IMDb रेटिंग
6.3/10
31 हज़ार
आपकी रेटिंग
एक परग्रही जीव अपने रास्ते में आने वाला सब कुछ खा जाता है और बढ़ता जाता है.एक परग्रही जीव अपने रास्ते में आने वाला सब कुछ खा जाता है और बढ़ता जाता है.एक परग्रही जीव अपने रास्ते में आने वाला सब कुछ खा जाता है और बढ़ता जाता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Steve McQueen
- Steve Andrews
- (as Steven McQueen)
Aneta Corsaut
- Jane Martin
- (as Aneta Corseaut)
Olin Howland
- Old Man
- (as Olin Howlin)
Stephen Chase
- Dr. T. Hallen
- (as Steven Chase)
Vincent Barbi
- George
- (as Vince Barbi)
फ़ीचर्ड समीक्षाएं
This hugely entertaining b-movie starts off with an insanely catchy rockabilly song that perfectly sets the mood for what's to come. This movie never makes the mistake of taking itself seriously, which is what made it such an effective thriller.
The acting was actually pretty stiff, and the main characters aren't that interesting, but the director is really good at keeping this viewer in suspense. The blob was pretty ridiculous, but I still tensed up whenever I saw it on screen. And like I said in the summary, this movie has a sense of humour, which is important in low budget science fiction.
I also found the special effects to be clever. The Blob slithered under doorways, through vents, and up people's legs. It was kind of obvious how they did a lot of it,but I personally think that's part of the charm of pre-cgi effects.
Bottom Line: If you're expecting great acting and character development, skip this, but if you like b- movies, it's a masterpiece.
The acting was actually pretty stiff, and the main characters aren't that interesting, but the director is really good at keeping this viewer in suspense. The blob was pretty ridiculous, but I still tensed up whenever I saw it on screen. And like I said in the summary, this movie has a sense of humour, which is important in low budget science fiction.
I also found the special effects to be clever. The Blob slithered under doorways, through vents, and up people's legs. It was kind of obvious how they did a lot of it,but I personally think that's part of the charm of pre-cgi effects.
Bottom Line: If you're expecting great acting and character development, skip this, but if you like b- movies, it's a masterpiece.
I look at this page, and it seems disapproving to me to have to listen to someone ramble and rant at a real classic. Sure, I agree to let everyone have their opinion, but here's mine:
This movie should not be missed by any classic horror watcher, and should be seen many casual viewers around the world. Sure, it has lost some of it's flair and greatness with age, especially in todays world of CGI effects, but that's not why you should like it.
You should like it because it actually is a scary movie, even for today's standards. It's overall ickyness will creep you out just as much as the original audiences, so don't slam a classic if you haven't given it a chance. Watch it, but not with a critical attitude. Watch it to have fun, how it was originally intended.
This movie should not be missed by any classic horror watcher, and should be seen many casual viewers around the world. Sure, it has lost some of it's flair and greatness with age, especially in todays world of CGI effects, but that's not why you should like it.
You should like it because it actually is a scary movie, even for today's standards. It's overall ickyness will creep you out just as much as the original audiences, so don't slam a classic if you haven't given it a chance. Watch it, but not with a critical attitude. Watch it to have fun, how it was originally intended.
I grew up in Royersford, Pa. The town where Jerry's market was. I remember my whole family going out to watch the filming. I remember a guy showing the "Blob" to me and my brothers in a bucket. I also would like to share that my mother was in the movie. Her hair style was the same as Aneta Corsaut's and she was ill one evening and they saw my mom and asked her to sit in the car with Steve Mcqueen for some shots from behind. They payed her $25.00 and gave her a story to tell until she passed away this past August. My mom was not a teenager and she was a few months from giving birth to my little sister.
This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
I first saw "The Blob" on TV back in the '70s when I was about eight years old and it scared the unholy crap out of me. (I was a nervous type kid.) Seeing it again as a grown man, I smiled a lot at how relatively mild-mannered it is by today's standards, but "The Blob" is still a ton of fun. A young Steve McQueen (billed as "Steven" here for the first and only time in his career) plays the plucky, square-jawed teenage hero (despite the fact that he was 27 when he made the movie) who battles valiantly against the usual group of unbelieving grown-ups (who's gonna take the word of a teen-age hot rodder?) in order to save his small town from a man-eating alien hunk of goo that crashes to earth inside a meteor and begins absorbing townspeople at an alarming rate overnight. The title creature may resemble a wiggling, chewed up hunk of bubble gum, but you gotta love those attack scenes shot from The Blob's point of view (did they use a "Blob Cam?") and that oh-so-catchy theme song ("It creeps! It leaps! It slides, it glides across the floor!"). Admittedly "The Blob" suffers a bit from a few slow patches in the middle of the film where Steve and his fellow teens do more talking than anything else, but once the third act begins and the creature oozes into a sold-out midnight horror movie show at the local theatre, causing mass panic, it's golden. "The Blob" is an iconic piece of 50s sci-fi/horror, no doubt, and it's just as much fun to watch today as it must've been "back in the day." "The Blob" was remade in the late 80s by "Nightmare on Elm Street 3: The Dream Warriors" director Chuck Russell (I like that version as well), and now I'm hearing that Rob Zombie's next film project will be yet another new version of "The Blob." What puzzles and worries me is that Zombie says the first thing he's going to change in his remake is that there won't be "a big, red Blobby thing. I hate that." Now, how the hell are you going to make a "Blob" movie WITHOUT a big, red Blobby thing? Blasphemy!!!
क्या आपको पता है
- ट्रिवियाSteve McQueen had the poster of this film on his bedroom wall at the time of his death.
- गूफ़At 1:05:01, as the actor awakens and dons clothes, the siren (added in post-production) changes from air raid to fire. The Director can plainly be heard off screen cuing the actor with "Fire" just before the actor says it.
- भाव
[last lines]
Lieutenant Dave: At least we've got it stopped.
Steve Andrews: Yeah, as long as the Arctic stays cold.
- क्रेज़ी क्रेडिटWhen the movie ends it shows the Blob being dropped into the Arctic. "THE END" appears and changes into a question mark.
- इसके अलावा अन्य वर्जनSpanish-dubbed version substitutes the opening credits theme song for a more conventional, in-tone with the movie, instrumental tune.
- कनेक्शनEdited into Último deseo (1976)
- साउंडट्रैकThe Blob
Written by Burt Bacharach & Mack David
Performed by The Five Blobs, arranged by and all vocals by Bernie Knee
[Played over the opening credits]
टॉप पसंद
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विवरण
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बॉक्स ऑफ़िस
- बजट
- $2,40,000(अनुमानित)
- चलने की अवधि
- 1 घं 26 मि(86 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.66 : 1
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