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Kapurush

  • 1965
  • U
  • 1 घं 10 मि
IMDb रेटिंग
7.6/10
2.6 हज़ार
आपकी रेटिंग
Haradhan Bannerjee, Soumitra Chatterjee, and Madhavi Mukherjee in Kapurush (1965)
DramaRomance

अपनी भाषा में प्लॉट जोड़ेंA chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man.A chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man.A chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man.

  • निर्देशक
    • Satyajit Ray
  • लेखक
    • Premendra Mitra
    • Satyajit Ray
  • स्टार
    • Soumitra Chatterjee
    • Madhavi Mukherjee
    • Haradhan Bannerjee
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    2.6 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Satyajit Ray
    • लेखक
      • Premendra Mitra
      • Satyajit Ray
    • स्टार
      • Soumitra Chatterjee
      • Madhavi Mukherjee
      • Haradhan Bannerjee
    • 18यूज़र समीक्षाएं
    • 26आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 1 नामांकन

    फ़ोटो45

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार6

    बदलाव करें
    Soumitra Chatterjee
    Soumitra Chatterjee
    • Amitabha Roy
    • (as Soumitra Chattopadhyay)
    Madhavi Mukherjee
    Madhavi Mukherjee
    • Karuna Gupta
    • (as Madhabi Mukhopadhyay)
    Haradhan Bannerjee
    Haradhan Bannerjee
    • Bimal Gupta
    • (as Haradhan Bandyopadhyay)
    Santi Chatterjee
      Satish Haldar
      Deochand Lal
      • निर्देशक
        • Satyajit Ray
      • लेखक
        • Premendra Mitra
        • Satyajit Ray
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं18

      7.62.6K
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      फ़ीचर्ड समीक्षाएं

      10mossgrymk

      the coward

      After watching two rather lengthy, rambling Ray films, "Big City" and "Charulata", it was nice to see this concise, 70 minute parable about the folly of turning one's back on love because one is scared to commit. Felt like a combination of DeMaupassant, with the twist of the knife at the end, and Maugham, with the tawdry, tea plantation setting. Add a dash of James M Cain (the lonely, alcoholic husband) and you've got a most satisfying movie. Give it an A.
      CinemaClown

      A Ruthless Portrait Of Grief, Regret, Betrayal & Revenge

      A short, simple & stimulating drama released as one half of the double bill presentation along with Mahapurush, Kapurush (The Coward) follows a screenwriter who rekindles old memories following a chance meeting with his ex-girlfriend who is now married to the person who offers him hospitality for the night after his car breaks down.

      Written & directed by Satyajit Ray (The Apu Trilogy & Charulata), the premise is a love triangle brimming with strong emotional undercurrents & gradually increasing tension between the two characters with a shared past. Ray utilises the camera with a probing eye to keep us guessing and smoothly navigates from present to past to inform the viewers.

      The drama isn't hurried and the actors play their roles with conviction but it still requires extra breathing space than what its 74 mins runtime offers. Performances from the trio are gripping throughout, plus their interactions also hint at complex emotions swirling beneath the surface, for our lovelorn protagonist pays the price for his earlier betrayal & cowardice.

      Overall, Kapurush is the better & stronger story of the two entries that make this double feature offering as it not only narrates its story in more enriching & productive fashion but also benefits from sturdier inputs from its cast. A brutal reminder of how our past actions are responsible for our present being, this poignant drama doesn't dig too deep but still delivers the desired goods.
      10soujatyadg

      The most fascinating quality about Kapurush is its brevity...

      The most fascinating quality about Kapurush is its brevity – the brevity of the film runtime (74 mins), its terseness in dialogues and the concision in expressions delivered by the protagonists of this film. It is a remarkable craft.

      It's hard to imagine for any film maker of international repute to deal with a subject like Kapurush and tackle in-depth human emotions and consciousness, so succinctly and precisely, in just about 74 minutes. Some filmmakers would take alteast the normal 120-140 minutes length to be able to deal with a subject like Kapurush in order to give a wholesome cinematic form. Satyajit Ray took just 74 times to tell a story revolving around 3 main characters, depicting their psyche and intense mental turmoil – all unspoken but using subtle eye movements and small body gestures. The film is the finest example of optimal usage of speech, gesture, expression and length. The film highlights Ray's prowess in the economy of speech and cinematic resources. Kapurush inevitably epitomizes Ray's mastery and control over every aspects of film-making.

      The ending of the film is undoubtedly the most exciting part - as with many of Ray's films, it leaves the audience to draw several conclusions, and as a result makes you think. And that's what makes Ray's films so unique – they are all subtle, calm and composed films – but after you have seen them, they bore a deep imprint on your mind and makes you think. Kapurush is one of them.

      Unfortunately, Kapurush is a highly underrated film, perhaps because Ray is impeccable and had consistently produced masterpieces. As a result of this, a film like Kapurush got overshadowed. For any other world-class film-maker of today, it would have been a jewel in his or her oeuvre. Well, as I always say – Satyajit Ray is the God of Cinemas....period.
      pablo16

      Revival of burnt out passions or de-ja vu?

      This can be categorized as another Ray short-of-a-full-length venture! The title could not be more apt, as COWARD is written all over the young writer(Soumitra Chatterjee)- especially after we are told of the past sequence. Some years ago, Amitabh had refused to marry lover Karuna in haste. He needed 'time' to think it over, the city was big, he was starting to work, he wasn't even established properly- how could he marry Karuna suddenly?

      Many years later, his car breaks down and he is given shelter for the evening in Bimal Gupta's house- a successful tea planter somewhere in Darjeeling. The tea-planter is lonely in that part of the world with no neighbors nearby, hence he talks garrulously about his takes on life. Amitabha is now an established screen-writer who talks less but is astounded to meet Bimal's wife- Karuna.

      A breakthrough performance by Madhabi Mukherjee, this is a wonderful movie which will not fail to appeal anyone.
      9MOscarbradley

      'Minor' but only in scale.

      This Satyajit Ray movie, made in 1965, is virtually unknown here and while it's not one of his great masterpieces it is very fine and well worth seeing. "The Coward" is very much a chamber piece with really only three main speaking parts. The great Soumitra Chatterjee is Amitabha Roy, the screenwriter who finds himself stranded in a remote backwater after his car breaks down. He is 'rescued' by a friendly plantation owner, (Haradhan Bannerjee),, who invites him home for the evening but when he gets there he discovers the plantation owner's wife, (the equally great Madhavi Mukherjee), is his old love he let go years before. He still carries a torch for her but she seems indifferent to him.

      Is Chatterjee the coward of the title for not committing himself to Mukherjee when he had the chance or is she the coward, unable or unwilling to face up to her feelings in the present? In just seventy minutes Ray presents us with a devastating character study as he peels away layers from each of the three protagonists revealing the feelings and the frustrations beneath. (He's also not afraid to tackle issues like colonialism and the caste system). In the grand scheme of things this may be 'minor' Ray and yet it is a film that will stay in your memory long after it's over.

      इस तरह के और

      Mahapurush
      7.0
      Mahapurush
      Charulata
      8.1
      Charulata
      Mahanagar
      8.3
      Mahanagar
      Nayak
      8.3
      Nayak
      Devi
      7.7
      Devi
      Pratidwandi
      8.1
      Pratidwandi
      Parash Pathar
      7.6
      Parash Pathar
      Seemabaddha
      7.8
      Seemabaddha
      Kanchenjungha
      7.9
      Kanchenjungha
      Teen Kanya
      7.9
      Teen Kanya
      Days and Nights in the Forest
      8.1
      Days and Nights in the Forest
      Jalsaghar
      7.8
      Jalsaghar

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        This film is featured as a bonus on "The Big City", released by the Criterion Collection, spine #668.
      • गूफ़
        The shadow of the boom mic is clearly visible on the wall at the start of the first flash-back scene.
      • भाव

        Amitabha Roy: All this palm reading was just an excuse to hold your hand.

        Karuna Gupta: You think it wasn't an excuse for me to offer it?

      • इसके अलावा अन्य वर्जन
        There is an Italian edition of this film on DVD (Extra Movie in "APARAJITO"), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
      • साउंडट्रैक
        It's a Long Way to Tipperary
        Composed by Jack Judge

        Performed (whistled) by Haradhan Bannerjee

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल

      • How long is The Coward?
        Alexa द्वारा संचालित

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 7 मई 1965 (भारत)
      • कंट्री ऑफ़ ओरिजिन
        • भारत
      • आधिकारिक साइट
        • Satyajit Ray (India)
      • भाषाएं
        • बंगाली
        • अंग्रेज़ी
      • इस रूप में भी जाना जाता है
        • Kapurush Mahapurush
      • उत्पादन कंपनी
        • R.D.Banshal & Co.
      • IMDbPro पर और कंपनी क्रेडिट देखें

      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        1 घंटा 10 मिनट
      • रंग
        • Black and White
      • ध्वनि मिश्रण
        • Mono
      • पक्ष अनुपात
        • 1.37 : 1

      इस पेज में योगदान दें

      किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
      Haradhan Bannerjee, Soumitra Chatterjee, and Madhavi Mukherjee in Kapurush (1965)
      टॉप गैप
      What is the Spanish language plot outline for Kapurush (1965)?
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