Men in War

Another movie long considered 'lost', and now mercifully restored, Anthony Mann's "Men in War" is a war film worthy to take its place beside Terrence Malick's "The Thin Red Line", (you can see its influence on Malick's masterpiece); in other words, this is a near-masterpiece and certainly one of Mann's greatest films. The war in question is the Korean and another American patrol find themselves caught out in the open, like so many before them in so many other war films, as they try to survive and like Robert Aldrich's brilliant "Attack" is as much about the conflict between an officer and a sergeant as it is about the external conflict with the enemy. The principle protagonists are Robert Ryan and Aldo Ray whose contempt for each other is only matched by their contempt for the enemy. Both actors are outstanding and others in the exceptional cast include Robert Keith, Vic Morrow, Nehemiah Persoff, James Edwards and L Q Jones. You might call it an anti-war film since few films about men in conflict have painted such a dark picture of the costs of war and what it can do to men in the field. Indeed, this has even been called an 'art-house' war film which is probably just another way of saying that it's different and very intelligent. It's also stunningly well photographed in black and white by Ernest Haller and boasts another very good score by Elmer Bernstein. How it ever came to be 'lost' in the first place is something of a mystery, (did audiences simply find it too bleak?). Let's just be thankful, then, that it's been 'found' again.

Through a combination of bad diplomacy and an understandable war weariness from World War II, the USA was caught completely off guard when the Communist North Korean government attacked the Southern forces that we were training. We had few enough forces and they were driven to what became known as the Pusan perimeter in 1950 when General MacArthur pulled off the two pronged counterattack out of the perimeter and from the landings at Inchon.

Robert Ryan is a lieutenant leading a small group of survivors who are caught behind enemy lines to safety. These GIs are not battling for any glory, but simply for survival. Also retreating are Sergeant Aldo Ray in a jeep with a shell-shocked Colonel Robert Keith. Ryan commandeers both Ray and the jeep for his needs.

Ryan is a good officer, but by the book. Ray is a good fighting man, but very insolent. The remainder of the film is how these two guys who grate on each other's nerves, but manage to work together.

The film is directed by Anthony Mann, best known for his westerns in the Fifties that mostly starred James Stewart. Men in War is probably best compared to Bend in the River. Jimmy Stewart is taking supplies to settlers for their survival and his own and Ryan is essentially doing the same thing in this film.

Ryan was a multi-faceted actor who sometimes played leads, but mostly did good character parts as bad guys. He had worked with Mann and Stewart previously in The Naked Spur where he was as bad as they come. He's just as convincing as the gritty, but decent lieutenant here. Mann and Ryan would team again the following year in God's Little Acre, a subject far removed from the Korean War.

Men in War is a good film, photographed very realistically in the outdoors and has the look and feel of a newsreel with depth.

A war film should have a sense of time and place for it to be exceptional and as I`ve said in previous reviews basically any movie featuring The Korean War could have easily taken place in any campaign of WW 2 . MEN IN WAR is a case in point that could have been set in the Ardennes in December 1944 as an American platoon are cut off by a German counter offensive . In fact it could easily have been set during the Indian wars of the 1870s with a bunch of calvarymen lost and surrounded by hostile natives

And yet director Anthony Mann and screenwriter Philip Yordan have made a very memorable and compelling Korean war movie that lifts it above B movie standards . The story is simple with a bunch of US soldiers stuck behind enemy lines but we`re shown what it`s like to be a soldier fighting a war , we`re shown the courage , the fear and the camaradeire of reluctant warriors. In many ways this could have been an Vietnam allegory like MASH or TOO LATE THE HERO . Only thing is MEN IN WAR was made several years before America got involved in Vietnam . It`s difficult to believe but it`s true as we see Lt Benson and Sgt Montana come close to " fragging " each other at one point or the quite remarkable scene where Sgt Killian picks some flowers and puts them in his helmet . If I have any problem with this movie it`s the final sequence that suggests that soldiers fight and die for medals when in fact soldiers fight and die for one another

A quick word about the cast: All are very good but the stand out performance is by Robert Keith as the nameless Colonel . As the movie progresses the audience care as much for the Colonel as much as Sgt Montana does . Perhaps when I mention that the Colonel has hardly one single line of dialogue you`ll understand just how superb Keith`s performance is

MEN IN WAR comes highly recommended

Men In War was directed by Anthony Mann,who was really more known for his big budget westerns. This, his first and last attempt at a war film, stands out with its realistic battle scenes involving stylish camera angles and innovative editing. Robert Ryan as Lt Benson and Aldo Ray as "Montana, are outstanding as their characters are at odds from the very beginning. Look for James Edwards, who was one of the first black actors to rise above the general sterotypes, even before Sidney Pottier came along. Men In War is worth seeing, especially the last half of the film as it builds to an intense conclusion.

By good luck, I came across a VHS video (good print) of this 1950s Anthony Mann film. It was well worth watching. It is stark, unflinching, and offers an altogether convincing depiction of how soldiers behave in a harrowing, no-win situation. Robert Ryan and Aldo Ray, both truly fine actors, are excellent in their symbolically contrasting roles of two kinds of military men. Robert Keith and Vic Morrow are standouts in supporting roles. Keith is especially wonderful in an essentially non-speaking,though key, part...his face says it all. The music by Elmer Bernstein and the cinematography by the great Ernest Haller are perfect...the soundtrack creepy and other-worldly, and the cinematography capturing the "no man's land," confusing, deadly landscape in longshots, as well as the emotions of the soldiers when photographed close-up. See this film!