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Hit and Run

  • 1957
  • Approved
  • 1 घं 27 मि
IMDb रेटिंग
6.3/10
630
आपकी रेटिंग
Vince Edwards and Cleo Moore in Hit and Run (1957)
अपराधड्रामाफ़िल्म नोयररोमांसवर्कप्लेस ड्रामास्टीमी रोमांस

अपनी भाषा में प्लॉट जोड़ेंA mechanic wants his boss's younger wife for himself, and plans on using a junkyard car to run him over, then dismantling it.A mechanic wants his boss's younger wife for himself, and plans on using a junkyard car to run him over, then dismantling it.A mechanic wants his boss's younger wife for himself, and plans on using a junkyard car to run him over, then dismantling it.

  • निर्देशक
    • Hugo Haas
  • लेखक
    • Herbert O. Phillips
    • Hugo Haas
  • स्टार
    • Cleo Moore
    • Hugo Haas
    • Vince Edwards
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    630
    आपकी रेटिंग
    • निर्देशक
      • Hugo Haas
    • लेखक
      • Herbert O. Phillips
      • Hugo Haas
    • स्टार
      • Cleo Moore
      • Hugo Haas
      • Vince Edwards
    • 18यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो6

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार17

    बदलाव करें
    Cleo Moore
    Cleo Moore
    • Julie Hilmer
    Hugo Haas
    Hugo Haas
    • Gus Hilmer…
    Vince Edwards
    Vince Edwards
    • Frank
    Dolores Reed
    • Miranda - Circus Lion Tamer
    Mara Lea
    • Anita
    • (as Mari Lea)
    Pat Goldin
    • Undertaker
    Carl Milletaire
    • Lawyer
    Robert Cassidy
    • Sheriff
    Dick Paxton
    • Waiter
    Julie Mitchum
    Julie Mitchum
    • Undertaker's Wife
    John Zaremba
    John Zaremba
    • Doctor
    Steve Mitchell
    • Bartender
    Jan Englund
    • Clara
    Ella Mae Morse
    • Ella Mae Morse
    • (वॉइस)
    Vikki Dougan
    Vikki Dougan
    • Girl
    • (बिना क्रेडिट के)
    Michael Mark
    Michael Mark
    • Mailman
    • (बिना क्रेडिट के)
    Frank Mills
    Frank Mills
    • Townsman
    • (बिना क्रेडिट के)
    • निर्देशक
      • Hugo Haas
    • लेखक
      • Herbert O. Phillips
      • Hugo Haas
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं18

    6.3630
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    फ़ीचर्ड समीक्षाएं

    7petersjoelen

    nice plot twists and a bit humor

    Hugo Haas almost always played a role himself in the films he made and often he played the character of a more or less naive fool who is cheated on by his beautiful wife who wants to run away with the young guy, or his money .

    Frank can't stand Gus's new wife at first (or so it seems) but secretly he is also crazy about Julie, when she finally seems to fall for him after a few advances he hatches a plan to get rid of Gus.

    Hugo Haas dared to do something that many bigger film makers would rather avoid, and that is portraying the nastiness and evil of women, here that plot story is less extreme, especially the few twists in the plot towards the end that give this film that extra push that makes it just that little bit better than Hugo's other work.
    6blanche-2

    another Cleo and Hugh B movie

    And it was their last film together. After "Hit and Run," Cleo married a multimillionaire, went into the real estate business, and never looked back. This potboiler also stars Vince Edwards.

    Haas, a garage owner named Gus, meets Julie in the club where she works and gives her his card, telling her to call him about a car. You don't have to ask her twice. She shows up soon after. Before you know it, wedding bells.

    From the beginning, there's a sexual tension between her and Hugo's helper Frank (Edwards). One night, Frank grabs her and declares his love. Julie is attracted to him, but tells him to leave town. Gus, meanwhile, catches on that there are some sparks.

    This story has a little twist to it.

    Cleo is stunning, and as usual, the focus is on her. Besides her looks, she had a strong presence. Edwards' looks normally don't appeal to me, but he is quite hunky here. Haas turns in a good performance. He was actually quite well known in his native country of Czechoslovakia.

    Some trivia, the woman from the circus, whom Frank meets later in the film was Robert Mitchum's older sister. She retired after getting married.
    10tcchelsey

    HUGO HAAS ALWAYS RINGS TWICE!

    The king of low budget film noir with cleavage, Hugo Haas, is to be commended. Haas had the knack for remaking classic films, like THE POSTMAN ALWAYS RINGS TWICE, and with him starring as the old man in the way, accompanied by lovely femme fatale Cleo Moore.

    Nice to see some of his films surface of late, a rerun favorite back in the days of black and white tv. HIT AND RUN is a campy gem, all about young hunk Vince Edwards working at Haas' garage and discovering flirtatious Moore. Haas (who plays Gus) gets run over (why not?) and Vince and Cleo live happily ever after --OR do they?

    Let the grade-B suspense begin, and what a tangled web these two weave. I would bet even Hitchcock watched some of these films, getting ideas for his offbeat tv show, which had similiar mechanics. It fits.

    Recommended late show stuff and with all the cheap trimmings. Some of Haas films are on dvd, but you have to do your homework. Double bill or box sets floating around. Check ebay for best results. Worth your time.
    HarlowMGM

    Cleo Moore's Last Movie

    Cleo Moore was one of the sexiest blonde starlets of the 1950's but sadly this 1957 release was her swan song. She had starred in around ten films and was well known by the public but I guess there was just too many beautiful blondes around at the time. She's the best thing in this standard little film noir of the beautiful young wife, middle-aged husband, and the young hunk who comes between them. Looking fantastic as a platinum blonde, Cleo gives an excellent performance and her love scenes with hunky Vince Edwards are fairly torrid. Director-costar Haas seems a little too sympathetic to his own character for my liking, a boisterous auto repair shop owner who woos option-less showgirl Moore. Never a particularly good director (to say the least), Haas notably wastes the potential in one scene in the wrecked car "graveyard" beside his repair shop which manages an eerie touch nevertheless. The movie quite low budget but that proves to be an asset in capturing the angst of low-income 50's America.
    5Bofsensai

    Killing for love! (Beware those breadcrumbs!)

    N. B. Startpoint= IMPORTANTLY, NO spoilers here; coz has good unexpected twist in its unfolding.

    But, ah - a 'romance' (of sorts):

    For cineastes, fans of the 'lower graded' film oeuvres, this is worth watching, er, tolerating, not necessarily for another of auteur director Hass' love smitten efforts - although admittedly with good unexpected development: SO; (recommend / try) APPROACH WITH NO SPOILERS to 'enjoy' - but because of some of the oddities that unfolded from the casting (and scripting) of this noirish-like little pot-boiler.

    Platinum - (well, in black and white) - blonde (so thought of as contemporary to M. Monroe) Cleo Moore's final film, so also, with as having been for director, auteur Hugo Hass' muse / besotted starring roles run partnership with her too, after a short, but hectic, five year run, as with over eight prior films together.

    And point to that here is that, not only was reason Cleo looking as though just going through her paces - she finished with filming completely straight after - but Hugo himself was clearly over- egging the euww factor, as once again cast himself as her to be hubby, despite clearly (embarrassingly) showing his age / their difference! (He was in his fifties, her still her twenties!) Moreover, either deliberately (coz riled up the male gaze audience as showed a chap like him could still clinch a beauty like Cleo ..) or ennui laziness, coz portraying his - own directed AND written - character as an almost permanent five-o-clock shadowed, sweaty, 'soiled' (check his visage throughout) lecher! (Check how Cleo sashays about in her 'home' attire serving coffee to him whilst he lounges about in his brekkies dressing gown!)

    In its way, a pity, because despite the tired twist to this sordid little noirish pot-boiler, if you can come to it WITHOUT any foreknowledge = SPOILERS, still it is unexpected and truly keeps you guessing right up until the denouement - literal - reveal. (Well, it did me; but then I just let these fifties 'male gaze' just eye candy wash over me on their way to their run out.)

    So, to take you on the way through Cleo's tired looking* and Hugo's leering lechery performances, of cinematic lore interest to note, catch sight of, are such oddities as: diminutive bit part player Pat Grodin** as 'Undertaker', introduced into the plot for seemingly not much reason than only deliver a killer frisson line to do with a female lion tamer; of whom, herself of note, in equally also being shoehorned for otherwise no real apparent reason into the plot***; and him (Pat the 'undertaker' ?!) thus also along with his inferred long 'don't touch' passionless marriage husk, harridan, wife, Julie Mitcham - as who just happened to be famed actor, Robert's sister.

    * There is one brief, full face, bright lit shot of her - in the stage of looking knowingly, fearfully, 'caught in the headlights' like - that is surely Hugo's adoring parting appreciation shot, gift to her; it's like an early forties studio portrait rendition and must have looked utterly stunning even for its brief time, on the big screen back in its original cinema run days.

    ** Better known, if not actually 'seen', as the completely unrecognisably cast titular 'The Man from Planet X' (apparently; who could know under that top costuming and make up there?!)

    *** Of whom, from director (writer, auteur etc.) Hass' world, introduces a quite 'hmm' factor, not only from her character's profession and demeanour, but also most notably of cinematic to real life aspects to go 'ah hah' (= as in art imitating life or vice versa?) For was here the debut - and eventually, rare**** - brief appearance of statuesque Dolores Reed (so, yup, the lion tamer = or is that actually, tame(tre)ss?), as whom (although, surely only coincidentally?) had already been romantically involved / linked with Hass; with whom, but there's more: as although she latterly married a 'mechanic': and on by which, now check how Frank (Vince Edwards), as cast by Hass in this as a 'car mechanic', and her in this denouement - well - check out.

    **** and for as to why, then check further her odd and tragic short life choices and developments!

    Wow!

    इस तरह के और

    काला मंगलवार
    6.7
    काला मंगलवार
    One Girl's Confession
    6.4
    One Girl's Confession
    The Night Holds Terror
    6.3
    The Night Holds Terror
    Vice Squad
    6.7
    Vice Squad
    Shakedown
    7.1
    Shakedown
    Pickup
    6.7
    Pickup
    Hold Back Tomorrow
    6.5
    Hold Back Tomorrow
    Strange Fascination
    6.1
    Strange Fascination
    The Other Woman
    6.4
    The Other Woman
    Storm Fear
    6.3
    Storm Fear
    Nightmare
    6.4
    Nightmare
    Please Murder Me!
    6.5
    Please Murder Me!

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The Evans-Childers Circus shown in the film was a real circus. Although little can be found about the history of the show, its posters occasionally come up for auction.
    • गूफ़
      Whenever there is an outside nighttime scene, with the sounds of crickets and frogs, there is a noticeable "gap" of silence (repeated in longer scenes), indicating the sound effect is being looped.
    • भाव

      Gus Hilmer: Frankie, give the lady my card .. here; come to me anytime you need new tires, lubrication, change oil; everything on the house.

      Julie Hilmer: You're very generous Mr. Hilmer; but I don't have car.

    • साउंडट्रैक
      What Good Will It Do Me?
      Sung by Ella Mae Morse

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Hit and Run?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 15 मार्च 1957 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • Streaming on "Andy Seven" YouTube Channel
      • Streaming on "Donald P. Borchers" YouTube Channel
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Mörderische Falle
    • उत्पादन कंपनी
      • Hugo Haas Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 27 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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