Carry on Sergeant

The first ever Carry On sees the worst ever freshment platoon on National Service training, as their Commander attempts to retire with his first ever star platoon.

Kenneth Connors, as he was in all the early Carry Ons, is superb as the hypochondriac recruit, while Kenneth Williams does a beautiful send up of himself as the intellectually superior member of the platoon. Charles Hawtry does his usual role. This film also includes Bob Monkhouse and the late, great Bill Owen, though Owen's role is simply not big enough for him to shine.

This film lacks the chaos of the later films, and the presence of a Barbara Windsor or Hattie Jacques who can give as good as they get against the men but still, a very enjoyable comedy and the one we must thank, or blame, for the success and continued popularity of the Carry Ons.

Approaching retirement, Sergeant Grimshawe wants to go out on a high of sorts and agrees to a bet that he can train his squad of new recruits to win the Star Squad prize. Sadly for him he had not reckoned on the hand that fate would deal him with a terrible motley crew. His squad includes hypochondriac Horace Strong, newly wed Charlie Sage, stuck up James Bailey and the, well, light-footed Peter Golightly. Can he turn them into the platoon of his career using the softly softly approach of will they just be a pathetic shower.

Now I'm not sure if the series of films was always going to be "Carry On" or if it just seemed a good link from this film, which uses the line "carry on Sergeant" several times – that may be the source of the title or it may have been as a result of the title; chicken or egg to me I'm afraid. Either way this is the first of what we now know to be the long running series of British humour that was Carry On and, as a starting point it is amusing and lightly enjoyable as it lacks the crude excesses of the later films. Here the plot is simple – there are a load of new recruits and they are all useless and fall around a lot to the dismay of their platoon sergeant. The jokes are all fairly obvious and none of them ever made me laugh out loud even if they just about did enough to keep me amused. Fans of the series will notice some aspects missing from the usual Carry On mix but for my money the things that were missing in terms of tone were not too badly missed.

With a more "normal" approach from the film (very much of its time) the cast have less excessive touches to their character but they still do well with what they have. Monkhouse is a surprising straightman, driving the main narrative but he is still pretty good. The regulars are all enjoyable with lower-key performances than we would get later. Kenneth Williams is nicely restrained but isn't as funny as he was later on; Kenneth Moore is very funny with his character and Charles Hawtrey does his usual stuff to good effect. Hartnell adds a sense of class to the film and people like Jacques and Scott are effective.

Overall, fans of the series might not like this more restrained opener but it is light and amusing fare if you're in the mood and as long as you don't expect too many belly laughs. Fun in a low-key sort of way – surprising considering the direction the series then took.

This movie proves once again that the English have a devastatingly sharp wit combined with great slapstick humor. It also proved to this old American that despite differences of accents and uniforms that early life in the Army was pretty much the same in both Her Majesty's service and in the US Army in the 1950s. This is my first time viewing of what I gather is a classic series in Great Britain of "Carry On" movies and I came to it quite late -and intend to look for later movies in the series. I urge Americans of any age to give themselves a treat and watch this movie.(BTW,everyone in this movie is just great in their roles -watch and see what I mean. Fans of James Bond movies also get to see Shirley Eaton (remember "Goldfinger" and the beautiful girl coated in gold?)

My vote is a ringing 10.

The first "Carry On" is not among the best: it's an all-too-typical army comedy, albeit an agreeable one. William Hartnell stars as a Sergeant about to retire but who has yet to win a contest for leading his barracks' finest platoon, so he determines to achieve just this with his last batch of recruits – unfortunately for him, these include Kenneth Connor, Kenneth Williams, Charles Hawtrey, Bob Monkhouse, Terence Longdon and Norman Rossington (actually, such a dumb subject that he's been rejected by several previous outfits and has been stranded in the camp ever since)! As can be seen, this same plot would eventually be worked into two later series outings – CARRY ON TEACHER (1959), down to the sentimental ending, and CARRY ON, CONSTABLE (1960), with Eric Barker once again as the disciplinarian but flustered Captain.

Shirley Eaton provides the eye-candy as Monkhouse's fresh bride, who contrives to get a job in the barracks' kitchen in order to be near him; her companion, ugly-duckling Dora Bryan, has set her eyes on hypochondriac Connor (who is forever appearing before medical officer Hattie Jacques with some mysterious ailment or other, until she decides to have him undertake a thorough test by several specialists so as to declare him physically fit once and for all!). Hawtrey is typically bumbling; Williams scores best as a smug, know-it-all recruit (he plays it quite straight and, again, variations of this were seen in CARRY ON NURSE [1959] and CARRY ON, CONSTABLE). Needless to say, once the boys realize what the outcome of their training would mean for the long-suffering Hartnell, they put their best foot forward to send him home with his well-deserved prize in tow.

Humor doesn't need to be slapstick, sexual, or degrading to be funny. It's the juxtaposition of elements that creates tension and laughs in this gentle comedy about a newly-wed husband who finds out on his wedding day that he's been drafted. Add to this an Army instructor who's about to retire, and who makes an extravagant bet that in his last platoon he will finally have a Champion Platoon, only to find that he's been saddled with a bunch of misfits. Sgt. Grimshawe is played in low-key style by William Hartnell in a gentle send-up of his many 'tough sergeant' roles. Bob Monkhouse, Hattie Jacques, Charles Hawtrey, Kenneth Connor, et. al. turn in equally understated performances that actually enhance the humor.

This film is the obvious inspiration for Bill Murray's 'Stripes', which, while funny, doesn't have anywhere *near* the charm of 'Carry On, Sergeant'. It holds up very well, indeed.