Monster from Green Hell

******SPOILERS****** Coming back from outer space a rocket launched from the southern part of the United States crashes into the African continent with a Queen Wasp. The wasp was on the rocket to see how it would react to the weightlessness and cosmic rays from space. The Queen Wasp grew thousands of times it's size forming a hornet's nest at the base of a volcano in an area of the jungle known by the local natives as "Green Hell".

The movie "Monster from Green Hell" follows the usual pattern of monster movies made in the 1950's with one major exception. The giant wasps are done in not by mankind technology but by the forces of nature via an volcanic eruption that buries them in a river of lava.

Meager special effects but better then average acting for a low-budget monster film made "Monster from Green Hell" watchable for the 70 odd minutes that it's on the screen. All the efforts to find and destroy that wasps in the movie turned out to be for nothing since all that had to be done was to let nature run it's course.

Cheap and unconvincing effects made the giant wasps look and act ridicules in their attacks on the natives and safari members with the real action highlight in the movie was an attack by thousands of native warriors on the safari. Those scenes was far more effective and scary then any of the giant wasp attacks.

Good acting by Jim Davis and Robert E. Griffin as the two American doctors on the safari with Joel Feuellen and Eduardo Ciannelli as their native and Arab guides with Vladimir Skoloff, who ended up killed by the wasps off screen. There's also in the movie Barbara Turner as Skoloff's young daughter who looked and sounded like a young Igrid Bergman. The special effects of the giant wasps was only so/so but there was a very good scene with a giant wasp battling it out with a large python that was a lot like the scene in "King Kong" between the giant ape fighting with a pre-historic snake-like creature.

The last five minutes or so of the movie was shot with an beige or orange tint to give the volcanic eruption at the end of the film a fiery look to it.

Jim Davis plays a scientist who sends some animals, a few wasps in particular, into space to see how they fare under radiation. Alas, some wasps don't return and turn to gigantic proportions somewhere in Western Africa. Don't expect too much from this cheapie, but the film might be better than you expect prior to viewing. Despite the wasps and their infrequent screen time, the movie has the look and feel of a very cheaply-made film yet is able to tell a decent...okay, almost decent story. Made entirely in California with oodles of stock footage set in Africa, I found the film quasi-authentic. The acting was also somewhat acceptable. Davis was decent as were his co-stars. The film dives at the end with some quick resolution to an enormous problem. As far as bad movies go..you could find many much less entertaining and boring. Vladimir Sokoloff has a nice small role as a missionary in Africa.

My biggest question about this movie is simply: How did the folks at MST-3000 ever miss this one? It simply cries out for the insights of Crow and Tom Servo.

Jim Davis ( "Dallas", "Guns Don't Argue" ) stars as the head of a group of scientists who attempt to launch some creatures into space. The rocket misfires and lands somewhere in darkest Africa where a bunch of wasps escape and grow into Sikorskys, thanks - natch - to atomic radiation. Davis then leads his own team of WASPS on an Orkin expedition to take care of the problem. Along the way, they are joined by Eduardo Ciannelli, looking a bit like Sabu's grandfather.

Nothing much goes right until the final scene, supposedly filmed in "Lava Vision", during which a giant volcanic eruption takes care of everything. This consists of the surviving crew standing around bathed in a red glow as the volcano - obviously taken from stock footage, as is much of the movie - does it's thing. All harmless fun really, it's only a shame that the MSTYs never got a hold of this one.

Kenneth Crane followed his classic 'Half Human' with this little masterpiece whose 1956 copyright date indicates they weren't in a great hurry to release it.

In order to reassure the viewer that this is a twentieth-century sci-fi movie we get the usual footage under the opening credits of a wartime V-2 taking off masquerading as Dr. Quant Bradley's "experimental rocket". This time the film being cannibalised is 'Stanley and Livingstone', so they all don 19th Century pith helmets and WALK 400 miles across Africa to the Hollywood Hills to confront the giant mutant wasps following the "typical wasp markings" they leave behind them (although they look more like giant termites than wasps and in distress sound more like elephants than insects) that cosmic rays have created and are now wreaking havoc with the usual stock footage of antelopes and giraffes.

At the time of his death in 1981 Jim Davis was a household name on TV as Jock Ewing in 'Dallas' and he is here supported by veterans Eduardo Ciannelli and Vladimir Sokoloff; the latter's daughter played by the soulful-eyed Barbara Turner (herself later the mother of Jennifer Jason Leigh).

Before Jim Davis got his last and career part as Jock Ewing in Dallas, he had one tortured path to Hollywood success. He had a much publicized debut as Bette Davis's leading man in Winter Meeting which was one of her worst films. His portrayal of a war hero about to enter the priesthood met with a ton of critical guffaws. Still Davis persisted and took any kind of work. The Monster from Green Hell qualifies as any kind of work.

A wasp is sent up in space to see the effects. Unfortunately on re-entry the space capsule crashes in the region of West Africa and the wasp has grown to the size of a Panzer tank. To top it all off the geniuses sending up the rocket sent up a pregnant queen so we've got all kinds of those Panzer wasps running around Africa.

Jim Davis is sent to clean up the mess and runs into a medical missionary played by Vladimir Sokoloff. Albert Schweitzer was very much alive at the time and running his mission in West Africa. No one in 1958 mistook who Sokoloff was portraying. The wasps set up a colony in the shadow of a volcano. You can figure out the rest.

This is typical Fifties science fiction when all kinds of radiation was the explanation for these creatures. In this case it was the radiation from cosmic rays, presumably from the newly discovered Van Allen belt around the earth.

Tepid acting and chintzy special effects make The Monster from Green Hell great cult stuff. One thing though that is timely. An Arab character played by Eduardo Ciannelli joins forces with Davis and one of the natives Joel Fluellen to combat the danger the giant wasps present. Amazing how religious differences can suddenly melt away in time of crisis.