Pyaasa

Dutt had been toying with the idea of making 'Pyaasa' for four years. Some of the film echos part of his life story but not as close as the tragedy 'Kaagaz ke Phool' did. It's also very similar to a recent movie I have seen, namely Ghose's 'Yatra'. Maybe Ghose made 'Yatra' as a tribute to Dutt's 'Pyaasa'. 'Pyaasa' is the story of a talented poet Vijay, who struggles through life trying to get his poems published. But, in this materialist world where money and fame rule, there is no one willing to give Vijay's poetry a chance, except one person, a streetwalker called Gulabo. Gulabo is captured by the beauty of his poetry but what can she can do to get the poems published?

'Pyaasa' starts in an unconventional but beautiful way. We see Vijay lying on the park. The poet smiles as he's captured by a bee buzzing over a flower. The smile vanishes as a man's shoe carelessly squashes the bee. This already reflects society's careless attitude towards him. Even Vijay's former lover Meena dumped him because she preferred someone with more wealth.

Murthy's cinematography is outstanding making 'Pyaasa' a visual treat. The songs and poems are beautiful and they are a powerful part of the narration as they reflect moments such as Vijay's love for Meena, Gulabo's love for Vijay's poetry, the brothel where people are traded and the devious society. There are so many wonderful scenes. The moments between Vijay and Gulabo are some of my favorites.

The performances are top notch. Guru Dutt becomes Vijay and allows the viewer to feel his struggles. Waheeda Rehman is breathtaking and plays her part to perfection. Mala Sinha and Rehman do very well. Johnny Walker is hilarious.

'Pyaasa' is Dutt's achievement on multiple levels. One of the best of Indian cinema and no wonder why he's recognized as one of the greatest filmmakers.

Hindi cinema cops a lot of flak for its escapist fluff, and rightly so, when it churns out drek like MPKK, HSSH and HTHS with depressing frequency. It was, however, not always so. Pyaasa reminds us that the Golden Age of Hindi cinema was just that, truly golden. There is almost nothing at all to fault with this gem. I'm listening to Sar Jo Tera Chakraye while I type this, but the whole soundtrack is outstanding, and the story, both in design and execution is a great demonstration of the fact that commercial cinema _can_ be fine art, too.

The evocation of atmosphere is well-done, and the main characters are well drawn. Johnny Walker is, as always, excellent in the comic relief. Some have said that they found him an intrusion, but for me, this very un-comic movie benefited from a little lightening touch from the inimitable Johhny. Subhaan Alaah that it wasn't Johnny Lever!

I love every song in the soundtrack, and think that it is the best soundtrack from any of the 320 or so Hindi films I've seen. It is, in my opinion, rare to find a Hindi film in which the songs work very well both in the film AND on their own. Sometimes, there are boring films with great songs, like Swades, and sometimes there are unremarkable songs that work well inside the film, like Dhadak Dhadak from "Bunty aur Babli". In Pyaasa though, every song fits AND every song survives apart from its context in the film.

However, the clincher for me the ending. There are maybe three or four Hindi films I've seen with almost perfect endings, in terms of being right for the film. I would say that they are, Dil Se (breathtaking and brave, but absolutely right for that film), Page 3 (the 21st century Pyaasa in its storyline, to me) and at the top of the heap, Pyaasa. The fade out to Yeh Duniya Agar is utterly perfect. I love this film to bits, and it was the ending that sealed it for me.

If you are not familiar with the history of Hindi films and are led by the high ratings here to expect a big masala movie indicative of contemporary Bollywood films, you may come away from this film scratching your head and wondering where the high ratings came from--particularly if you are new to Hindi cinema ( as opposed to " Bollywood").HOWEVER, having said that, let me encourage those who are unfamiliar with what is known as the "Golden Age" of Hindi cinema and the historical times that gave birth to this film to do some reading and THEN watch it. 1951 was only 4 years after partition, but unfortunately, many Indians were already becoming disenchanted with the new government's ability, or lack thereof, to bring about the sweeping changes many had hoped would come with the new beginning for the new country. Pyassa came at a time of disenchantment and soul-searching as the new socialist, secular India struggled to find her footing. (Author Tejaswini Ganti does an excellent job illuminating this very different yet important time in Hindi Cinema.) It presents a very bleak picture of greed and corruption, and yet there is a small beacon of hope for understanding, for good to find a way to continue, for equality to stand against injustice, hope for the future. Understanding this is integral to appreciating WHY this is considered one of the greatest films in Hindi cinema history. Learn, watch and enjoy.

A musical melodrama from the Hindi film industry of Bombay, now popularly known as "Bollywood", although it wasn't called that back then. Well this movie is certainly a lot better than any of the more recent "Bollywood" musicals I've seen, and it's probably even one of the best musicals I've ever seen from anywhere. What really stands out in Pyaasa in particular is how the music is often used to express serious themes and social critiques, which is something I've rarely ever seen in a musical. The ending was also quite unexpected and very moving. The last few scenes and dialogues in particular were powerful and had a lot of meaning to them.

The star of the show here is Guru Dutt, who was not only the director and producer, but also starred in the film as the protagonist Vijay (a struggling poet from the slums), comparable to the versatility of Orson Welles in Citizen Kane. The two main actresses in the film, Mala Sinha as the married ex-girlfriend Meena and especially Waheeda Rehman as the prostitute Gulabo, were also impressive. In some ways, the story has some similarities to that of Moulin Rouge! (2001) but even better than that in my opinion. The music by S. D. Burman and his son R. D. Burman also has a timeless feel to it. I would highly recommend this movie to musical fans, or even if one is not a musical fan, I still think it's worth checking out.

9/10

Guru Dutt had the theme for "Pyaasaa" running in his mind for 4 years before he actually got around to making it. He followed the counsel of friends who advised him to make some money before venturing on such an offbeat drama and made such purely commercial, but thoroughly enjoyable, films as "Aar Paar", "C.I.D" and "Mr & Mrs 55" which were all commercially very successful.

"Pyaasa" starts brilliantly - a man lying down, staring at the sky, the flowers - all very happy. A bee starts buzzing over a flower and then, moves down to the grass. The smile on the poet's face is broken as a man's boot uncaringly descends on the bee. Thats more or less the theme of the film. The uncaring attitude of the society where the struggling ones are trampled over mercilessly. Laced through this is the whole romance triangle with one lady dumping her lover for a well-to-do businessman for the sake of money, and a prostitute who loves the poet truly.

The film is filled with some memorable moments and lots of brilliant shots. My favourite is the sequence where Dutt tries to commit suicide is magnificent - there is no dialogue through that 3 minute sequence. But I think the scene would have been even more remarkable had there been no background music.

V.K.Murthy does an outstanding job with the camera. I compare the Guru Dutt-Murthy combo to the Orson Welles-Greg Tolland combo that created "Citizen Kane". Murthy was even better in "Kaagaz ke phool" - but thats for later. This film is an absolute visual treat.

S.D.Burman does a fair job with the music but it is really Sahir Ludhianvi's poetry thats the pride of the songs in this film. Stinging sharp, the words slam the devious ways of the world, the mercenary nature of the society. The climax, though a trifle melodramatic, is brilliantly conceived.

All in all, this is a film thats worth preserving in your DVD collection. This was Guru Dutt's best film and that is saying a lot ! He is now usually touted as the greatest film director in the commercial world of Hindi films. He demonstrates how a film can be both artistically satisfying as well being throughly entertaining to the masses.