That Darn Cat!

The Siamese cat not only has the title role, he steals the film! The silly plot involves a couple of bumbling bank robbers (FRANK GORSHIN is one of them), who kidnap a woman from the bank who's able to signal for help by putting her wrist watch around the cat's neck. The cat belongs to HAYLEY MILLS, who picks up on the signal and then must convince the FBI to help her (and her cat) find the robbers in time to save the woman. DEAN JONES is the earnest but bumbling FBI man who decides to help Hayley.

All of the incidents surrounding the cat are deftly handled with a great deal of humor. ELSA LANCHESTER and WILLIAM DEMAREST are funny as snooping neighbors and RODDY McDOWALL and ED WYNN have some good moments too. But it's HAYLEY MILLS at her most appealing and "that darn cat" that really steal the show. The cat "DC" is simply amazingly natural and perhaps the most convincing member of the cast.

Summing up: One of the better Disney comedies during the '60s.

"That Darn Cat!" can be considered the first in the series of human/animal buddy caper films (see "K9", "Turner and Hooch", "Oh Heavenly Dog" to name a few). And it's also one of the funniest.

D.C. is a clever and precocious Siamese who is forever getting into mischief, but who forever remains one of filmdom's coolest cats. But when D.C. (for "Darn Cat" - though D.C. is also an acronym for something unspeakable in a Disney Film!) becomes an unsuspecting witness to a bank robbery/kidnapping, he finds himself the FBI's most valued informant.

The cast of this of this cool Disney caper is sophisticated, intelligent and frequently hilarious. Hayley Mills, as D.C.'s overly-zealous owner, has finally graduated to womanhood, while still maintaining the girlish charm that captured the hearts of Pollyan-ites and Parent Trappers everywhere. Her lines of dialog are extensive, and though her voice begins to grate after a while, she is both smart and quite ballsy for a teen of the early 70s. Dean Jones as unflappable FBI Agent Kelso manages to display a dignity, wit and charm not usually present in the straight man of a Disney Comedy (Who else would remain calm as the little beast nearly tears him to shreds, covers him with ink, and leads him on three separate chases in pursuit of the elusive wild goose?).

Bad guys Neville Brand and Frank "The Riddler" Gorshin simply ooze evil when they are coolly discussing the potential fate of hostage Grayson Hall. Even now as I watch this movie, I really BELIEVE they would do serious bodily harm to this poor woman, in much the same manner that Roddy McDowell (as a hot-headed and stuffy neighbor) would be willing to de-gut our hero, the cat.

And therein lies our focus - the cat. This brave little feline is the true (and UNBILLED!) hero of the piece. And D.C. clearly is capable of holding his own against overwhelming odds. Even with star talent surrounding at every turn, the writers were smart enough to keep the focus on D.C. and his antics. The assorted chases, the jealous boyfriend, the vengeful neighbor (with his duck dinner clutched firmly in hand), the bickering couple next-door; all revolve around or are in some fashion related to, the actions of the furry little sleuth.

The writing is fun; speaking on a heretofore unseen level of intelligence to its young audience. The result is that children are entertained and clearly understand what's going on, while grownups marvel at the complex doings in a small town that are precipitated by one mischievous kitty and the screwball humans that surround him.

This film is a whopping credit to Disney's talented live-animal handlers and art direction teams. The sets and scenery in this delightful little any-town are realistic enough to make you believe they are a real community, yet spritely and colorful enough to make you want to move there... The drive-in movie theater scene still gives me a good laugh.

In all, "That Darn Cat!" is a delight to view on multiple levels, whether you're all alone, or in a room full of pre-schoolers. For an extra treat, pick up any CD by Disney that has the film's title track by Bobby Darin. The cool loungey tune rings vaguely of Harry Connick Jr. and would probably be right at home coming out of the pipes of Ol' Blue Eyes, Mr. Sinatra, himself.

This is probably about as good as the Disney comedies of the 50's and 60's get. I think one reason it works is that it doesn't exist in that goody-two-shoes world where many Disney films of the past took place. The crooks in this film are nasty guys, they steal, kidnap, and nearly beat and kill their female hostage. Not that that's a good thing, but it's certainly uncharacteristic for a Disney film. The script is also well written, the dialogue is, for the most part, believable. It does get a little too long toward the end though.

This is one of those movies I saw in the theater as a kid. Simply put, it was hilarious. Maybe it was mob mentality, but virtually EVERYONE in the entire place was laughing uncontrollably throughout the entire film. We're talking a real side-splitter here, folks. I have never laughed so hard at a movie before or since, with the possible exception of another Disney film, "The Absent-Minded Professor" (1961) which I also saw in a theater.

So what makes a good film, anyhow? Fantastic acting? Great plot? Beautiful cinematography? Superb directing? Babes? Well, you can't say it had any of those things. But it DID set out to do what it attempted to do, which was: make people laugh. A lot. And that makes it, in my opinion, a pretty darn good movie.

The novel, "That Darn Cat," was written by The Gordons and published a few years before the movie came out. I read the book and it's excellent. It's set in Los Angeles and clearly has an adult slant, although people of all ages who like mysteries would enjoy the novel. There was both humor and suspense in the book---but the movie was written like a sitcom and everyone acted too silly and zany. The movie should have been filmed on the streets of Los Angeles rather than the fake-looking backlot of Disney Studios! Obviously The Gordons (husband & wife mystery writers) knew that in order to turn their excellent novel into a Disney film (circa 1965) they had to write a screenplay that was bland and silly. The movie is okay but the novel is much better!