The Cool and the Crazy

This has to be one of the worst movies ever. The actors that were,supposedly teenagers, had to be going on thirty, if not older. Never considered Scott Marlowe that good an actor. He was really over the top in this. Talk about ham, if that was method acting, he definitely missed a few classes. The guy Jackie was pitiful, a regular wimp. First he starts out being big and bad like his lump of a friend cookie. I don't know what kind of weed they were smoking, it made them claw at their throats. Come on be serious, saying they feel like they're dying. If anything this would make some dummies try it, just to see if it could make them, feel like that. 😂

Intended to show the results of smoking marijuana, this movie is interesting in the fact it is fun to watch the 'over acting' or lack thereof. A young punk(Scott Marlowe)fresh from reform school enrolls into a Kansas City high school with the intent to push marijuana. It is comical watching the results of just the introduction to the 'special smoke'. Watching this today is a hoot with or without the munchies! Also in the cast are:Richard Bakalyan, Dickie Jones and Gigi Perreau.

A classic paranoid fifties b-flick aiming to scare the pants off those rebellious youths hanging with the wrong crowd, or more likely their parents, this shockingly inaccurate reefer madness flick has a kid hitting town fresh from reform school, hooking up with the bad-influence pusher who got him put away, and dealing the demon weed to the local kids (none of them looking under twenty-five) in hopes of getting them hooked and making a packet; however, the kids, suffering the usual hallucinations, all-day hangovers and "eating me up" stomach problems (hello?) need a "fix" so much after apparently only one night on the spliff they end up getting involved in crime and in all sorts of trouble, as of course they deserve, during the course of what seems like a couple of days. Well enough constructed, with some top intense, frown-heavy performances, especially from the lead bad kid and his nice friend, but it's those mental 50s attitudes that make it worth checking out. Dig the message at the end - "in the interests of scaring you kids, everything in this film has been made up or exaggerated" (or words to that effect). In a parallel universe, this could be a movie about the evil of drink in a world dominated by smokers - at least the hangovers and bad driving would be appropriate.

If you can overlook the over-hyped 'marijuana is a killer' message of this film, you're in for a treat. Scott Marlowe is the new kid in town, pushing 'M' to the local delinquents (who otherwise seem to like getting smashed on booze, funnily enough). It's the role of his career, even though he seems to be trying to channel the spirit of Marlon Brando. The Kansas City locations add the extra grit the film needs, and there's a super slimy turn by Marvyn J. Rosen as the big wheel of the narcotics business. Rosen never had another role, so presumably he was a KC local, and he makes the most of it. I remember watching this movie on TV back in the 70s and being impressed, and seeing it recently for the first time in 25 years rekindled my fond feelings for this nice example of indie filmmaking.

This juvenile delinquent movie is definitely a cut above similar films of the era I've seen, thanks to a good script and a strong lead performance by Scott Marlowe. Marlowe had the looks and charisma to be a major star, but never get a chance at a breakout role in a big Hollywood movie. (He did at least have a long career as a supporting player.) When I say it's a good script, perhaps I should qualify that to say except for the ridiculously overblown responses to smoking pot by the "teenagers," who freak out as if they were on a bad acid trip. There's also a romantic subplot with second lead Richard Bakalyan and nice girl Gigi Perrau that goes nowhere and keeps Marlowe off the screen for long stretches. When Marlowe's not on the screen the movie suffers. Also, typical of many of these movies, several of the alleged high school students look like they're pushing 30. But the movie rolls along along at a brisk pace, has some good action sequences, and Marlowe delivers the '50s existential alienation in spades. (Per the title, he's both cool and crazy.)

One added bonus for jazz fans is the unnamed combo we see playing at a local club. The band really cooks. Too bad there's no credit for them. (Kansas City once had a very active jazz scene). As others have commented, the Kansas City locations gave the movie some grit and authenticity, when compared to the vanilla suburban Southern California setting of most '50s teen movies. (The Wikipedia article on the movie has some interesting info on the producer, a Kansas City theater chain owner who wanted to carve a niche for himself in the teen exploitation market. He had earlier hired KC local Robert Altman to make another juvenile delinquent movie).