The Informers

I love these sort of films,1950s/1960s British crime films. Some are well known but this one is fairly obscure,despite the well known director and cast.

So I was glad when I caught this on a film channel. It has its faults,mainly sometimes unrealistic,but it is well made and has a great cast. 10 years after this film was made the British film industry was almost dead,why? I think because of tv and the idea that British films were dull,some were but some were great.

Surprisingly tough, given that this was made in 1963, and surprisingly good British crime movie directed by the usually reliable Ken Annakin. It's based on the novel, "Death of a Snout" and it's about Police Inspector Nigel Patrick's attempt to find out who killed his number one informant. It has an excellent cast that includes Margaret Whiting, Darren Nesbitt, Frank Finlay, Roy Kinnear, Harry Andrews and Colin Blakely and Annakin makes great use of his London locations. It may not surface very often these days but it's certainly worth seeing.

Ken Annakin, a director not known for masterpieces but for comedies and trusty box office returns, takes an unusually serious approach in THE INFORMERS, a dour British noir with Nigel Patrick a police detective making his own decisions in contravention of his boss' standing orders.

Instead of collating evidence piecemeal to take the criminals to court, he decides to speed things up on his own without a word to anyone in the office, with the upshot that clever villain Frank Finlay sets him a trap that makes him look like he is on the take and seeing prostitutes on the side, and he is remanded in custody and actually suspended from duty by uncompromising police chief Harry Andrews.

Derrin Nesbitt, as ever, plays the flamboyantly ruthless criminal who resorts to underhand methods to get lovely Margaret Whiting (is she the one who sings "My Foolish Heart" and other 1950s songs?) to ensnare Patrick. Very fine acting from all, down to the smallest part.

I like the script in general and dialogue in particular, complete with cockney accents giving the film and characters considerable authenticity, and presenting an unusual angle on dereliction of police duty with the best possible intentions.

Extremely effective B&W cinematography with clever use of closeups.

Surprisingly, one of the best tough-cop performances in a British film came from Nigel Patrick in "The Informers," an actor who has considerably more strength in this kind of role than all those witty, urbane characters in which he has found himself would seem to suggest...

Patrick played a detective-sergeant with a genuine London accent and showed a fierceness towards a gang of crooks which at the time (1963) was highly unusual in British pictures… It could be that the characterization was in a direct line from his Soho racketeer in "The Noose ( 1948), his cold-hearted spymaster in "Count Five and Die,"( 1958) and his police detective in "Sapphire" (1959). Somewhere inside Nigel Patrick, it seems, there is a Sterling Hayden trying to break out

No matter what title's used, UNDERWORLD INFORMERS or simply THE INFORMERS, it's right up front about those shady characters desperate enough to run to the law and name names...

Only here it's Scotland Yard's Nigel Patrick who takes foot after them... one snitch/snout in particular in a newly-slain informer's hard-working ex-con brother Colin Blakely, so intensely energetic he needed far more screen time...

But it's pretty boy criminal Derren Nesbitt on the freewheeling forefront, strutting his wealth as he and more cautious partner Frank Finlay hang in a crowded nightclub while their planned bank heist (after several previous knockoffs) occurs simultaneously elsewhere...

So Nigel Patrick's Chief Inspector John Edward Johnnoe... vulnerable to strict chief Harry Andrews since he cuts corners to begin with... dives into a dog-eat-dog plot saturated enough for three crime flicks while curbed by two dames that, like any Noir, has one naive the other wicked.

Unfortunately the gorgeous Katherine Woodville is benign and underused as the cop's wife, leaving the good stuff to bad girl/moll Margaret Whiting who, despite framing our hero, is equally sympathetic as a single mom mentally and physically abused by that rich pompous crime lord Nesbitt...

Who really has the most fun since, unlike everyone else... dizzy from all the complicated bedlam... he's grinning till the end, and with an unapologetic villainy that -- possibly inspired by the likes of Robinson and Cagney -- becomes downright infectious.