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Bonjour tristesse

  • 1958
  • Not Rated
  • 1 घं 34 मि
IMDb रेटिंग
6.8/10
6 हज़ार
आपकी रेटिंग
"Bonjour tristesse" (Saul Bass Poster) 1958 Columbia Pictures
Official Trailer
trailer प्ले करें1:37
1 वीडियो
99+ फ़ोटो
Coming-of-AgeDramaRomance

अपनी भाषा में प्लॉट जोड़ेंSpoiled Cecile, 17, spends her summer at the French Riviera with her rich, widower, playboy dad and Elsa. Anne, her late mom's friend, visits and brings changes to all.Spoiled Cecile, 17, spends her summer at the French Riviera with her rich, widower, playboy dad and Elsa. Anne, her late mom's friend, visits and brings changes to all.Spoiled Cecile, 17, spends her summer at the French Riviera with her rich, widower, playboy dad and Elsa. Anne, her late mom's friend, visits and brings changes to all.

  • निर्देशक
    • Otto Preminger
  • लेखक
    • Arthur Laurents
    • Françoise Sagan
  • स्टार
    • Jean Seberg
    • David Niven
    • Deborah Kerr
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.8/10
    6 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Otto Preminger
    • लेखक
      • Arthur Laurents
      • Françoise Sagan
    • स्टार
      • Jean Seberg
      • David Niven
      • Deborah Kerr
    • 60यूज़र समीक्षाएं
    • 57आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 BAFTA अवार्ड के लिए नामांकित
      • 2 कुल नामांकन

    वीडियो1

    Bonjour Tristesse
    Trailer 1:37
    Bonjour Tristesse

    फ़ोटो119

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 112
    पोस्टर देखें

    टॉप कलाकार18

    बदलाव करें
    Jean Seberg
    Jean Seberg
    • Cecile
    David Niven
    David Niven
    • Raymond
    Deborah Kerr
    Deborah Kerr
    • Anne Larson
    Mylène Demongeot
    Mylène Demongeot
    • Elsa
    Geoffrey Horne
    Geoffrey Horne
    • Philippe
    Juliette Gréco
    Juliette Gréco
    • Juliette Greco
    Walter Chiari
    Walter Chiari
    • Pablo
    Martita Hunt
    Martita Hunt
    • Philippe's Mother
    Roland Culver
    Roland Culver
    • Mr. Lombard
    Jean Kent
    Jean Kent
    • Mrs. Helen Lombard
    David Oxley
    • Jacques
    Elga Andersen
    Elga Andersen
    • Denise
    Jeremy Burnham
    Jeremy Burnham
    • Hubert
    Eveline Eyfel
    • Maid
    Tutte Lemkow
    Tutte Lemkow
    • Pierre Schube
    • (बिना क्रेडिट के)
    Maryse Martin
    Maryse Martin
    • Undetermined Secondary Role
    • (बिना क्रेडिट के)
    Edouard F. Médard
    • Bit part
    • (बिना क्रेडिट के)
    Jackie Raynal
    • Dancer
    • (बिना क्रेडिट के)
    • निर्देशक
      • Otto Preminger
    • लेखक
      • Arthur Laurents
      • Françoise Sagan
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं60

    6.86K
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    फ़ीचर्ड समीक्षाएं

    7blanche-2

    Sagan soaper

    David Niven and Jean Seberg say "Bonjour Tristesse" in this 1958 film directed by Otto Preminger and also starring Deborah Kerr and Mylène Demongeot. Niven and Seberg are Raymond and Cecile, a father and daughter vacationing on the Riviera and having a superficial blast for themselves. Raymond has his current girlfriend Elsa (Demongeot) living with them as well.

    When a good friend of Raymond's late wife, Anne (Kerr) comes to visit, things change - at first for the better, as the four of them continue the party atmosphere. Later, when Anne becomes Raymond's fiancée and begins to discipline Cecile, the fun stops. Cecile decides that Anne will have to go.

    The film is told in flashback, black and white representing the present and glorious color used to tell the story, which is narrated by Seberg.

    There's lots about this movie that is fascinating, and some of it just sort of falls flat. The idea that a deep-thinking, responsible career woman comes into the lives of two bon vivants is an interesting one, and you couldn't ask for a better cast.

    The beginning of the film, and even Cecile's plan to get rid of Anne that she brings Elsa and her own boyfriend Phillipe in on has a lighthearted feel to it. What Raymond and Cecile never considered is that there are ramifications for actions, Cecile due to her immaturity and Raymond because he's Raymond.

    David Niven is terrific as the dashing Raymond, who loves a party, and Deborah Kerr gives a warm performance as Anne, who truly loves him and wants to ground both him and his daughter. The curiosity here is Seberg. She is as always the perfect gamine. Any time she's in a scene, you can't take your eyes off of her. She's so darn beautiful. Yet I don't think I've ever heard her say one line that I believed. And she's one actress where it just doesn't seem to matter. We hear a lot about "it" - well, she really had it.

    Gorgeous scenery - you want to leave for the Riviera immediately. And, truth to tell, spending some time with Raymond, Cecile and Elsa before the arrival of Anne wouldn't be bad either.
    7Nazi_Fighter_David

    Another study in a teenage girl's destructive dislike for her widowed father's lover

    The films of Otto Preminger share for the most part a detached objectivity in their attitudes to character and moral issues…

    In "Bonjour Tristesse," his gamine protégé Cecile (Jean Seberg) is a very peculiar girl, maybe spoiled and willful and arrogant and lazy…

    Anne (Deborah Kerr) had made her look at herself for the first time in her life…And that turned her against her… And now, her father is not having fun anymore, which was probably another reason she decided to get rid of her… How carefully and how seriously she went about that decision, is the tale of Françoise Sagan, published in 1954, by the time she was nineteen…

    Raymond (David Niven) is a bundle of surprises… For him, it's such a wonderful fun to have Cecile for a daughter… And loving Anne doesn't mean that he loves his daughter any less… The wealthy playboy becomes serious from the moment that Anne arrived… He could never think of her as just someone to have fun with… He does have fun with Elsa (Mylène Demongeot) but that's a long way from being all he wants… Now, he has never wanted any woman the way he wants Anne…

    Anne spent her honeymoon by the sea 12 years ago… She had quite a debate with herself before coming down to the French Riviera… For knowing that Elsa was there, she got stupidly angry and decided to leave…Then the prospect of packing and looking for a hotel was too much after that long drive so she decided to stay…

    Being too sophisticated (maybe for discovering occupied territory), Anne was as suspicious of summer as she was of Raymond in spite of the fact that she knew him 15 years ago, and was quite sure that with him, nobody is safe…

    For Cecile, Anne is prim and prissy and prude… For a woman who hates vulgarities—even when they're funny—she could never be seriously interested in a man like her father… So part of her was angry, part was happy, all of her was excited… Her father had brought a girl to the seashore, made her go out in the sun and then when she was a mess of peeling, dropped her like a hot lobster… It was unfair… Yet even while she was angry at him, she was proud that he had gotten the unattainable Anne… Anne looks now softer… She moves easier… In the morning, she seems as though she had the most wonderful secret in the world…

    Suddenly she becomes aware of a great responsibility towards Cecile, as it would be good if she stops seeing Philippe (Geoffrey Horne) and studies for her philosophy examination…

    Cecile becomes furious at her interference… Anne wants her to study and not to see Philippe… So what shall it be? For her, there'll be a man to take care of her…And she doesn't need a diploma for that…

    Now she hates Anne… For her, she has changed her father…She'll change her and will change everything
    Smalling-2

    Bonjour Tristesse

    A good-for-nothing, unhappy high society girl recalls a summer when she destroyed the love of her rich playboy father and his respectable bride, because she was afraid of finishing their hedonistic lifestyle.

    Well-acted, starry cast and very graciously made but, in atmosphere, oddly faithless adaptation of a sharply cynical novel, which tends to glamorize and ennoble its originally unlovable characters against luxurious backgrounds. It holds the interest, however, and the glossily colorful photography of the sunlit French Rivera in the past alternating with the bleakly black and white present, is particularly excellent.
    Fiona-39

    a reflection on Seberg

    This is an absorbing, intriguing and slightly bizarre film. I agree with the other comments here - the camera work is beautiful, the Riviera looks fab, Seberg is startling, and David Niven (how come no-one's mentioned his performance yet?) is a particularly slimy, lecherous old man. Seberg really does deliver an excellent performance. She's a fascinating person anyway, and here her ambiguity, her modernity, her beauty and her youth all come into their own. And the title song's fab too! Well worth a watch, if only to revel in the stunning scenery and Seberg's haunting screen presence.
    5robertguttman

    Otto Preminger's Rivera

    Film makers love to show off the Rivera, and for good reason. It's one of the most spectacular venues in the world. However, it's interesting to compare Preminger's Rivera with those of Hitchcock in "To Catch a Thief" and Powell's in "The Red Shoes". In "The Red Shoes" the Riviera is merely a setting in which artists work obsessively to create their art while paying virtually no attention to it. For Hitchcock, the Riviera is a lush background for intrigue. In Preminger's "Bonjour Tristesse" the Riviera represents the lifestyle that the characters desire; luxurious, sensual, hedonistic and, ultimately, empty. "Bonjour Tristesse" is worth seeing for the Riviera, which looks fabulous, and Jean Seberg, who looks fabulous. However, the story is as shallow as the characters.

    I do not think that it would be giving away the plot to say that the viewer is led to believe from the very beginning that he is seeing a tragedy. After all, the title translates as "Hello, Sorrow". Furthermore, the opening exposition, filmed in somber black-and-white, leads one to believe that the lives of the protagonists have been devastated by some great tragedy. However, from the very beginning it is also obvious that this impression is not true at all. The father and daughter are depicted as a pair of shallow, selfish, hedonists who care nothing for anything or anyone beyond each other and their own immediate gratification.

    The story does not even mention exactly what, if anything, it is that the father does for a living. He is obviously extremely wealthy, but is never seen to do any sort of work or transact any business. It was apparently sufficient for the author that he should be nothing more than a rich, idle, middle-aged playboy who changes his cars as frequently as his daughter, who never wears the same outfit twice, changes her clothes.

    In short, not only are the characters in this story not real people, they are not even sympathetic unreal people. It's bad enough having to put up with an hour and a half movie about mannequins without them having to be unlikable mannequins.

    इस तरह के और

    Lilith
    6.8
    Lilith
    Bonjour tristesse
    6.3
    Bonjour tristesse
    Bonjour Tristesse
    5.9
    Bonjour Tristesse
    Bonjour tristesse
    Bonjour tristesse
    Pretty Poison
    7.0
    Pretty Poison
    Platinum Blonde
    6.7
    Platinum Blonde
    In the French Style
    6.6
    In the French Style
    Where the Sidewalk Ends
    7.5
    Where the Sidewalk Ends
    Female on the Beach
    6.4
    Female on the Beach
    L'amant de cinq jours
    6.2
    L'amant de cinq jours
    Dangerous Crossing
    6.9
    Dangerous Crossing
    The Man with the Golden Arm
    7.3
    The Man with the Golden Arm

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Otto Preminger always liked this film, although he felt the American critics did not do it justice. The film was a qualified success in France, yet American critics felt the film wasn't French enough, a detail that amused Preminger.
    • गूफ़
      We hear the Band at c.6'50" and we see a clarinet-player performing, but the music has no clarinet part whatsoever included at that point in the soundtrack. Later, when the clarinet does eventually join the soundtrack, the fingering of the player bears absolutely no relation to the music actually being heard.
    • भाव

      Cecile: It's getting out of control. I just wish I were a lot older or a lot younger.

    • कनेक्शन
      Edited into Histoire(s) du cinéma: Une histoire seule (1989)
    • साउंडट्रैक
      Bonjour Tristesse
      Music by Georges Auric

      Lyrics by Arthur Laurents

      Performed by Juliette Gréco

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल22

    • How long is Bonjour Tristesse?Alexa द्वारा संचालित
    • What is 'Bonjour Tristesse' about?
    • Is "Bonjour Tristesse" based on a book?
    • What does the title mean?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • फ़रवरी 1958 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Bonjour Tristesse
    • फ़िल्माने की जगहें
      • San Tropez Beach, Saint-Tropez, Var, फ़्रांस
    • उत्पादन कंपनी
      • Wheel Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $446
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 34 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    "Bonjour tristesse" (Saul Bass Poster) 1958 Columbia Pictures
    टॉप गैप
    By what name was Bonjour tristesse (1958) officially released in India in English?
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