The Tattered Dress

The first 20 minutes are quite vivid and garish, and Elaine Stewart is lovely and electrifying as the well-married tramp. Later it bogs down in pompous courtroom scenes that magnify Jeff Chandler's tendency toward two-note delivery. Note: The review in TV Guide slams Jack Arnold, implying that he's a poor director and that the "Incredible Shrinking Man" was a poorly-directed film. (!?!) Hey! Please study your film history! Take it from someone who thinks that 50's pop culture is important, that it is reflected in almost everything we think, do, and watch today, from the cars that we drive to the presidents that we elect! Jack Arnold was a master, and the films (and TV shows) that he directed have been a major influence.

When hired gun New York lawyer James Blane (Jeff Chandler) is brought in to Desert View, Nevada to defend Michael Reston and his vampy wife Charleen (Phillip Reed & Elaine Stewart) on murder charges, he finds himself accused of jury tampering. Blane, a less than exemplary role model with a dubious past, must fight over local prejudice and the town's political power-broker Sheriff Nick Hoak (Jack Carson) to prove his innocence. With the help of his estranged wife Diane (Jeanne Crain)Blane works to unearth the town's secrets and unravel the crime.

"The Tattered Dress" is one of the many medium budget releases cranked out to fill growing demand in the 1950's created by the expansion of the drive-in movie. Universal International Pictures was a major player in that space. Universal International was able to assemble casts of slightly off the A-list and presumed over-the-hill stars into some very good movies. "The Tattered Dress" is one of those. The cast of this movie is excellent. After watching a few movies with Elaine Stewart it's hard to understand why she never quite made that transition to major stardom. She had a screen presence as did Gail Russell who carries her part off to perfection in one her last big screen appearances.

Since this movie shows up in Film Noir titles it will get criticism from purist Noir Fans, which is unfair to this movie. By 1957 visually classic Film Noir Movie was a thing of the past. "The Tattered Dress" is a 1950's style, slightly salacious, crime melodrama. The style of this movie lies somewhere between The Postman Rings Twice and Peyton Place. Taken for what it is, "The Tattered Dress" is 93 minutes of decent entertainment.

"The Tattered Dress" is an excellent mystery and crime story that will keep one on the edge of her or his seat from halfway through to the end. And, what a tremendous cast of top actors of the day. The leads all gave great performances - Jeff Chandler as James Blane, Jeanne Crain as his wife, Diane, and Jack Carson as Sheriff Nick Hoak. And a supporting cast of well known actors who also shine - George Tobias as Billy Giles, Gail Russsell as Carol Morrow, Edward Platt as Ralph Adams and Edward Andrews as Lester Rawlings head up that bunch.

I don't recall ever having seen this film as a teenager when it came out, or on late night movies after that. The plot is very original and very interesting. The only fuzzy thing about this is the portrayal of the murder case that big city attorney James Blane wins in getting his wealthy client, Michael Reston (played by Phillip Reed) acquitted. The film just has Blane cross examining the sheriff and pretty much making a fool of him. The next thing is a jury verdict of innocent. But that then opens onto the meat of this movie when Blane is served with a summons for a grand jury trial.

Anyone who enjoys good mystery films should like this one from way back in the middle of the 20th century. Here are a couple of favorite lines from this film.

Michael Reston, "You sound like a prosecutor." James Blane, "Another acute observation. You're cleverer than I imagined."

Charleen Reston, "I'll pick you up at the courthouse at eleven." James Blane, "Slight correction - I'll see you in court Monday morning."

Jack Arnold have always amazed me except in his last films, in the seventies, when he lost all ambitions and maybe also talent. But in the fifties, he is one of my favourites, besides Nathan Juran, his alter ego for me. Both worked mainly for Universal Pictures, though Juran was alsio hired by Columbia Pictures, and both were pretty good professionals in any domain: science fiction, western, crime.....Their films have great charm, and in this one, I was a bit stressed before seeing it, because it is a thriller drama, not really crime, but shot in the western more: small desert area town, a man arriving - a lawyer instead of a sheriff ( Jeff Chandler) but that where the comparison stops. It becoms a court drama and so on. Some scenes may be seen as some kind of tribute to other Jack Arnold's films: a beautiful lady dives into a swimming pool and swims underwater - CREATURE FROM THE BLACK LAGOON - and Jeff Chandleer shown driving in the desert - TARANTULA and if my memory doesn't fail IT CAME FROM OUTER SPACE. This drama is full of the fifties charm and Universal Studios always gave me this feeling.

Jack Arnold's "The Tattered Dress" is a wonderful surprise - a very fine, well-crafted movie from Universal that defies the usual movie pigeonholes of A-movie versus B-movie, and serious film versus exploitation film. It also demonstrates Arnold's versatility as a director: known for his many classic sci-fi/fantasy pictures, yet capable of a classic British comedy hit "The Mouse That Roared" and everything in between including blaxploitation (with Fred Williamson) and excellent work for TV.

Watching it for the first time, some 67 years after release via YouTube, I was immediately struck by the excellent CinemaScope black & white photography, with fine compositions by an unheralded cameraman Carl Guthrie (who shot one of my all-time favorite movies, "Christmas in Connecticut").

But this is an Albert Zugsmith production, and like so many of his exploitation movies features many beautiful actresses like Elaine Stewart (she of the tattered dress) to add a tidbit or so of raciness to an otherwise serious picture.

The script by George Zuckerman, best-known for his screenplays for Douglas Sirk classics, is remarkable, with complex lead characters played by Jeff Chandler (the deeply flawed lawyer who has heroic elements) and well-cast Jack Carson (a most amiable villain). He manages to include courtroom gimmickry that puts a Perry Mason episode to shame, by taking the usual preachiness of a spirited lawyer's speech to nearly satirical extremes.

IMDb submitters have classified the movie incorrectly as "film noir" and "Psychotronic" (apologies to Michael Weldon, who I knew well back in Cleveland before we both moved to NYC). Just as the word "cult" has been misused and widely overused in recent decades, I prefer "overlooked" or "misunderstood" as more accurate to describe so many great movies ranging from Hugo Haas to Ken Russell that eventually have found a niche and latter-day appreciation. (Growing up in the '50s, it was the word "camp", both high and low, that was how film buffs treated similar off-beat content.)