like most Castle films, HAUNTED HILL's plot reworks a well-worn theme. Millionaire Price and his wife Carol Ohmart give a "haunted house party" for five strangers chosen at random and promised ten thousand dollars if they last the night. The catch: the doors lock at midnight, after which there is no escape until the caretakers return in the morning. While the story itself doesn't hold many surprises, the script is unexpectedly witty, and Price plays it in a slightly prissy, very high-camp manner with a tremendous dose of the black humor for which he was so famous--and the little-known Carol Ohmart is every bit his match, snapping out memorable lines ("Darling, the only ghoul in the house is you!") in every scene. Together they elevate the film well above what you might otherwise expect, and when combined with the largely wooden supporting cast and some of the silliest this-is-supposed-to-scare-you effects imaginable the result is a cult classic with plenty of camp appeal.

In addition to Price and Ohmart, the film is also surprisingly atmospheric. Shot in and around one of Frank Lloyd Wright's more famous structures, the grainy "late show" look of the film (due more to accident and age than deliberate intent) is very entertaining, the cinematic devices (everything from disembodied heads, irises, and jump-cuts) are very appealing, and the sound track (which sounds like a mix of piano bass keyes, synthesizer, and soprano vocals) is exactly what you'd want for this obvious but extremely entertaining flick. Of all the Castle films, THE HOUSE ON HAUNTED HILL is my personal favorite, and it should rate very high with fans of cult, camp, and Vincent Price. And I'll go further than that: of all his memorable appearances, I do believe this was among Price's best. A great choice for both family movie night or a sophisticated Halloween howl--very recommended! Gary F. Taylor, aka GFT, Amazon Reviewer

This classic version of "House on Haunted Hill" is one of the most entertaining examples of the low-budget, black-and-white horror films that used to be such a mainstay for movie fans. It has few frills, but it does have some thrills, and in particular it has a cleverly written story that is told at a brisk pace, with a good deal of interesting and pleasingly macabre detail.

Horror legend Vincent Price is in his element as the mysterious millionaire who invites a houseful of guests to spend the night in a supposedly haunted mansion, and his performance will give his fans everything that they expect. The supporting cast is solid, led by Elisha Cook, who is very good as a nervous, tipsy character whose rambling proclamations of doom add the right touch of offbeat suspense. The settings are given plenty of detail that makes the characters' explorations of the house even more interesting.

The story is nicely written for the genre, making very good use of the possibilities in the setup, throwing in some good turns, and resolving everything in a resourceful fashion. And it's not without some real suspense - even those who normally watch low-budget horror features solely for the camp factor might get an actual start once or twice as everything plays out. And even if you don't find anything scary, there is plenty here that makes it enjoyable to watch.