The Prince and the Showgirl

Olivier and Monroe...an unlikely combination, it would seem. Yet Olivier's blustering pomposity and Monroe's giddy naivete create a surprising chemistry. Sir Lawrence is ever the blue-blood in this well conceived comedy, the tale of a lovely, bubbly young American showgirl who is invited to spend the evening with the smitten Prince.

Monroe is absolutely wonderful--her performance is well thought out and very strong, using every ounce of her famed comedic skill . And she's beautiful as always...even in a pristine white, elegantly beaded evening gown she fairly radiates sensuality.

What truly holds the film together, though, are the outstanding performances by Richard Wattis (the unerringly English, ever mindful Majordomo Northbrook) and Sybil Thorndike (the Grand Duke's hilariously incomprehensible mother-in-law the Queen Dowager).

The movie is well filmed and well paced, with the exception of the coronation ceremony segment which could have been edited considerably. Overall, the story is a winner... a very charming tribute to the virtues of persistence! We learn that our Prince isn't nearly so cold and conniving as he'd like us to believe, and Miss Elsie Marina isn't nearly the wide-eyed ingenue we thought she was...

Considering that all of the backstage talk on the making of 'The Prince and the Showgirl' tells us that a huge rift developed between Oliver and Monroe, their chemistry in this charming comedy is incredible and very apparent. Oliver has his stuffiest role since 'Pride and Prejudice' and does a standout job. Their would-be seduction scene early on, where a tipsy Monroe confronts him with a show of confidence amidst her giggles, is a highlight of the film and sets the tone for the kind of banter between them.

Marilyn never looked more elegant than she does here, costumed and coiffed to look incredibly beautiful. The others in the cast are all impressive in their supporting roles but the main drawback is a script that lumbers along, poorly paced and finally going nowhere. At least twenty minutes of footage could have been clipped to make the whole thing more watchable.

But if you enjoy seeing Marilyn play comedy, this is the one for you. Never has she shown such a flair for enjoying herself in a role. One would never suspect that rumors of unprofessional behavior and disputes with Oliver were even remotely true. The finished product has a glossy, elegant and thoroughly professional look--and as I said before, the only drawback is the script itself and a story too slight to make it totally absorbing. But Laurence Olivier and Marilyn Monroe are both excellent--and, surprisingly, Monroe even upstages him more than once.

This is one of those movies where the set pace of events are known to the audience, so that when it reaches it's conclusion we are aware that what we (the audience) might wish can happen for the two leads is not going to be possible.

It is 1911, and we are in London for the coronation week of King George V and his wife Queen Mary. If you have read THE GUNS OF AUGUST by Barbara Tuchman, this event was the last great occasion for the appearance of all the crowned heads of Europe prior to the destruction (in seven years) of three leading houses (Hohenzollern, Romanov, and Hapsburg) due to World War II. Despite the survival of several other monarchies in Scandanavia, the Benelux countries, and (in revival) in Spain, the three lost ones of 1918 are now joined by the lost ones of the Balkans. And it is the Balkans that is the spot that Laurence Olivier's Carpathia is located in.

In reality Carpathia is part of Hungary and Roumania. Part of it (Transylvania) is well known through the story of Dracula. But for the sake of this story, it is an independent kingdom like Roumania, Bulgaria, and Serbia at that time. Prince Charles, the Regent of Carpathia, is running the country until his son King Nicholas comes of age in 18 months. So sometime in 1913 Nicholas will start ruling in his own name, and he is pro-German. Charles is pro-English. This would be unimportant but Carpathia has the fourth best army in Europe, so if it shifts it's position it may cause an unbalanced international situation that may lead to a general war.

Charles (Laurence Olivier) and Nicholas (Jeremy Spenser) and Nicholas' grandmother the Queen Dowager (Sybil Thorndike) are attending it. Charles is being monitored by Foreign Office official Northbrook (Richard Wattis), who wants to make sure the Regent is happy on his visit. Charles attends a show, and decides that one of the minor actresses, Elsie Mariner (Marilyn Monroe) should be invited to the Carpathian Embassy for a late supper. Despite misgivings Northbrook arranges for Elsie to show up.

But Elsie (although welcomed by the amorous Charles) finds she has to watch as he spends time talking about a political problem at home - the capture of one of Nicholas' clique of pro-German friends who has been caught with some compromising documents that would hurt the King. Charles plans to squeeze the arrested man for all the information he can get about Nicholas' schemes, but admits to his telephone informant that he is more likely to have problems about the situation from President Taft and his meddlesome Americans than from anyone else. Elsie, who overhears this, is angered (she is an American). The result is a moment that most fans of Monroe don't recall. They remember that she sang Happy Birthday to President Kennedy once, but here she toasted President William Howard Taft with champagne.

Charles finds Elsie not like other women he has had one night stands with. First, he never gets to first base with her (she gets drunk and falls asleep, despite his varied attempts to get her into the right mood and position). Second, she does not leave as he hopes, but keeps getting stuck deeper and deeper into the embassy and the Royal Family's world (even attending the coronation at Westminster Abbey). She is there for the embassy ball, and she even has a second night where she is in control of the trysting. Charles married his late wife and did his duty for her and her country, but he finds he loves Elsie. But he is leaving at the start of the third day for Carpathia with his mother and son, and has another 18 months of duty before he is free. And Elsie has 18 months left to her play contract. They do say "au revoir" at the end, but will they get back together. For they can't until 1913, the start of the Second Balkan War, and one of the steps that brought World War I to fruition.

The film was based on a play, THE SLEEPING PRINCE by Terence Rattigan, one of the best dramatists of England in the 20th Century (THE WINSLOW BOY, THE BROWNING VERSION). A practitioner of what Shaw called "the well-made play", Rattigan made sure his plays were entertaining and intelligent, and his characters were realistic. But in the original play Elsie was not American, but English, and was played by Vivien Leigh. Olivier had thought of filming the play with Leigh, but her illness interfered. Monroe was available, and was big box-office. Olivier was to direct her, his first film direction assignment since RICHARD III. She gave so much difficulty to him, he did not direct another film until 1970 when he did Checkov's THE THREE SISTERS.

But the film has it's period charms and a literate script. It does capture the brittle social and diplomatic world of 1911 quite well. Olivier's Regent is not as great a part as Richard III or Hamlet or Othello, but he does have a grasp on the man's pride and sense of self-importance. Monroe does come across as intelligent regarding family matters (i.e. the Regent and his son, the King), as well as an understanding woman. Wattis shoulders the dignity of the foreign office ruffled by the crazy duties he has to shoulder that week. Sybil Thorndike, with her fears of anarchists, and belief that Elsie is a close friend of Sarah Bernhart, is in a peculiar portion of the universe. She carries off an eccentric royal type that is light years away from her aged, vicious crone in BRITTANIA MEWS. It was not a major film - certainly not in the same category as the three Olivier Shakespeare films, but it is a good minor one.

The title of this film might well be "Watch Marilyn seduce Laurence Olivier". Marilyn had an amazing, nearly unique, quality of "sex appeal". Not that other actresses aren't beautiful or sexy, but Marilyn stands alone, as the greatest screen goddess. The way she moved, the way she talked, it's almost unbelievable how appealing she was. This movie seems designed to show off her abilities in this regard. As such, it is a movie that is worth watching, assuming that you are interested in watching a woman seducing a man.

In other respects, the movie is not a great film. The plot has almost no drama to it. The comedy is so "genteel" as to hardly merit a polite chuckle. Sir Laurence is fine as the stiff, un-romantic prince who tries to avoid falling for Marilyn's charms but there is little "fire" to his performance.

Ultimately the movie rests on Marilyn's remarkable talent for being "desirable". I rate this film just behind "The Seven Year Itch" but it does feature more screen time for Marilyn.

BTW: I see some real resemblance between MM in this film and Jessica Lange (circa "Tootsie").

If you are a Monroe fan you are in for an hour-and-a-half of sheer enjoyment watching the ingenuous, irrepressible, sexy/innocent personality that Marilyn played so well. It's hard to take your eyes off her as feelings,thoughts,and reactions to events flow over her features in a feast of method acting, if that's what it is. The little story is entertaining in a shallow sort of way - there's something going on with mitteleuropa politics and family tensions but it hardly matters as the engine of the story is the wide-eyed little commoner dumped into an aristocratic environment, and everything that transpires in the short time-frame of her visit. The joke there is that she is always being farewelled but doesn't quite go, and reappears, always in the same dress. There's a fairly familiar thread contrasting sophisticated and corrupt Europe with the honest, down-to-earth representative of the New World. However the European side does provide the excuse for some great costumes and sumptuous interiors, making the film glamorous to watch. Laurence Olivier is reptilian and repulsive as the Grand Duke, which is fine except that we are supposed to believe that the Monroe character has fallen for him. This is not too credible! The direction is tight and effective, so kudos to Olivier for that. Sybil Thorndike is great fun as the Dowager Queen. It's Monroe's film however. I'd happily watch it any number of times.