The Real McCoys

I always loved this show, except for the final season. It was bad enough that Kathy Nolan left, but the kids (Hassie and Little Luke) were also phased out within a handful of episodes. Then, even Grandpa Amos McCoy was gone by the spring of 1963, leaving only Luke and Pepino for the final 13 episodes or so. The show was such a heart-warming sitcom until then, but the final season we had to witness the family disintegrate. Very depressing.

A pleasant thirty-minute bit of family values. Like all successful TV shows of the era, it included a "real star" in the cast - in this case, Walter Brennan. The show stressed family solidarity and doing the right thing. Each episode contained an understated lesson in life and living.

Re: the other comments. But although Walter Brennan was great as grandpa DO NOT forget the rest of the cast. Richard Crenna was wonderful as Luke, and Kathy Nolan (as she was called in the first years of the show, not Kathleen) was fine too, among others. She eventually left the show in a bitter contract dispute for a short-running series (check her credits) and her career went the route of DAvid Caruso from NYPD BLUE. This show had a wonderful theme song: "Want you to meet the family known as the real McCoys. That's grandpappy Amos, they head of the clan, he roars like a lion but he's gentle as a lamb. And now here's Luke who beams with joy since he may take Mrs Kate McCoy". A good show that never recovered from Nolan leaving - Luke as a widow didn't cut it.

The 224 half-hour episodes (all in B&W) of the situation comedy "The Real McCoys" ran from 1957-1963 on ABC and CBS. The show's creators/producers were Irving and Norman Pincus, a pair of brothers with little other claims to fame.

But they left quite a legacy with "The Real McCoys" as the series literally changed the direction of network situation comedy. Early sitcoms like "I Love Lucy", "The Honeymooners", "Make Room for Daddy", and "The Goldbergs" were urban in tone and set in downtown apartments in big east coast cities; urban families were the first buyers of televisions. By the mid-fifties suburbia was getting a lot play ("Life of Riley", "Leave It to Beaver") as Americans began moving out to the suburbs. But network executives were resistant to the idea of rural characters in rural setting. Rural families were unlikely to own televisions (or have television stations within broadcast range) and urban sophisticates could not be expected to tune into a show featuring rural rubes.

When "The Real McCoys" proved the suits wrong it set the stage for Andy of Mayberry, Jed in Beverly Hills, Kate and the Shady Rest, and Oliver and Lisa in Hooterville. Danny Thomas and Paul Henning who would launch those shows were both involved in "The Real McCoys".

The premise of the show is the move of the legendary West Virginia McCoys to a farm in the San Fernando Valley they inherit from their uncle. Given the current value of valley real estate it is amusing that one of the central conflicts of the series is the family's precarious financial position (insert lack of money here).

The McCoy family is a bit usual as it skips an entire generation. Grandpa Amos (Walter Brennan) lives with his grandson Luke (Richard Crenna), Luke's new wife Kate (Kathy Nolan), and Luke's little brother and sister (Michael Winkleman and Lydia Reed). Apparently Luke's parents mysteriously died.

Like "The Beverly Hillbillies", the comedy comes from watching the family adapt to their new environment and seeing things we take for granted from a fresh perspective. And like Granny on that series, Amos is stubborn and irascible. The beauty of the series is that it finds satirical humor in the unsophisticated way of country folk while demonstrating that their backwoods wisdom often puts them ahead of the curve.

Luke and Kate join Oliver and Lisa Douglas of "Green Acres" as television's all-time most "in- love" couples and this dynamic is the shows underlying strength. Crenna and Nolan deliver fine performances throughout the series. Brennan is likewise excellent, managing to make a basically annoying character lovable. Amos is nicely overplayed as a cantankerous old coot full of rural aphorisms and blustering exasperations yet fully repentant when he goes too far.

Also notable is Tony Martinez as Pepino Garcia, a Mexican farmhand who just came with the farm. Pepino is a frequent foil for Grandpa, as his more laid-back approach to life often riles up the old guy. They do a nice job of avoiding what could have been a negative stereotype as Pepino is the best adjusted character on the series and second only to Kate in the wisdom department. Kate left the cast after the 5th season, she was missed.

Then again, what do I know? I'm only a child.

I had seen episodes of The Real McCoys as a very small child during the original airings in the early 1960's. Many years had passed before I had the chance to see it again. Except for the ill-advised sixth and final season, without the lovely and talented Kathy Nolan as Kate, it is a heart-warming and wonderful family show that all too sadly is of the kind that is no longer made anymore. It is just great that the entire series is being released on DVD. I will certainly add the first five seasons to my collection. As for the sixth season, the show had lost it's heart with the departure of Kathy Nolan. Not until Don Knotts left The Andy Griffith Show did such a loss cripple a show again. Yes, The Real McCoys was basically a comedy show, but it often had touches of realism and drama you never saw on the later classic The Beverly Hillbillies. It had solid acting throughout, even down to the supporting cast. It also had a heart.