Hot Enough for June

MASTER PLAN: capture that spy! A restrained yet witty, surprisingly entertaining parody of the James Bond/spy genre so prevalent during the Cold War of the sixties. Keep in mind that the connection to Bond may be based on the fact that agent 007 was killed at the end of the original novel version of "From Russia With Love." The hero and main character (Bogarde) is not actually a spy - that is, trained for or knowledgeable of the arcane profession. He's actually a bit of a layabout, an unpublished writer content with collecting unemployment to get by. He's not even truly interested in getting a job, but when the prospect of a good salary unexpectedly comes up, he's unable to resist the offer. He thinks, based on his meeting with his new boss (Morley), that he's being sent to Prague on typical corporate business and because he understands Czech. Some warning signals go off in the back of his mind with the thought of going behind the dreaded Iron Curtain and using a code phrase (the title of the film) as part of his instructions. Well, he should have heeded those signals more. It's intriguing that he doesn't know who his contact is - the return code phrase has something to do with September - and this sets up some amusing scenes.

Bogarde is excellent as the slightly naive but nevertheless intelligent, quick-on-his-feet dupe. The story bogs down just a bit as he acquaints himself with the new locale but it really kicks into full gear when he's finally targeted by the enemy (headed by McKern). The audience and the character himself find out that he's actually pretty well suited for the cloak-and-dagger business, much to our astonishment. The actress Koscina had a more flamboyant role in the similarly imitative "Deadlier Than the Male," but she exudes a lot of sultry appeal here. And old pros Morley and McKern show how such experienced thespians can add much to such a film. Since much of the story's premise points to the pointlessness and 'running-about-in-circles' of the espionage business, this translates into a rather frivolous, pointless overall scheme for the film, but you're engaged while viewing it. Also, this early in the decade, this was more derivative of the early "From Russia With Love"-style of the 007 thrillers, rather than the 'world-threatening/domination' plots of later imitators, such as Flint and Matt Helm. And, I'm still trying to figure out the meaning of the alternate title, "Agent 8&3/4." Hero:8 Villain:7 Femme Fatale:7 Henchmen:6 Fights:5 Stunts/Chases:5 Gadgets:4 Auto:6 Locations:6 Pace:6 overall:6

Although "Hot Enough For June" (a.k.a. "Agent 8 3/4") was sold as a spoof of James Bond and spy films in general, the movie isn't really a comedy. It is closer to a drama with a number of lighter moments. Though the movie did surprise me in being much more serious than it was advertised, I have to admit that I enjoyed it. The lighter moments are a welcome addition, giving the audience a few chuckles and stopping the movie from becoming too dry and serious. The otherwise serious tone of the movie is also well done. The movie doesn't stay long in one location, which keeps the movie moving at a pretty brisk pace. And when things start to get very serious for the hero, with his life being at stake, I have to admit that I was pretty captivated. It also helps that the character is pretty smart instead of being an idiot. Maybe the end results won't stay in your mind for a long time after the end credits start rolling, but the movie is engaging from the opening to the end.

I did enjoy this film, but the reason for saying above 'if you don't think too hard' is that after watching it, the thing that stuck in my mind was that Nicholas (Dirk Bogarde) seemed to adapt to the situations he found himself as a spy rather too easily for someone who is supposed to be an unemployed writer. That aside the film is a little difficult to categorise, IMDb call this a comedy, and it starts out in the same vein as the "Doctor" films that Dirk Bogarde made, but it changes to what I would classify as 'Light Drama', and that makes it much more interesting.

Overall the acting was good but not outstanding, and I would recommend it for an evenings entertainment, provided your idea of an evenings entertainment is something you don't have to think about too much, and you have had enough of sex, violence and obscenity.

This film is very funny indeed, because it was well directed by Ralph Thomas, who could sometimes make terrible films, such as SOME GIRLS DO (1969, see my review). But primarily the film is carried by the superb and delicately delivered performances of those three old pros, Robert Morley, Leo McKern, and Dirk Bogarde. They all knew so well what they were doing that they could always direct themselves. McKern had a passion for Indian food, and I often used to sit near him in the Shahbhag on Roslyn Hill, as he scoffed his curry, but I never thought it tactful to speak to him, as disturbing a man at his curry is simply not the done thing. McKern's greatest acting triumph was his performance as Peer Gynt, in the play of that title by Ibsen. I saw that extremely long and brilliant production at the Old Vic in a long-gone era, but have never forgotten that McKern was a classical actor of enormous stature, and if he had not had such a rumpled face and a funny expression, he might have done more to prove it to people. This film has an absurd story which is satirically and lightly done, so that it all ends up being just lots of fun on the principle of: Who cares if it's ridiculous? It works. Sometimes they do and sometimes they don't. You take your life in your hands when you try to make a satirical comedy. John le Mesurier provides solid backup, as usual, making his comical long face and joining in the fun of pretending to be a spy. Everyone in the film is either a spy or pretends to be a spy or doesn't know he is a spy because nobody has told him. During the Cold War we needed this kind of comic consolation sometimes, because the realities were so grim. There are also some pointed jokes about people sponging on the dole, lazy chaps who claim to be writers and will one day write a great novel but never do (Bogarde plays this for all the laughs he can get), and there is Sylva Koscina having fun falling in love with him whilst spying on him in Prague. All good solid sixties nonsense. And there is a wonderful 'in-joke'. At one point Bogarde is looking at a newspaper, and a secondary story which most people would not notice is headed: '"I'm not a spy!' says Ralph Thomas', Ralph Thomas of course being the film's director. Lots of laughs on the set, I'm sure. 'And now time for a pint,' I suspect.

Released in the wake of 'From Russia With Love', 'Hot Enough For June' was one of the earliest 007 spoofs. 007 is referred to ( reportedly killed in action! ) in the opening scene. Nicholas Whistler ( Dirk Bogarde ) is dragged out of the dole queue, and sent to Prague by what believes to be a glass-manufacturing company. In actual fact, he is being used as an unwitting secret agent by M15, to recover a stolen Communist formula. Once Whistler realises the awful truth, the film turns into 'The 39 Steps' revisited! Bogarde plays Whistler much like Dr.Simon Sparrow, the best performances come from the irreplaceable Robert Morley as the delightfully droll Colonel Cunliffe, and gruff Leo McKern as his Russian opposite number. Sylva Koscina provides glamour as McKern's daughter, with whom Whistler falls in love. Ralph Thomas expertly mixes the comedy and suspense, the audience is cheering Whistler on as he makes a desperate attempt to enter the British Embassy in Prague at the climax. Good fun.