The Monolith Monsters

This sci-fi effort from the 1950s is a real winner just because it feels so fresh and original in comparison to many genre efforts. There's no rampaging lifeform here, just a chemistry puzzle that the good guys have to solve allowing them to prevent disaster. It's brisk and to the point, creative in terms of SFX, and generally looks very nice indeed. A treat!

I always try to catch this movie when I can. When you run out of lizards and spiders and ants and octopus tentacles, is there another horror that you can unleash on the world. Yes, it's black rock crystals from outer space. At least I think they are black since the movie is in black and white. They grow fast, rise to an enormous height, and then fall over, crushing everything in their path. This sounds so stupid, yet the movie isn't all that bad. There is the obligatory scientist, the police officer, the young woman, and the small town in the path. What can they do? Can they outwit these rocks? As is usually the case, there is something that these things are vulnerable to. Now, can we deliver the goods and stop them. I have so much affection for these B science fiction movies that I just can't help myself. One thing about this one is that it has never been copied. Maybe it's time for Peter Jackson to do the new Monolith Monsters.

The main thing I found appealing about this science fiction thriller from Universal was the films unique menace: deadly crystals from space that arrive with a meteor. When one one thinks about it, a meteor containing some deadly or destructive element or mineral causing havoc on Earth is more likely than destruction by alien invasion. The menace here are crystals that expand to enormous proportions when they come in contact with water. The crystals are also deadly if touched by someone when they are expanding.

The film has good but obvious special effects. The crystals rising and expanding are done simply by pushing them up through holes in the table top miniature sets. Grant Williams, fresh from THE INCREDIBLE SHRINKING MAN, gives a good performance despite the fact his role is the standard scientist type found in most films of this nature from this period.

Film historian Bill Warren correctly described THE MONOLITH MONSTERS as Universals last "adult" science fiction of the 1950's. After THE MONOLITH MONSTERS every horror/science fiction film PRODUCED by that studio were lackluster quickies (THE LEECH WOMEN; THE THING THAT WOULDN'T DIE etc.) thrown out to support much better imported (Hammer films like HORROR OF DRACULA) or independent acquisitions (THE 4D MAN.) I would also like to note this was 1957's second "deadly mineral" film, the other being Columbia studio's THE NIGHT THE WORLD EXPLODED. I would also like to mention I found the scene where Grant Williams tries to get a weather forecast from weatherman William Schalert pretty funny.

Famed director Jack Arnold penned the original story on which this stand-out sci-fi film was based, directed with style and competence by John Sherwood from a screenplay by Norman Jolley and Robert M. Fresco.

The concept is quite original. The fragments of a meteorite which falls near a desert town begin to grow into hugh black crystals when they come in contract with water. When people pick up the smaller fragments, the fragments draw the water out of their bodies and turn them to stone. A sudden thunderstorm accelerates the growth of the skyscraper-size crystals, and they threaten to overrun the Earth. Great special effects created under the supervision of Clifford Stine.

Grant Williams (star of `The Incredible Shrinking Man') plays a geologist who struggles to solve the mystery of the strange growing crystals. Lola Albright is his gorgeous fiancé'. Les Tremayne (the general from `War of the Worlds' and the opening narrator of `Forbidden Planet') is good as the local newspaper man. Watch for a funny scene with William Schallert as a meteorologist.

A meteorite crashes into the desert, fragments of which absorb silica when wet, attaining colossal proportions before crashing down on whatever lies in their 'downhill' path. I'm no geologist but I suspect that the petrology underpinning the plot is a bit sketchy, but nevertheless, the film is an original, well-made (for the budget) 'nature-run-wild' adventure. The 'monsters' are unique in that they are simply a natural phenomenon, and refreshingly, are played that way (there is none of the anthropomorphising the undercut the similar premise in "The Magnetic Monster" (1953)). The desert locale (typical of a Jack Arnold story) is well used, and the script and acting are fine (for the genre), although most of the 'comic relief' falls a bit flat (an exception being the scene with the weather forecaster, which is amusing). The special effects and miniature work is quite good as the towering crystals fall on the buildings and even the bargain-basement 'chemistry' scenes are reasonably effective. The sub-plot about people getting turned to stone is a bit far-fetched (even within context) but provides an opportunity to see a vintage 'iron-lung' at work. Definitely one of the better science-fiction 'B' movies to come out of the 1950's, and perhaps the most imaginative.