अपनी भाषा में प्लॉट जोड़ेंThe hard-hitting adventures of tough Lieutenant Frank Ballinger, a member of the Chicago Police Department's M Squad, an elite crime-fighting unit.The hard-hitting adventures of tough Lieutenant Frank Ballinger, a member of the Chicago Police Department's M Squad, an elite crime-fighting unit.The hard-hitting adventures of tough Lieutenant Frank Ballinger, a member of the Chicago Police Department's M Squad, an elite crime-fighting unit.
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Lee Marvin became and remains one of my favorite actors because of this series. As a kid I eagerly awaited Friday nights at 9:00 (EST) on NBC. Frank Ballinger always got the bad guy, and we got to hear some really cool music along the way. The late fifties and early sixties were a golden age for TV cop shows and TV music -- this show was one of the main reasons. After much travail, I have managed to obtain a rare videocassette of two episodes, and even rarer, a copy of a CD reissue of the sound track LP. Great stuff! The "Police Squad!" opening credit sequence, and the characters of Frank Drebin and his boss, were lifted (lovingly, I am sure) from this show.
Straight out of the James M. Cain hard boiled school of crime fiction (minus the sex, of course) this was TV by men for men. Each episode began and ended with a pithy remark or two by the hero/narrator Detective-Leut. Frank Ballinger about "my town"--Chicago, that is.
Oddly, this fifty-plus year old series can still provide insights and observations that seem fresh, about police work, about human nature in general. The tough, minimalist dialog contains lines that make you want to write them down for future use.
Lee Marvin is perfect. He was only mid-thirties when this series was shot but looks somewhat older, or anyway more mature, with his lived-in face and prematurely white hair. Marvin personifies toughness but he's no Steve McQueen. That is, he can handle a line of dialog articulately, use his voice like a woodwind, yet lose none of his manliness.
The only aspect of the character of Lieut. Ballinger that is a bit unrealistic is his almost monkish attitude toward women--imposed on the character due to the prevailing broadcast standards of the time. In this series women are mostly trouble, or else the grieving widow of a police officer or the wife of a criminal, astonishingly naive about what her man really does.
Without all the technical advances of today's television production, this show accomplished more with just tight writing, solid acting and straightforward directing.
Oddly, this fifty-plus year old series can still provide insights and observations that seem fresh, about police work, about human nature in general. The tough, minimalist dialog contains lines that make you want to write them down for future use.
Lee Marvin is perfect. He was only mid-thirties when this series was shot but looks somewhat older, or anyway more mature, with his lived-in face and prematurely white hair. Marvin personifies toughness but he's no Steve McQueen. That is, he can handle a line of dialog articulately, use his voice like a woodwind, yet lose none of his manliness.
The only aspect of the character of Lieut. Ballinger that is a bit unrealistic is his almost monkish attitude toward women--imposed on the character due to the prevailing broadcast standards of the time. In this series women are mostly trouble, or else the grieving widow of a police officer or the wife of a criminal, astonishingly naive about what her man really does.
Without all the technical advances of today's television production, this show accomplished more with just tight writing, solid acting and straightforward directing.
I've been working my way through the DVDs by timeless media. Man, they are great. Great because of Lee Marvin. I was expecting Marvin might have some work yet to becoming the Lee Marvin we know in Point Blank and The Killers. No way. He has tough guy cop done better here than it's ever been done. Someone mentioned that Marvin's Frank Ballinger challenged bad guys to escalate things with him. That's the perfect way to put it. The gun stays on the hip, Marvin gets in their face, reads them the facts and lets them absorb it. And then cuffs them. There are so many subtle things Marvin does here that make the tough guy work. It's maybe how he appraises the other actors. Like he's thinking " I'm listening, I'll tell you later if I believe you." Very stony. The material, in it's sketchy short form, deflates the magic of Marvin here and there but in a funny way. My favorite Police Squad type of moment has Marvin in a fistfight at the circus that starts a fire that burns the whole circus down in an apocalypse of panic and flames. Footage of some old big budget movie used as a backdrop. Very Frank Drebbin kind of unintended consequence. I recommend you get your own copy of Marine sniper turned actor kicking ass on TV
M Squad is probably the only true film noir TV show ever shot. It was done with low camera angles and the most intense black and white photography with surprising lighting. As few shades of gray as possible were used. It needs to be viewed on a b/w TV for the full effect. It is an important work, and if the series still exists, it should be shown on PBS. Very intense drama. A good antidote to the sugary sweet shows like (two of my true favorites) Leave it to Beaver and Father Knows Best. Good shows, but the fifties were nasty, and the TV shows that you find on G4 or Nick are just not representative. It was a show that made the viewers uncomfortable, I have read. I a very thankful that my parents never took those parental rating seriously (yes, they had them then).
The opening scene was one of the best in TV history. Every week you saw the grille of Lee's '53 Ford come wheeling around a city corner and the words 'M SQUAD' flashing onto the screen as the car is coming into full view. It got you ready for a great police adventure with a character that could only be played by someone of Marvins' persona. He had the tough guy role down to a science - better than Clint Eastwood, Telly Savalas or Jack Lord.
Marvin had a way of speaking to the criminal element (or anyone he didn't like for that matter) that caused them to stop and reflect on the probable outcome of an escalated confrontation with him. As a kid, I tried to copy that poker face and steady sure voice that caused the bad guys to back down. Never quite got the hang of it; there will only be one Lee Marvin.
Hoping that some day these episodes are reproduced - it was TV at its best.
Marvin had a way of speaking to the criminal element (or anyone he didn't like for that matter) that caused them to stop and reflect on the probable outcome of an escalated confrontation with him. As a kid, I tried to copy that poker face and steady sure voice that caused the bad guys to back down. Never quite got the hang of it; there will only be one Lee Marvin.
Hoping that some day these episodes are reproduced - it was TV at its best.
क्या आपको पता है
- ट्रिवियाThe show was inspired by the exploits of legendary Chicago crime fighter Detective Superintendent Joseph Morris. Detective Lieutenant Frank Pape, who worked for Morris, served as a Technical Advisor on the show, without getting credit, however, because of his active status within the Chicago Police Department, which banned police moonlighting.
- भाव
Lt. Frank Ballinger: [spoken in voiceover near beginning of each episode, as he tells audience about a recently committed crime] My name is Frank Ballinger, detective-lieutenant, M Squad, a special detail of the Chicago police.
- कनेक्शनFeatured in Discovering Film: Lee Marvin (2015)
- साउंडट्रैकM Squad
(theme 1957-1958)
Written by Stanley Wilson
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does M Squad have?Alexa द्वारा संचालित
विवरण
- चलने की अवधि30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 4:3
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