The Badlanders

Vividly filmed in Cinemascope in the best late-50's MGM style, this loose remake of The Asphalt Jungle in a Western setting has some good acting and takes a different road. The relationship of Alan Ladd and Ernest Borgnine is consistently interesting and unpredictable throughout, and Katy Jurado offers a standout performance. Ultimately less grim than its source material, this one has a satisfying resolution, and the action that leads to it holds the interest the entire way. A solid Western that deserves a significant place in both of its stars' filmographies.

The other reviews pretty much explain what this movie is all about. I would like to add a couple of thoughts.

First, this is probably Alan Ladd's last quality production. The photography and locations are all very good, and the cast is solid. Compare those aspects with Ladd's subsequent films, such as "Man in the Net" and "Guns of the Timberland." Those two are definitely disappointing, not up to the standards of a star who excelled in films such as "This Gun for Hire," "The Blue Dahlia," and "Shane".

Second, the ending undermines the film's impact. Viewers who have seen "The Asphalt Jungle" will attest to the fact that the very grim conclusion of that classic seems inevitable and fitting. In the case of "The Badlanders," I suspect that Ladd himself rejected any such ending (if in fact such had been contemplated).

(By the way, the same can be said for an earlier Ladd film. "Thunder in the East" also has a happy ending that virtually defines the term deus ex machina. Had the principles all been killed in that one, it would have had a tragic quality that would have made it much better.)

"The Badlanders" is a good film (though not a great one) despite the above criticism. Had it appeared right after "Shane," it might have been a major hit. Unfortunately, by 1958 Alan Ladd's personal decline was all too evident. Perhaps it was too late for a Ladd film, even a good one, to break through.

I stumbled onto this one accidentally, and I'm glad I did.

Davies always worked with Borgnine to fine advantage, but the electricity of his pairing with late-in-career Ladd is an unanticipated delight. And, Borgnine's chemistry with then-wife Jurado is hotter still. Couple that with a deliciously foppish performance by feckless Kent Smith and excellent supporting work from Anthony Caruso and Ford Rainey and sharp-edged dialogue. The result is a fast-paced keeper.

I saw The Badlanders when it first came out in 1958 in theaters. It was my first acquaintance with both Alan Ladd and Ernest Borgnine. Then as now it's a good action packed western. But that's all it is.

I didn't know at the time that this same plot had been done so much better by John Huston in The Asphalt Jungle. All the subtlety and character development that Huston had was sacrificed for action. Delmar Daves is a pretty good director of westerns and action is what they got here.

Mind you The Badlanders is a good film for the Saturday afternoon trade, but it was done so much better before.

Alan Ladd is Peter Van Hoek, mining engineer who has a heist in mind of his former employers. He's the Sam Jaffe of this version. He's looking for confederates and he enlists a former cell-mate from Yuma prison who is played by Ernest Borgnine. Sterling Hayden in the first version.

Ladd was on the downward side of his career. The Badlanders is a perfect example of the kind of films he was doing after Shane, routine action flicks which could easily have been done as the plot of any number of television westerns that were sprouting all over the place at that time.

Ernest Borgnine was still on the crest of his career from his Oscar winning performance in Marty three years before. He even got his then wife Katy Jurado in this film as his love interest.

Nice cast that's familiar to western lovers round out the film. But everyone here has done better.

Toward the end, there is a scene that I recognized almost word for word from a similar scene in The Asphalt Jungle, then I realized that the whole thing is a close approximation. The family man safe cracker is the family man "powder monkey", the heavy Borgine is the thug Sterling Hayden (with their girlfriends of questionable repute), the financiers with their bought lawmen and molls are the same, the caper is similar. This one is a bit more lightweight than the former.

Maybe it would have worked better as a noir in B&W but not a bad film.