IMDb रेटिंग
6.1/10
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अपनी भाषा में प्लॉट जोड़ेंWhat could be worse for two cavalry officers than to battle with native tribes? To battle each other for the same woman.What could be worse for two cavalry officers than to battle with native tribes? To battle each other for the same woman.What could be worse for two cavalry officers than to battle with native tribes? To battle each other for the same woman.
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
From the original script of director Sam Peckinpah, who first penned this rousing western tale of Calvary vs Indians arises this movie called " The Glory Guys ". Contrary to other films of the genre, this film allows the Native Americas to win an occasional battle. But other credits supplement it as well. The beautiful outdoors, the exciting bar-room brawl and the spacious land conflict called for by a good script. Within the story of myopic Gen. Frederick McCabe (Andrew Duggan) who seeks a glorious victory over the southwestern tribes at any price, is an inner one dealing with two men Capt. Demas Harrod (Tom Tyron) and Chief of Scouts Sol Rogers, (Harve Presnell) who love the same lovely woman named Louisa Woddard (Senta Berger). Although rivals, they bear a mutual respect for each other. Demas is an experienced officer carrying a bitter grudge against General McCabe who sacrifices his men without compunction. His main concern are his raw recruits who he feels deserve better than to be sacrificial fodder for the general. Rogers seeks to settle down, marry and become a farmer. Slim Pickens plays Sgt. James Gregory and rightly garners much praise for his convincing, steadfast role. James Caan and an equally young Wayne Rogers are impressive and complementary characters in the movie. Their fine acting and the film's dramatic action makes for excellent viewing. The musical score is patriotically stirring and further enhances the movie. Recommended for all interested viewers***
The story of how General George Armstrong Custer led his troops to their deaths at the Battle of Little Big Horn in 1876 is a textbook example of military megalomania writ large in American history, and clearly a story ripe for a budding writer, which is what Sam Peckinpah was in the 1950s, when, at the request of the production team of Arthur Gardner, Jules Levin, and Arnold Laven (for whom he would create the legendary TV western series "The Rifleman"), he was commissioned to write the screenplay for Hoffman Birney's novel "The Dice Of God", loosely based on the Custer story, and which was to become the basis for THE GLORY GUYS. But by the time the story went behind the cameras in mid-1964, Peckinpah, due to the fury that he had caused in Hollywood with the extreme production conflicts on MAJOR DUNDEE, was about to be virtually blackballed from Hollywood. And while the end result is nowhere near a terrible product, one has to wonder just how much further this film would have gone had Peckinpah been given the opportunity to direct his own script, which he in fact never did, contrary to what has been reported here at the Internet Movie Database (I for one would like to see corroborating evidence of that claim that he directed even a small part of it).
Even in the finished film, there are themes Peckinpah had broached upon that are still there--the conflict between two men (Harve Presnell; Tom Tryon) and their commanding officer, a steely-eyed, almost dictatorial Cavalry commander (Andrew Duggan) out to put the Sioux in their place. As this kind of scenario had loosely played itself out in MAJOR DUNDEE, however, Laven, who directed the film, seemed to shift the film away from this critical look at personal and military obsession to the love triangle between Tryon, Presnell, and a pioneer woman (Senta Berger, returning from MAJOR DUNDEE) at their fort. It was a point that Peckinpah strongly (and unsurprisingly) found highly disagreeable, since his focus was on the near-fundamentalist behavior of Duggan's character. In the meantime, Laven does stage plenty of good action scenes, including the attack on the Sioux, but they don't have the kind of raw (let alone bloody) energy that Peckinpah would have bought to them, and the editing of these scenes, while more than competent, isn't quite up to what was even done in the action scenes of the unfairly butchered DUNDEE.
Still, it's hard to say too many bad things about a film that is still as far removed from the old John Ford/John Wayne cavalry films as MAJOR DUNDEE had been; and Tryon and Presnell are extremely competent in their roles (though rumor has it that Lee Marvin and James Coburn were both considered first, before salary conflicts forced Laven to settle for the other two). There are also early roles for James Caan as an Irish-born cavalryman; and Wayne Rogers, later to star in the long-running TV series M*A*S*H, as another cavalry officer. Slim Pickens, who is never anything less than memorable, also does a good turn as one of the members of the cavalry. Perhaps the best thing about THE GLORY GUYS, besides those moments when the film lays Duggan's military megalomania bare, is the superb cinematography, most of it done on location near Durango, Mexico, of James Wong Howe, who had won an Oscar in 1963 for HUD.
All in all, THE GLORY GUYS does hold up as an extremely competent film. But it still leaves one to wonder just how much further up the ladder of quality sagebrush film making it would have gone had Peckinpah been the one in the director's chair, as opposed to the more workmanlike direction of Laven. One can, unfortunately, only speculate.
Even in the finished film, there are themes Peckinpah had broached upon that are still there--the conflict between two men (Harve Presnell; Tom Tryon) and their commanding officer, a steely-eyed, almost dictatorial Cavalry commander (Andrew Duggan) out to put the Sioux in their place. As this kind of scenario had loosely played itself out in MAJOR DUNDEE, however, Laven, who directed the film, seemed to shift the film away from this critical look at personal and military obsession to the love triangle between Tryon, Presnell, and a pioneer woman (Senta Berger, returning from MAJOR DUNDEE) at their fort. It was a point that Peckinpah strongly (and unsurprisingly) found highly disagreeable, since his focus was on the near-fundamentalist behavior of Duggan's character. In the meantime, Laven does stage plenty of good action scenes, including the attack on the Sioux, but they don't have the kind of raw (let alone bloody) energy that Peckinpah would have bought to them, and the editing of these scenes, while more than competent, isn't quite up to what was even done in the action scenes of the unfairly butchered DUNDEE.
Still, it's hard to say too many bad things about a film that is still as far removed from the old John Ford/John Wayne cavalry films as MAJOR DUNDEE had been; and Tryon and Presnell are extremely competent in their roles (though rumor has it that Lee Marvin and James Coburn were both considered first, before salary conflicts forced Laven to settle for the other two). There are also early roles for James Caan as an Irish-born cavalryman; and Wayne Rogers, later to star in the long-running TV series M*A*S*H, as another cavalry officer. Slim Pickens, who is never anything less than memorable, also does a good turn as one of the members of the cavalry. Perhaps the best thing about THE GLORY GUYS, besides those moments when the film lays Duggan's military megalomania bare, is the superb cinematography, most of it done on location near Durango, Mexico, of James Wong Howe, who had won an Oscar in 1963 for HUD.
All in all, THE GLORY GUYS does hold up as an extremely competent film. But it still leaves one to wonder just how much further up the ladder of quality sagebrush film making it would have gone had Peckinpah been the one in the director's chair, as opposed to the more workmanlike direction of Laven. One can, unfortunately, only speculate.
I originally saw this movie back in 1965 when it first came out and I have always had fond memories of it . It is definitely not as substantial as Wild Bunch, Sam P's masterpiece western, but it is an intelligent movie that builds great characters who make up the film.
Tom Tryon is good as the maverick Captain who worries more about the lives and survival of his men then the prime directive of the General, played in his great evil fashion by Andrew Duggan. Harve Presnell,as Sol the scout makes a good foil for Tryon as they compete for the love interest,the widow Woodward, played by Senta Berger The standout characters to me are Slim Pickens as the long-suffering sergeant who must mold the misfits into a fighting troop, and a very young, brash James Caan as Dugan, the Irish ne'er do well, who becomes a soldier after all.
Because of the time period the Indians are pretty one dimensional and uniform, unlike later movie representations like Little Big Man, but they do pull off clever fighting tactics and the hand to hand combat is fierce for its day.
Like later war movies, the enemy is often the high brass or the law, just as much as the opposing forces.
I could only find this movie in VHS, so I recorded it on my DVD recorder so I could keep it for posterity.
Tom Tryon is good as the maverick Captain who worries more about the lives and survival of his men then the prime directive of the General, played in his great evil fashion by Andrew Duggan. Harve Presnell,as Sol the scout makes a good foil for Tryon as they compete for the love interest,the widow Woodward, played by Senta Berger The standout characters to me are Slim Pickens as the long-suffering sergeant who must mold the misfits into a fighting troop, and a very young, brash James Caan as Dugan, the Irish ne'er do well, who becomes a soldier after all.
Because of the time period the Indians are pretty one dimensional and uniform, unlike later movie representations like Little Big Man, but they do pull off clever fighting tactics and the hand to hand combat is fierce for its day.
Like later war movies, the enemy is often the high brass or the law, just as much as the opposing forces.
I could only find this movie in VHS, so I recorded it on my DVD recorder so I could keep it for posterity.
The Glory Guys is directed by Arnold Laven and written by Sam Peckinpah who adapts from the Hoffman Birney novel, The Dice of God. It stars Tom Tryon, Harve Presnell, Senta Berger, James Caan, Andrew Duggan, Slim Pickens and Michael Anderson Jr. It's shot in Panavision with colour by Deluxe, with James Wong Howe the photographer, and music is scored by Riz Ortolani.
The Glory Guys are young recruits to the 3rd Regiment of the United States Cavalry, film follows them as they live and love thru their initial training and onwards to impending war with the Indians. They be at the mercy of a warmongering general, their passions and fate, cruel avoidable fate.
It's one of those War Westerns that cried out for some quality actors to tell the tale. For the story is a great one, no doubt inspired by the Custer legend from Battle of Little Big Horn, the scenery (Durango, Mexico) is first rate and the score is suitably perky and rousing: with the title song tremendous in its power. There's even some terrific action, especially for the major battle in the last quarter, where the use of 100's of extras provides excitement as the bloody carnage convincingly unfolds. But getting to that last third in the company of wooden lead actors is not that easy to do, Pickens, Duggan and Caan aside (tho Caan's Irish accent fluctuates), the principal actors are unable to put real urgency into the drama. Laven's pacing is questionable too, but the director comes out in credit because his final flourish, the battle construction, really is worth the wait. But one can't help wondering what Peckinpah in his pomp could have done with his own script.
A very mixed bag when put under scrutiny, but with a glorious and potent final third bringing it to closure, The Glory Guys is safely recommended to fans of the Custer legend, and indeed, fans of film's like Major Dundee & Fort Apache. 6.5/10
The Glory Guys are young recruits to the 3rd Regiment of the United States Cavalry, film follows them as they live and love thru their initial training and onwards to impending war with the Indians. They be at the mercy of a warmongering general, their passions and fate, cruel avoidable fate.
It's one of those War Westerns that cried out for some quality actors to tell the tale. For the story is a great one, no doubt inspired by the Custer legend from Battle of Little Big Horn, the scenery (Durango, Mexico) is first rate and the score is suitably perky and rousing: with the title song tremendous in its power. There's even some terrific action, especially for the major battle in the last quarter, where the use of 100's of extras provides excitement as the bloody carnage convincingly unfolds. But getting to that last third in the company of wooden lead actors is not that easy to do, Pickens, Duggan and Caan aside (tho Caan's Irish accent fluctuates), the principal actors are unable to put real urgency into the drama. Laven's pacing is questionable too, but the director comes out in credit because his final flourish, the battle construction, really is worth the wait. But one can't help wondering what Peckinpah in his pomp could have done with his own script.
A very mixed bag when put under scrutiny, but with a glorious and potent final third bringing it to closure, The Glory Guys is safely recommended to fans of the Custer legend, and indeed, fans of film's like Major Dundee & Fort Apache. 6.5/10
Great acting and based on the Custer debacle. Peckinpah does a great job with little blood and gore but great scenes of combat. I note that a viewer says he saw additional scenes so let me comment on that; I saw the movie at the drive-in my first time and the version currently on video from MGM/UA is complete. TV versions cut out one specific scene for extra commercials, the entire scene where the troop leaves the fort with no weapons and suffers a simulated Indian attack, with Duggan nearly strangling one acting Indian (about 12-15 min.)The only thing missing is the widescreen version as the video is P&S. I also saw the movie in France, dubbed in French in widescreen and the many off-screen elements show that this movie needs a WS release. Of note is the historical accuracy of the weapons and uniforms. WIDESCREEN please!
क्या आपको पता है
- ट्रिवियाSam Peckinpah later claimed that his screenplay had been ruined by the miscasting of all three of the leading cast members.
- भाव
Sgt. James Gregory: You're government property now, son.
टॉप पसंद
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- How long is The Glory Guys?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 52 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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