The Wayward Bus

A bunch of random strangers get on a bus for a short haul across the border to Mexico. They find out something about the other passengers, but more about themselves.

At one time this had been planned as a prestige production, with names like Marlon Brando, Anthony Quinn, Susan Hayward, and Gene Tierney mentioned for the role. By the time it came to the screen, the cast consisted of lesser-regarded players like Dan Dailey, Joan Collins, Jayne Mansfield, and Larry Keating in the roles. Although on paper it looks like a low-rent version of GRAND HOTEL, the characters are well drawn from a Steinbeck story, and the performers offer much stronger performances than the usual work they are noted for.

Credit producer Charles Brackett. He started as a writer, and in the mid-1930s, he hooked up with Billy Wilder. When they grew tired of directorial interference with their scripts, Wilder began to direct regularly, with Brackett as the producer. After 1950, they went on their own ways. Brackett continued to produce, occasionally taking writing credit, through 1962. Along the way, he picked up three Oscars, including one honorary one, amidst a baker's dozen nominations. He died in 1969, aged 76.

Starting from a backwater bus stop, a load of assorted passengers and their hunky driver have to negotiate terrible road conditions, while dealing with personal problems along the way.

Catch that bus. No wonder it's "wayward". Looks like it was bought at a junk yard sale, but, hey, it proves to be a real trouper. Chicoy (Jason) is the driver and he's got to get his assorted passengers to their destination, come heck or high water, both of which make a scary appearance. Meanwhile, the passengers have to pair up or straighten out, meaning the bus journey is not just literal but symbolic of personal discoveries. That may not be an original plot device, but the road effects are really well done. One thing for sure, except for Mansfield the film has a really drab look to it. Even the usually glamorous Collins is dressed down. Speaking of Collins, she's the only one to go over- the-top amongst a generally well-acted storyline. Going in, I thought this would be a Mansfield showcase, but it's not. She's just one of the passengers with her own personal difficulties to get straight. In fact, her budding romance with an aging Dailey is rather poignant. All in all, the movie adds up a decent time-passer with a few thrills and some non-sappy soap opera to carry the narrative.

You would expect a total bitchfest with a movie starring both legendary bombshell Jayne Mansfield and soap opera diva Joan Collins....but what you get is a fascinating film based on the John Steinbeck novel of a bus driver and his passengers and their adventures as they get detoured and sidetracked...both on the bus and in life. Joan Collins is the wife of driver Rick Jason (so gorgeous). It's a small and run down little bus that makes side trips. Joan Collins is the owner of a little restaurant who likes the bottle a bit too much. Unhappy with what has become of her life, she decides to "surprise" husband Jason mid-way through his bus trip. Jayne Mansfield is the shamed burlesque dancer on the way to a heavy paying gig in San Juan and gets caught up in the flirtation by a traveling salesman, played by Dan Dailey. Delores Pritchard gives a great performance as the "fast" daughter traveling with her parents on this trip. Also noteworthy is Betty Lou Keim who plays Norma. A really good ensemble piece that deserves a remastered DVD version.

"Johnny Chicoy" (Rick Jason) owns a run-down bus which operates on a route from Rebel Corners, California to San Juan, Mexico. His wife, "Alice Chicoy" (Joan Collins) runs the small bus stop and and they have two young employees named "Norma" (Betty Lou Keim) and "Ed 'Pimples' Carson" (Dee Pollock) who help them out. Although Johnny and Alice love one another the problem is that Alice is an alcoholic who is insanely jealous of other women and mistreats both Norma and Ed rather badly as well. In any case, after a heated argument Norma decides to quit and gets on the bus to San Juan with some other passengers which includes several rather unusual characters. Although the actual bus ride isn't very long, what none of the people count on is the weather taking a severe turn for the worse which subsequently results in some life-changing decisions for all them. Now from what I understand, this film was based on the book of the same title written by John Steinbeck with a few changes here and there to accommodate a motion picture audience. Likewise, it was also being used to showcase the talents of Jayne Mansfield (as the stripper "Camille Oakes") who had only recently come into prominence as one of Hollywood's leading sex symbols. Be that as it may, what I liked in particular about this movie was the depth of the characters and the manner in which all of the actors played their parts. Additionally, there were a couple of suspenseful scenes which were also quite entertaining as well. That being said, although it is certainly dated, I enjoyed this movie and have rated it accordingly. Above average.

Like many Steinbeck stories, this is more of a snapshot of a time and place as opposed to a rigid start-middle-end kind of movie. What we get here is a look into the lives of a bunch of characters with many of their respective futures left open to interpretation.

So we have the buffoonish travelling salesman, the alcoholic diner owner, the teen dreaming of Hollywood stardom, the rugged bus driver, the embarrassed stripper, the repressed teen...the list goes on. Basically, a cross section of society travel on a bus whose journey is as unpredictable and dangerous as that of the lives of most of the passengers aboard.

While it's not the most riveting of movies, and the vastness of Cinemascope certainly spoils the intimacy of some of the scenes, it is a solid little drama in the kitchen sink/new wave style that is an entertaining watch from start to finish. While the copy I own on DVD has clearly been copied from a television broadcast resulting in fluffy picture and muffled sound, I still enjoyed (and repeatedly enjoy) watching this film.

The standout? But Jayne Mansfield of course. If Marilyn silenced the critics that she could act with a movie about a bus, then so did our Jayne. Of course the platinum blonde tresses and eye-popping figure are present and correct but gone are the silly wiggle, the high pitched squeals and the plunging necklines. Here, in a rare straight dramatic performance, Jayne present Camille not as a cartoon character a la Jessica Rabbit, but rather a sex symbol with feelings, someone who is employed for her looks but has fears and emotions beneath the surface. Jayne moves and talks naturally in this film and is a revelation.

How sad that after this solid performance and her wonderful turn as Rita Marlow in Rock Hunter, ego would dictate that she would agree to appear with Cary Grant in what many consider the final nail in her A-list film career, Kiss Them For Me...a truly abysmal waste of time.

But forget about her career mistakes; Jayne is solid gold here and this is well worth a watch.