Back from the Dead

There are shades of Noël Coward in this clever little mystery, and though the cast are all a bit wooden, it's not a bad low-budget effort. We start with a distracted "Miranda" (Peggie Castle) who is distressing her new husband "Dick" (Arthur Franz) by going into hysterics, a coma, then emerging claiming her name is "Felicia". Her sister "Kate" (Marsha Hunt) is even more bemused when she learns that was the name of his late wife. Is she just over-stressed or might she actually be being possessed by the returning spirit of the deceased woman whose death saw her fall from a cliff into the murky waters beneath. It turns out that the mother of "Felicia" is adept in the dark arts and so she (Helen Wallace) is all too willing to accept the story, but her husband (James Bell) is much more sceptical. Seeking clarity, they send for "Renault" (Otto Reichow) who lives locally and might have a solution to this messy psychological conundrum - though he's clearly not a man to be trusted, either! What is going on? With the scene set, this plays out quite intriguingly for a time and had the cast just been a little more robust, it could have been quite a bit better. The leading roles are pretty much all disappointingly underplayed: Reichow sounds like he could have a future career as Arnold Schwarzenegger's dialogue coach; and the standard of the production isn't really up to much with scenes clearly shot against backdrop cinematographers that aren't always as well synched as they might have been. It's still quite an exciting watch, though, and with a soundtrack straight out of the "Outer Limits" and even a secret doorway, it's not too bad at all.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Charles Marquis Warren; Produced by Robert Stabler for Regal Films; Released by 20th Century-Fox. Screenplay by Catherine Turney from her novel; Photography by Ernest Haller; Edited by Leslie Vidor; Music by Raoul Kraushaar. Starring Peggy Castle, Arthur Franz, Marsha Hunt, Evelyn Scott, Marianne Stewart and Don Haggerty.

Supernatural terror outing concerning a second wife who is haunted by the lingering presence of her predecessor. The film benefits from the extensive use of the "lady in a white nightgown" and the "waves pounding against the rocks" bits of Gothic schtick.

Having lost his first wife, "Felicia" (Peggy Castle) in a tragic drowning accident 6 years earlier, "Dick Anthony" (Don Haggerty) has recently remarried. However, when his new wife, "Mandy Hazelton" (also played by Peggy Castle) suddenly becomes ill and endures a strange seizure, she subsequently becomes possessed by the soul of Felicia. We soon find out that, prior to her death, Felicia began practicing "the dark arts" and, the deeper she got, the more wicked she became. And because she is so evil, both Dick and Mandy's sister "Kate Hazelton" (Marsha Hunt) soon begin looking for a way to bring Mandy back. Unfortunately, it is soon revealed that there are other people who feel differently about this situation--and they will stop at nothing to keep Felicia here. At any rate, rather than disclose any more of the movie and risk spoiling it for those who haven't seen it, I will just say that this was a decent horror movie which managed to maintain the suspense right up until the end. Likewise, having an actress as stunning as Peggy Castle certainly didn't hurt the film either. In short, don't let the fact that this little-known picture is 57 years old or that it was filmed in black-and-white discourage you from watching it. It's a "diamond in the rough" and I recommend this movie to all of those who might appreciate a film of this nature. Slightly above average.

The first and most important thing I want to say is that this movie is directed by a great western specialist for whom it is one of the TWO horror films - with also THE UNKNOWN TERROR - besides westerns, westerns and westerns. So this is maybe not a great horror film, but because and only because it is from this western maker Charles Marquis Warren, I was so curious to see it. And I think that's not bad at all. This kind of intrigue is not my cup of tea at all, I am a bit bored, but let's be fair, there have been far worse in this scheme. It is a small budget and that's even better to work hard on a good script. But this plot would have been better made by a director such as Lewis Allen for instance, for whom it was more his stuff - THE UNINVITED, THE UNSEEN -, more than westerns.

This movie managed to pack a lot into its short length, was well acted and didn't go over-the-top, as too many horror/thriller movies tend to do, especially when part of the plot is about Satanism/devil worship/alternative religion, whatever you want to call it. That so often leads to a lot of melodrama, with black hoods and chanting, and a lot of anti-GOD remarks, but thankfully, that doesn't happen here. Instead, you get quiet remarks like, "You have your religion, I have mine", and while there are a few of those sacrificial scenes, they're part of the story, not thrown in for effect.

Peggy Castle did a great job in her dual role, never overacting, and very convincing as she transformed from one woman to the other. In fact, all the acting was good, and it makes you feel (despite the subject matter) that you're watching something from real life, happening to real people and how they deal with it.

The music was perfect, setting the tone and blending with the story, rather than overpowering it.

My only complaint is the fate of that dog, who was too wise for his own good. There was no fooling him, but why couldn't they just have had him run away??? I might have given the movie another star if they had.

I recommend this for anyone who likes the supernatural but doesn't like it overdone.