Quantez

Robbers flee for the Mexican border. They make for the small town of Quantez to water their horses and get some food, but find it deserted. They spend the night there, wondering what is going on and squabbling among them over leadership of the group and Dorothy Malone.

It's a very talky and philosophical western, bookended by action sequences to keep fans of the genre happy. By itself, it's interesting as a statement of the bandit life, a shaky A western that tries to make itself as something out of the mold of more standard fare. It succeeds because of its cast, including Fred MacMurray, John Gavin, and Michael Ansara, who was taking a brief break from playing Cochise on TV.

A western that has way too much talk, but the talk does draw some deeply etched characters is Quantez. Had they pumped it up with a bit more action this could have been a classic. That is despite Fred MacMurray who really never felt right in westerns. He does all right by this one however.

The hot tempered John Larch leads a gang of outlaws fresh from a bank robbery takes his three men fleeing a posse. His henchmen are Fred MacMurray an experienced outlaw who doesn't talk much about himself, a young fast draw in John Gavin who is from the east and Sydney Chaplin a man raised among the Apaches in whose country they have to pass through. And he also brings his main squeeze Dorothy Malone for those cold desert nights.

The outlaws arrive in the freshly deserted town of Quantez, deserted because the Apaches under Michael Ansara have made it most uncomfortable to live. What to do, but take stock of the situation and formulate a plan to get across the desert.

So while they're stuck there, the true character of all comes forth. All of them are chafing under the leadership of Larch who once again is playing a rather arrogant, loudmouth individual who is a fast gun, but has little else to recommend them. And of course there's the presence of Malone who just by being there is giving them all an itch that Larch won't them scratch.

Only one other speaking part is in this film that of James Barton who plays a wandering painter and who has an extra horse they might need to make it across the desert. It would be smart if they all stuck together until the Indian crisis is passed or they're all dead, but Larch won't let that happen.

It's plain that MacMurray should be the gang leader, but he has reasons why he's not and for that you see Quantez for.

Quantez is a bit verbose, but the characters are interesting to say the least.

I'm going to go against the positive few reviews so far posted here. I was very disappointed, and found it the poorest of "gang in a ghost town" Westerns that I've seen. Pity, because the cast was reasonably strong. About the only interesting thing in it was what I thought was John Larch's resemblance to Gary Cooper.

None of the characters is at all likable and most of the could be a stage play, with so much action confined to one room. These aren't necessarily bad things for a film, but all the talking and no action was tedious, as were the white characters turning on each other and the inevitable interaction between Chaney and each of the four gangsters.

I nearly turned off my recording of the film but struggled through to the ending, which was OK.

After a bank robbery, Heller and his small gang are on the run from the posse. The gang intends to cross the border into Mexico but their horses are tired. The outlaws decide to make a stopover in the town of Quantez to rest and feed the horses.

Heller is a brutal and cynical man who treats his woman, Chaney, with disdain and contempt. When Heller treats Chaney bad, Teach defends her, causing violent clashes between himself and Heller. Gentry has to step in and separate the two before they kill each other over Chaney.

When the gang reaches the town of Quantez it is shocked to see a deserted ghost town. Nevertheless, they decide to rest there for the night. Gato, the gang's scout, scouts around at night and finds an Apache spear with a message that anyone still found in town after sunrise will be killed. Gato realizes there are Apaches around but decides to keep this information to himself. With Apaches lurking around and Heller trying to kill Teach over pretty Chaney it doesn't look like the gang will ever reach Mexico.

Bank robbers holed up in a deserted ghost town? Apaches nearby - sounds exciting, but Quantez fails in the shoot 'em up department ( well accept the lively action-packed finale). However, it has an interesting dialogue, good characters and ok tension. What plays against it is too much gabbing and not anything exciting happening, but I still thought it was ok. Diverting enough if you have nothing to watch. I guess I liked its brooding atmosphere and the psychological discord in the characters - Fred MacMurray is excellent as always. Dorothy Malone sizzles. Shame the plot wasn't sharper and had more action.

I have seen two of Harry Keller's films; this one and ' The Unguarded Moment ' where he superbly directed Esther Williams in a thriller without a swimming pool in sight. In ' Quantez ' he directs Dorothy Malone, and elicits from her an equally fine performance. He also gets performances to remember from Fred MacMurray, John Larch and from a young John Gavin, and the latter despite his working with Douglas Sirk never did better. So what of the plot, and giving as few spoilers as possible ? It reminded me of the group holed up in an hotel in ' Key Largo '. It is equally claustrophobic and yes, just as in ' Key Largo ' there is a lot of dialogue as well as brutal action. The way Dorothy Malone is made to sing and fails reminded me of Claire Trevor, and just as good, and instead of a hurricane to face in ' Key Largo ' it is Native Americans out to kill at dawn in ' Quantez '. Appropriately here it is a deserted town in the back of nowhere and ostensibly there is no place to run. John Larch gives a good and mean performance as a controlling thug of a cowboy that reminded me of Edward G. Robinson and just as nuanced. I have no idea if the script had a semi-remake of ' Key Largo ' in mind, but if they did not, then it is a minor miracle of coincidence. Other than a few scenes with rugged landscapes the film is set mainly in a deserted saloon and the tortured dialogue is savage and well worth hearing and when the brutality kicks in it kicks in even harder. A seemingly lost adult Western this should be better known as it beats many other Westerns which have been overrated. A uniformly good cast, and all of them give of their best. My only criticism is a few cardboard exterior scenes by night, and reluctantly I have reduced a 10 rating to 8. Not quite a masterpiece of its genre, but it almost is, and is way above the standard of other lesser, but more well known films.