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Home Before Dark

  • 1958
  • Not Rated
  • 2 घं 16 मि
IMDb रेटिंग
7.0/10
1.3 हज़ार
आपकी रेटिंग
Jean Simmons in Home Before Dark (1958)
Psychological DramaDrama

अपनी भाषा में प्लॉट जोड़ेंSimmons is magnetic as Charlotte, her lovely, delicate face reflecting the inner turmoil of a woman battling for sanity after she walks out of a mental institution.Simmons is magnetic as Charlotte, her lovely, delicate face reflecting the inner turmoil of a woman battling for sanity after she walks out of a mental institution.Simmons is magnetic as Charlotte, her lovely, delicate face reflecting the inner turmoil of a woman battling for sanity after she walks out of a mental institution.

  • निर्देशक
    • Mervyn LeRoy
  • लेखक
    • Eileen Bassing
    • Robert Bassing
  • स्टार
    • Jean Simmons
    • Dan O'Herlihy
    • Rhonda Fleming
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    1.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mervyn LeRoy
    • लेखक
      • Eileen Bassing
      • Robert Bassing
    • स्टार
      • Jean Simmons
      • Dan O'Herlihy
      • Rhonda Fleming
    • 64यूज़र समीक्षाएं
    • 10आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 कुल नामांकन

    फ़ोटो20

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 15
    पोस्टर देखें

    टॉप कलाकार59

    बदलाव करें
    Jean Simmons
    Jean Simmons
    • Charlotte Bronn
    Dan O'Herlihy
    Dan O'Herlihy
    • Arnold Bronn
    Rhonda Fleming
    Rhonda Fleming
    • Joan Carlisle
    Efrem Zimbalist Jr.
    Efrem Zimbalist Jr.
    • Jacob 'Jake' Diamond
    Mabel Albertson
    Mabel Albertson
    • Inez Winthrop
    Stephen Dunne
    Stephen Dunne
    • Hamilton Gregory
    • (as Steve Dunne)
    Joan Weldon
    Joan Weldon
    • Frances Barrett
    Joanna Barnes
    Joanna Barnes
    • Cathy Bergner
    Kathryn Card
    Kathryn Card
    • Mattie
    Marjorie Bennett
    Marjorie Bennett
    • Hazel Evans
    Johnstone White
    Johnstone White
    • Malcolm Southey
    Eleanor Audley
    Eleanor Audley
    • Mrs. Hathaway
    Walter Bacon
    • Professor Dennison
    • (बिना क्रेडिट के)
    Fred C. Blau Jr.
    • Male Patient
    • (बिना क्रेडिट के)
    Gail Bonney
    Gail Bonney
    • Mental Hospital Clerk
    • (बिना क्रेडिट के)
    Evelyn Clarke
    • Receptionist
    • (बिना क्रेडिट के)
    Lillian Culver
    Lillian Culver
    • Mrs. Franklin
    • (बिना क्रेडिट के)
    Susan Davis
    • Saleslady
    • (बिना क्रेडिट के)
    • निर्देशक
      • Mervyn LeRoy
    • लेखक
      • Eileen Bassing
      • Robert Bassing
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं64

    7.01.3K
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    फ़ीचर्ड समीक्षाएं

    peter3120

    In many ways a great and neglected masterpiece!

    I have loved this movie since I saw it in 1958 when I was 12. I have a video copy taped from WGN in Chicago. The movie was shot around Danvers and Marblehead and Boston, Massachusetts. I grew up here and actually worked at Danvers State Hospital where the opening of the film was shot.

    Jean Simmons' performance is a masterpiece! It has the feeling of real life in its depiction of depression and mental disorientation. It also points out how important one friend who believes in you can be for the emotionally wrought person. This character, Jacob Diamond, was portrayed by Efrem Zimbalist, Jr. in another overlooked fine performance. His character shows that a little kindness and understanding can go a long way.

    I disagree that the film is lumbering. If someone is looking for a car chase, this is the wrong film. If one is looking for great acting and wonderful character development, this film will provide it.

    Even the more minor roles are played perfectly. Rhonda Fleming is great as Charlotte's (Simmons) sister subtly wooing Dan O'Herlihy from his wife's affections.

    I have seen this film many times, and each time, like a great piece of music, I see more in it.

    I have never been able to find it on video. I have my copy thanks to over the air broadcasts. I taped it twice, one station inserting material that is often edited out, and dubbed it into one complete version.

    I would love to hear anyone's comments, pro or con, on this film as I am fascinated by people's differing reactions to it.

    Sincerely,

    Peter3120
    7MOscarbradley

    A tad old-fashioned but worth seeing.

    This cross between 'a women's picture' and a semi-serious study of mental illness isn't as well known as it ought to be. Maybe if it had been made ten or fifteen years earlier it might have been something of a classic since we're firmly in Bette Davis/Miriam Hopkins territory here. Jean Simmons, (wonderful, but then she was always wonderful), is the woman who comes home after a year in a mental hospital. Home is where she lives with hubbie Dan O'Herlihy, step-sister Rhonda Fleming, step-mother Mabel Albertson and handsome lodger Efrem Zimbalist Jr. and it isn't too long before the reason for her initial breakdown becomes all too clear.

    At two and a quarter hours it's a little on the long side but director Mervyn LeRoy certainly demonstrates just why he was considered a consumate jobbing director in his handling of old-hat material and all the performances are first-rate, (Simmons was robbed of a Best Actress Oscar nomination), and its small-town New England setting is at least unusual. However, by 1958 this was a very old-fashioned film and no amount of professionalism in front of or behind the camera was going to turn this into box-office gold. A pity, as it's really rather good.
    9jdsuggs

    You're A Tough Broad, Charlotte Bronn

    This is a strong drama built entirely on Jean Simmons' outstanding performance as a woman recovering from a breakdown and searching for love and a home, only to find her own strength instead. Director Mervyn LeRoy and novelist/screenwriter Eileen Bassing confidently put the entire burden on Simmons, who appears in nearly every scene, and the actress delivers a character who continually defies and exceeds the expectations of those around her, and the viewer.

    We meet Charlotte Bronn as she is returning from a long stay in a mental hospital following a nervous breakdown that included episodes of violence and paranoia. She's shaky and vulnerable and painfully self-aware. But even before she first appears at the end of the long hallway, walking towards the camera and into her new life, those closest to her have already begun to let her down.

    We quickly begin to learn the source of her downfall, but Simmons doesn't give us a victim and the film doesn't back away from real mental illness- the portrayal of Charlotte's recovery and gradual tilt towards relapse is surprisingly sharp and modern.

    "Home Before Dark" is understated, in an almost documentary style, more smart than clever, but the energy and pacing are crisp enough that the film always seems within one twist of becoming a noir thriller or Hitchcock suspense. Charlotte is desperate for acceptance, her husband's love, and the truth about her marriage, all of which are withheld, and we naturally expect a handsome man- any of several on hand- to step forward and solve her problems, either romantically or as a confidant. The film's value comes from its steady refusal to take those easy paths.

    The pathos is tastefully understated but powerful nonetheless- Charlotte says she's not beautiful, she says she knows her husband doesn't love her and that she's not worthy of love- and her husband simply fails to contradict her. The film is, among other things, a relentless study of one spouse failing another.

    We root for Charlotte Bronn as she stumbles- her story never does. This is one of Simmons' best.
    8eigaeye

    Not what it seems

    Producer-director Mervyn LeRoy knows how to trail a false scent or two across this story; we receive hints of other films (Gaslight, for example, or almost any Hitchcock) and begin to wonder. Keeping us doubting, and keeping us outside the vulnerable and troubled main character, played superbly by Jean Simmons, we are left in a strange, low-key state of suspense right to the end. Is she mad, is she being manipulated for some nefarious end? Are her family conspirators or just unfeeling? If the latter, who is to blame? We want to rescue this character, we have in the story two likable men who seem to be candidates for white knights. Again, LeRoy manipulates our expectations of a melodramatic plot twist, a catharsis of the sort we have seen in those other films, in which all will be revealed. But, without spoiling the story, this is a different sort of film. Between the first scene and the second to last scene, we are held in a kind of suspended animation, together with the Simmons character. It is only very late in the film, however, that LeRoy lets the scales drop from our eyes.

    Some may find the other family members too unsympathetic, early on especially. If there is a weakness in the formula, this is it. For me, the powerful sequence on Christmas Eve in Boston – the shopping jaunt, the party and the confrontation back at the hotel - settles such doubts as exist.

    The ledger is more than balanced, in any case, by a good script, fine black and white photography, a convincing portrayal of a hidebound and catty faculty town (politics has nothing on academe), sensitive direction by LeRoy and, especially, Jean Simmons at her considerable best. This film deserves more admirers. It is that quietly spoken guest at the party who, if you spend some time listening, has more to say than the usual cinema windbags.
    sharlyfarley

    Sometimes it's not paranoia

    Charlotte (Jean Simmons) comes home from a mental hospital, shaky but game. She's been cured of all her delusions - that her husband and stepsister are having an affair, and conspiring behind her back. Except that her husband (Dan O'Herlihy) really does crave her stepsister (Rhonda Fleming) and they do talk about her in whispered tones. Even their new lodger (Efrem Zimbalist) can see it. But they deny it and she tries to deny it some more, to keep peace in the family. Finally, she can't. Is she having a breakdown or a breakout?

    Admittedly, it is slow - the direction is cumbersome. But occasionally, it nails Eileen Bassing's novel with its stifling New England academic atmosphere and the rigidity of its codes. Jean Simmons was nominated for Best Actress in this role, and small wonder; it's one of her best this side of Elmer Gantry. Steve Dunne has an engaging appearance, and it's Rhonda Fleming who gets to be unsympathetic for a change.

    If I could find the video, I'd buy it. But it's not for teenaged boys.

    इस तरह के और

    Footsteps in the Fog
    7.0
    Footsteps in the Fog
    Time Limit
    7.3
    Time Limit
    Where Danger Lives
    6.7
    Where Danger Lives
    The Secret Fury
    6.6
    The Secret Fury
    The Hanging Tree
    7.1
    The Hanging Tree
    The Tattered Dress
    6.5
    The Tattered Dress
    Caged
    7.6
    Caged
    Until They Sail
    6.5
    Until They Sail
    Woman in a Dressing Gown
    7.3
    Woman in a Dressing Gown
    The Country Girl
    7.2
    The Country Girl
    The Dark Past
    6.3
    The Dark Past
    Woman in Hiding
    6.9
    Woman in Hiding

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Since this was a film by Warner Brothers, much of the soundtrack was stock and is the same as used in their 1942 film Now, Voyager (1942).
    • गूफ़
      Arnold drives Charlotte home from the hospital in a snowstorm, when plenty of snow already covers the ground. At the film's conclusion, it's New Year's Eve and Charlotte mentions that she's been home for 3 months, which means that the snowstorm happened at the end of September.
    • साउंडट्रैक
      Home Before Dark
      Music by Jimmy McHugh

      Lyrics by Sammy Cahn

      Performed by Mary Kaye

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is Home Before Dark?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 14 जनवरी 1959 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Bevor die Nacht anbricht
    • फ़िल्माने की जगहें
      • Marblehead, मैसाचुसेट्स, संयुक्त राज्य अमेरिका(Interior scenes and exterior scene filmed at 2 Union St. "The Layfayette House")
    • उत्पादन कंपनी
      • Warner Bros.
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $13,90,000(अनुमानित)
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 16 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.78 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Jean Simmons in Home Before Dark (1958)
    टॉप गैप
    By what name was Home Before Dark (1958) officially released in India in English?
    जवाब
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    • योगदान करने के बारे में और जानें
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