Sailor Beware

With post-war demobilisation, young men coming home after a good many years, in some cases maybe a decade, in the armed forces, wanted to marry and settle down. However, after spending their formative adult years in a very different environment, they had outgrown the small suburban world of their parents. Beginning married life living with, or near, your in-laws was undesirable, but often unavoidable. Many marriages foundered at this point, others escaped through emigration. The situation in this film, although exaggerated, would have been familiar to the audience, who could go away and write their own sequels, as there is no solid resolution offered. The figure of the "Mother-in-law from Hell" is on the surface comic, but is actually tragic, we are shown ways out for everyone else, but she is trapped. The film is well made, and well acted. It is not The Magnificent Ambersons, nor was it meant to be, it has no pretensions to Art, makes no profound statements, but effectively illustrates one aspect of the human condition. Those involved in the making of this film would doubtless be surprised that it is still being watched, and appreciated, almost sixty years on. Anyone who recalls the era, or is interested in it, will not be disappointed.

Based on the play by Falkland L. Cary {sreenplay writer here as well}, Sailor Beware is one of those amiable British comedies from the 50s that let you while away a couple of hours without much call for thought. The premise is basically that Sailor Albert Tufnell is to be wed to the gorgeous Shirley Hornett, only trouble is is that his Mother-In-Law to be, Emma, is a battle axe of the highest order. Constantly interfering and convinced that nobody is good enough for her Shirley, Emma sets about making everyone's life a misery running up to the wedding day. Poor father of the bride Henry, best man Carnoustie Bligh, batty aunt Edie, and of course Albert himself; all of them are bossed about to within an inch of their respective lives. Will the wedding go ahead? Will a miracle happen and Emma finally keep her nose out of blossoming love? These are questions answered as the film comes to it's delightfully tidy conclusion. Featuring a towering performance from Peggy Mount as Emma and a very undervalued comic turn from Cyril Smith as Henry, Sailor Beware holds few surprises. But in that there is nothing wrong, for this is good honest entertainment not asking you to scratch the head and ponder about the story within. 6/10

A much-loved British classic, from the stage play and bringing across its great and talented mouthy star, Peggy Mount, as the loud-voiced matriarch Emma, terrorising her ferret-loving husband Henry (a brilliant performance from Cyril Smith), her sister-in-law Edie (the wonderful Esma Cannon), and the about to be wed daughter and sailor son-in-law (portrayed well by Bond golden girl Shirley Eaton and Ronald Lewis). Colour is added by haughty niece Daphne (Joy Webster), a Scots sailor pal (the reliable Gordon Jackson), and of course, the nosy neighbour, played to perfection by Thora Hird. Sailor Beware! is much of its time, with Mount at full volume throughout, but is very funny and if not a great film, a good diversion.

This film begins with a sailor by the name of "Albert Tufnell" (Ronald Lewis) arriving at his home port in England to marry his bride "Shirley Hornett" (Shirley Eaton). With Albert is his fellow shipmate "Carnoustie Bligh" (Gordon Jackson) who will serve as his best man. Since the wedding is scheduled for the next day plans have been made for the two of them to stay in another house not far away. However, upon meeting the two sailors Shirley's mother "Emma Hornett" (Peggy Mount) decides that in order to keep a close eye on them that they should spend the night at her house instead. Not particularly concerned about where they sleep, both Albert and Carnoustie defer to Emma. Unforltunately, it isn't long until they come to regret this decision as they discover that she is terribly loud and bossy-and this creates all kinds of trouble for everyone concerned. Now rather than reveal any more I will just say that, while I didn't have much interest in this film at first, it got pretty funny after about 20 minutes or so. I especially liked the performances of "Cyril Smith" (as Emma's husband "Henry Hornett") and Esma Cannon (as Henry's sister "Edie Hornett") who meekly tolerated the constant streams of criticisms from Emma in comic fashion. Be that as it may, while this movie may not have been a great comedy by any means, it was still entertaining in its own right and for that reason I have rated it accordingly. Slightly above average.

An absolute classic of its time. Peggy Mount is wonderful to observe as she plays the mother in law from hell (you can keep 'Meet The Parents'. Esma Cannon, the classic comedy regular, is a joy as the brow beaten sister in law, as is Cyril Smith as the henpecked husband who tries to find solace with his ferrets on the back yard, he does goes off the rails occasionally, raising Peggy Mounts temper. Also, keep an eye open for Thora Hird playing the archetypal interfering nosey neighbour. If you enjoy and appreciate British classic comedy films then you shouldn't miss this one, anyone who says otherwise is really missing the point and doesn't understand British comedy at all.