अपनी भाषा में प्लॉट जोड़ेंWhen a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works. His disappearance stumps the p... सभी पढ़ेंWhen a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works. His disappearance stumps the police - until a young scientist appears who claims that H-Bomb tests in the Pacific, evide... सभी पढ़ेंWhen a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works. His disappearance stumps the police - until a young scientist appears who claims that H-Bomb tests in the Pacific, evidenced by a "ghost ship" that has turned up in the harbor, have created radioactive creature... सभी पढ़ें
- पुरस्कार
- कुल 1 नामांकन
- Police Sgt. Miyashita
- (as Eitaro Ozawa)
फ़ीचर्ड समीक्षाएं
I always thought this was the movie that the Blob was based on although the release dates seem to be fairly close. This by far was the better movie of the two. I have seen this once again in my older years and it still resurrects memories of those childhood nightmares.
I would love to be able to obtain a copy of the film but it seems these days no-one seems to know of it.
I suspect that the modern age's Freddies, Jasons and Leatherfaces would not hold a candle to the effect that this film had on an impressionable youth back then. Perhaps the very fact that the monster had no tangible qualities and could theoretically be any puddle of water you came across was what gave it its fright value.
It would certainly be interesting to see how a remake of this would play today.
In my town, the first 50 customers at the box office received an "H-Man" premium -- to this day I don't know what that item was -- green Silly Putty?
An action figure?
The H-Man "himself" was a green (in some cases blue -- the Eastmancolor prints I've seen to date leave some doubt, but he looked green in the "previews" in 1958) blob that ran under its own power through sewer grates, up walls, and under doors to attack people by running up their bodies and melting them down inside their clothes, leaving nothing but a mystery. In fact, the plot is superficially a mystery/crime drama with some silly and cursory science behind the H-Man, but as these films go, THE H-MAN was a minor sensation -- the movie was not too long, dark and moody, with plenty of reasonably convincing effects to recommend it. This was "The Blob" without the teenagers, and the scenes of people dissolving were fairly sensational and pretty scary for its day -- folks being deflated like balloons and melted into puddles of suds.
The theater in my town announced the coming attraction in the lobby by featuring an "actual H-Man victim" on display -- which was a toupee lying on top of a crumpled man's suit, with a pair of shoes underneath. Crude, but effective...
क्या आपको पता है
- ट्रिवियाIn the original Japanese version, the detectives make a big deal out of the fact that Chikako owns a television. At the time this was made, 1958, a television set was still beyond the budget of the typical Japanese family.
- गूफ़In the nightclub sequences, there seems to be more performers in their floor show than there are customers.
- क्रेज़ी क्रेडिटIn an unusual move, Columbia Pictures did not matte the English "The End" over the final shot. It appears in Japanese as it did in the original Japanese version.
- इसके अलावा अन्य वर्जनFor the original U.S. theatrical and television syndication prints, "The End" appears in its original Japanese. When Columbia finally released this film on DVD as part of a three film Toho Collection, the final seconds were replaced with a title card that read "The End" in English. When it was re-released on DVD by Mill Creek Entertainment as part of the "Vintage Sci-Fi" six film set, the final seconds were restored to the original Japanese footage.
- कनेक्शनFeatured in Aweful Movies with Deadly Earnest: The H-Man (1972)
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