The Traitor

This is a wonderful example of post-war British thrillers at their very best. Members of a French Resistance unit meet each year in England on the anniversary of their leaders death at the hands of a traitor in their midst. When they learn that the identity of the person responsible for this treacherous act is about to become known he or she decides to prevent their secret from being revealed. The ensemble cast are all ideal for their roles, Anton Diffring stands out as a concert pianist instead of his usual role as a nasty Nazi. He really could play the piano well, although I don't think he played the score in this film. It is difficult to guess who the murderer is, I'm still not sure how the investigating military officer comes to his conclusion, but I have watched this film dozens of times and never tire of going along for the ride! It is good to see Christopher Lee also playing a role other than his well-known vampire ones, along with many other well-known European faces, especially Jane Griffiths. This film is impossible to find on video or DVD so if you have the chance to see it don't let the opportunity pass you by!

I was really disappointed with that spy thriller : it's slow, no movement, just people listening to each other with no intensity, no particular camera angles, the camera is just placed in front of the actors. The whole movie is boring and the final twist is ridiculously directed, I was puzzled to see that lack of intelligence. The actors all seem sleepy, even Christopher Lee. And the director Michael McCarthy directed only 8 movies rather unknown.

On the same subject, just to see an inspired direction, I advise "Marie-Octobre" directed in 1959 by Julien Duvivier, same meeting in a house with only one woman (and what a woman, Danièle Darrieux) with top notch masculine casting like Lino Ventura, Bernard Blier, Robert Dalban, Paul Meurisse, Serge Reggiani, Noël Roquevert, Paul Frankeur, Daniel Ivernel, ... There is real camera and setting work, and the actors are really playing tough.

You would think with a plot like you'd have in "The Accursed" that the film would be exciting. However, I found it to be a boring, talky mess.

When the film begins, there's a reunion of WWII resistance fighters. However, it seems that several folks aren't there this year and it appears as if someone is killing them! Perhaps one of them is really an old Nazi taking out their vengeance on the group. A nice setup, huh? Well, this all comes out in the first few minutes of the film...what follows are a bunch of folks in an old house...and a US military man who shows up and talks and talks and talks trying to piece together what's happening.

Had the film been able to unfold OUTSIDE the room and there had been far less talking, it would have been a good film. But you don't SEE any of the action and the result is just claustrophobic and boring....very, very boring despite fine actors like Christopher Lee and Anton Diffring being in the movie.

1957's "The Traitor" centers on a small band of resistance fighters whose leader was murdered by the Nazis after being betrayed by one of their members. Every year since the war's end, they all gather together in the English country home of Colonel Charles Price (Donald Wolfit), except that this time, the Colonel expects a visit from one Theodore Dehmel (Colin Croft), who will be flying in from Berlin, having discovered the traitor's identity. As had been the case during wartime, Price intends to dispense justice himself without any police involvement, but Dehmer arrives and promptly expires with a knife in his back, uttering the mysterious words, 'There's been a mistake.' Once the characters are introduced in the opening reel, the scene never leaves the Colonel's home, making for a claustrophobic screenplay that benefits hugely from its exceptional cast. As another commentator noted, the solution is ingenious, but without any concrete evidence that points to the guilty party. Most of the group are established as being German, except for the Swiss Alfred Baum (Frederick Schiller) and the Polish Joseph Brezina (Anton Diffring), the latter a brilliant concert pianist, allowing Diffring to display a more sympathetic side to his normally villainous countenance. The most notable supporting player is Christopher Lee, still a few months before his star making turn in Hammer's "The Curse of Frankenstein," and sporting a flawless German accent as Doctor Neumann, whose presence no doubt inspired the American distributor to change the generic British title from "The Traitor" to "The Accursed," giving it more of a horror slant. Seldom seen since the old days of black and white television, its obscurity seems destined to continue.

This could have been better as a TV play or radio play or anything but a film.It has a very good cast including that scene stealer,Donald Wolcott,everyone favourite German,Anton Differing,and a pre Dracula Christopher Lee.The film is an old dark house mystery with a Nazi twist.They are going to be told who was the traitor in their midst but the informer is murdered.They don't call the police and decide to find and try the murderer themselves.After another murder the culprit is finally unmasked using one of the oldest tricks known to thriller writers.So it all ends up neatly tied up.Much too much talk and rather statically filmed.