Sweet Smell of Success

Press freedom is one of the best thing in any democratic society but it may sometimes produce/bring lies used for the advantage of powerful groups and/or circles. That is why this film was called in some Latin American countries "A Damn Lie". The excellent plot shows how someone arrogant, selfish, good writing and talking as J.J. Hunsecker (Burt Lancaster) was able to use various factors in the society he did his work in order to destroy any enemy, any adversary or any person whom he did not like at all. An example was the boy friend of his sister Susan, a working young man, devoted to music and strongly in love with Susan, completely discredited by JJ. Certainly JJ was a kind of a sick man, unable to accept any reason from any other person. He was born to have adversaries and not friends. To do all his work JJ needed snakes (not persons) as Sidney Falco (Tony Curtis), who behaved worse than a reptile, always praising JJ although he in fact hated him and creating the intrigues whenever there were necessary. Very good film and probably a lesson, the acting was also excellent, particularly of Lancaster as a tough columnist JJ and Tony Curtis as a low ethic man.

"I love this dirty town". "Match me, Sidney". "Maybe I left my sense of humour in my other suit". Great dialogue. Great script, great cinematography, great acting, great music. Christ, what do you want, blood? From the first moment we see Burt Lancaster as the impossibly sinister J.J., we know we're in for a cracking time. There he is, sitting at the restaurant table, wearing those strangely scary glasses, his face expressionless (perhaps he's smiling, just a little bit), talking to Sidney without even looking at him, firing the dialogue like bullets. When the action seeps into the New York streets, oozing menace, there's J.J. - master of all he surveys, twisting cops round his little finger, snarling and seething like some desperate animal. And there is something animal about this film: its characters writhe and twist in the lights and the shadows - demented, tortured creatures, all of them trying to maintain some semblance of normality, all of them aware, deep down, how corrupt and helpless they are. The symbols of goodness - J.J.'s sister and her boyfriend - are weak, pathetic, hopeless, unable to keep up with the neverending twists and turns of this awful labyrinth of manipulation and cruelty. Curtis and Lancaster were never better, and it's awesome to see them play such grotesque yet believable roles. How do people get like this? Where do they go from here? Perhaps it's best not to think about it, and just wallow in the brilliant nastiness of it all, before maybe going home and getting in the shower for a long, long time.

There are three reasons that movie fans should check this film out, if you haven't seen it yet:

1 - Outstanding dialog. I can't recall a film in which I heard so many clever film-noir lines as this one. Almost everyone in the movie has a unique way of expressing their feelings. It makes the movie one that you want to go back and HEAR again. Clifford Odets and Ernest Lehman wrote the screenplay and deserve special recognition as well as the people below.

2 - Fabulous acting, led by the two male leads: Tony Curtis and Burt Lancaster. Curtis is the star of the film with many more lines than anyone else, and many consider this to be his greatest acting achievement. I have no quarrel with that. It's one of the finest acting jobs I've ever witnessed by anyone. It's that good.

Lancaster is memorable and plays to his strengths as a tough guy, not only with his physical presence but his tactless and cutting verbal assaults. He has the best and most brutal lines in the film.

The minor characters in here, from the cop to the comedian to the cigarette girl to the young romantic couple are all top-notch.

3 - The cinematography. A big name in the film business, James Wong Howe, more than lives up to his reputation. This is beautifully photographed and looks absolutely stunning on DVD. I have watched hundreds and hundreds of black-and-white films and this ranks with the best of them. He captured nighttime New York City as well as anybody ever has done.

"Well," you might ask, "if this movie is so great, why haven't I heard more about it?"

Maybe because it never did well at the box office. It wasn't promoted a lot, from what I heard, and the storyline is not a pleasant one. Basically, this is about two immoral people who smear a nice guy so that it will ruin the romance between he and Lancaster's sister.

Lancaster plays an absolutely ruthless newspaper columnist who makes and breaks careers and Curtis plays his slimy press-agent who will do anything to please his powerful boss, including doing the worst of his dirty work.

Furrther details of the film can be read by many of the other fine reviewers here on this website, so no need to go into that.

I am not one who generally likes films that feature mostly nasty people but this was done so well that it fascinates me every time. A final tip of the hat to director Alexander Mackendrick. Why he wasn't given more films to direct is a mystery to me. Highly-recommended.

From the opening credits to the climatic ending, the scintillating dialogue and the magnetic performances from both Burt Lancaster and Tony Curtis this is Hollywood at its cerebral best. The king of the thinking mans cinema. Has better dialogue ever been written, the meetings between all the different characters that inhabit this world of shadows and intrigue, constantly draw the viewers attention to this masterpiece. When the so called film buffs compile there lists of the "best" films and so on, this should always be talked of in the top five and yet though recognised more as the years go by this is still a highly overlooked film. That Marlon Brando, De niro, Nicholson and the like should be recognised so often in said lists when Burt Lancaster in this film and in so many others has equalled or surpassed there best performances is a real scandal. Perhaps because this film strikes at the very heart of the establishment and shows the media and press up for the unscrupulous scum they are that this is one those fellows would like to forget. It is always difficult to look the truth of oneself in the mirror and this is one mirror the media should look very closely at. A masterpiece from Lancaster, who's courage never failed when making films and was always ready to tackle the kind of film making that lesser men would not have dared to, not to mention casting himself in a "bad guy" role that defied his heroic, handsome leading man status. Let us not forget that this is the same man who through out his life was never afraid to speak out on subjects that were important to him, a life long liberal and contemptuous of anyone who excepted limitation. I love this film and both Lancaster and the picture were far ahead of their time.

The main characters in "Sweet Smell Of Success" are two of the most unpleasant, unprincipled and unsympathetic people imaginable. Both are utterly corrupt and would do whatever it takes to achieve their own perverse ends.

J J Hunsecker (Burt Lancaster) is a gossip columnist who wields enormous power in New York and has the ability to make or break the careers of anyone who features in his articles. He plies his vicious trade without any concern for those whose lives he damages and frequently influences people to do his bidding by threatening to expose some unflattering or scandalous information about them. Sidney Falco (Tony Curtis) is a press agent who makes his living by providing material for Hunsecker's column. When Hunsecker becomes unhappy about a relationship that has developed between his sister and a jazz guitarist, he orders Falco to do whatever's necessary to break them up. Hunsecker racks up the pressure on Falco by not accepting any of his contributions for the column until he succeeds in his mission.

Hunsecker's power and threatening manner preclude him from having any genuine or meaningful relationships with other people. He is unconcerned about this but has an unnaturally close relationship with his sister, who on various occasions, he describes as being all that he's got.

In his efforts to get a smear about the guitarist published, Falco threatens to blackmail one columnist by telling his wife about one of his indiscretions with a cigarette girl and also provides another columnist with an inducement to print the story by getting his girlfriend to prostitute herself. He later plants marijuana in the guitarist's pocket and tips off a corrupt police officer who has the guitarist arrested.

Hunsecker thrives on the amount of power and control that he is able to use and it's ironic that he has such a hard time using his power successfully in the area of his life which is most personal and important to him.

"Sweet Smell Of Success" is expertly directed by Alexander Mackendrick and the story and it's characters are considerably more original in nature than those found in the vast majority of movies. The dialogue is impressively incisive throughout and some of the remarks made by Hunsecker are delivered with great panache. When he says "I love this dirty town", the comment exemplifies what he's all about and also highlights the source of his power. His remarks that Falco is a "cookie full of arsenic" and "lives in moral twilight" are typical quick-fire put-downs. These and his "40 faces speech" could seem pretentious and contrived if uttered by some characters but sound perfectly credible when said by Hunsecker, who is clearly very literate and well practised in coining such bitter and brutal insults. Lancaster and Curtis both contribute exceptional performances which must rank among the greatest achieved in their illustrious careers.