Genghis Khan

Irving Allen went all the way to Yugoslavia to make this foolish attempt in Technicolor and Panavision to capitalise on Omar Sharif's new-found celebrity which actually carried a disclaimer from Talking Pictures for the myriad racial caricatures on display.

The international cast represents every conceivable ethnicity except for a bona fide Mongolian. Familiar Asian types include Stephen Boyd, James Mason, Robert Morley, Michael Hordern, Telly Savalas, Eli Wallach, Woody Strode, Yvonne Mitchell, Kenneth Cope and Jacqueline Pearce (the latter pair playing Francois Dorleac's brother and Wallach's daughter; the craziest line being Miss Dorleac's description of herself as "ugly-looking").

As an user has pointed out ,this is the last of the spectaculars of the late fifties/early sixties which began with De Mille's "Ten Commandments" and included such works as "Ben Hur" ,"Spartacus " (which was more Kirk Douglas' work than Kubrik's ),the highly underrated "Cleopatra"(when will we see the uncut version?),Mann 's "El Cid" and "Fall of the Roman Empire" .

This is the last hurrah,but it's a bad film.James Mason and Robert Morley do not seem to take their roles seriously (as Chinese characters!!)and their playing is deliciously tongue-in-cheek.But all the others seem to believe in this far-fetched tale ,very dubious historically ,with Egyptian Omar Sharif as the lead who abducts pretty princess (French Françoise Dorléac) who is raped by Irish Villain (even

nastier than Ben Hur's Messala) Boyd.There's also American Wallach who offers him his two daughters.Both Sharif and Boyd seem to enjoy bondage (collar ,cage,etc).When he speaks to common women ,Genghis is feminist (it's up to them to choose) ,but when he is with his wife ,he's a more credible macho.

Incidentally,Sharif,Mason and Dorléac's sister (Catherine Deneuve) would team up three years later in Terence Young's "Mayerling".This time,Mason was Sharif's father .

If you want to see a good Sharif movie,do choose "Dr Zhivago" instead.

This is a biopic of Temujin (Carlo Cura/Omar Sharif). This starts with the massacre of his tribe and being taken captive. He would escape and slowly rebuild his tribe. His shaman explains that there are three circles. Their middle circle is full of poor fighting tribes while the Chinese and the white Westerners are rich in the two outer circles. He would conquer the whole Mongolian steppe and meet the Chinese emperor.

This is an old Hollywood epic. It follows the tradition of western actors playing Asian characters. I don't expect any better but it is still very old fashion and dated. The story is fictional, but to be fair, the actual history is mostly written legends and oral traditions. The story does lose steam over time. There is no criticizing the caliber of the cast despite their incorrect race. It's all very grand and very old.

Not quite as bad as John Wayne's famed turkey THE CONQUEROR, but getting there. Problem was with this flick, the makers dumped historical accuracy in favor of developing a Ben-Hur-Messala type confrontation between Genghis Khan (Sharif, at the height of his popularity) and his nemesis, a scowling bewhiskered Jamuga (none other than "Messala" himself - Stephen Boyd)

Plenty of Mongol action and cruelty and the concluding battle between Sharif and Boyd is pretty in-your-face stuff. Production values were OK and suitably epic-ish in feel. The wheels start to fall off though with Robert Morley as the Chinese Emperor, some throwback to his role in 55 DAYS IN PEKING and worse, mega-british James Mason as Kam Ling, as likely a chinese adviser to Morley as Adam Sandler playing Abraham Lincoln. In a minor role as Subatai, Kenneth Cope is struggling to hold down any credibility whatsoever, having been first-string comic relief to David Frost on the THAT WAS THE WEEK THAT WAS TV show.

Not for the epic Hall of Fame I'm afraid!

This has about as much to do with the real Genghis Khan as the Hughes film"The Conquerer".If you want to know about the real historical figure,read Lamb's 1920s book.That aside,we have to appreciate the production values of the film.Sets,props,etc.,are all ok.None of these people,however,can scarcely be imagined as Central Asians.Greek Savalas and Alabaman Strode come closest.Wallach,as the Shah,makes an acceptable sly villain,and not an unbelievable Levantine.Everybody else is not only much too European,but much too Nordic,as well.(Sharif is only a minor exception to this generalisation.)And Morley,Mason,and Hordern all act as though they wandered in from a road company of "The Mikado".Watch this film for amusement,and perhaps free-wheeling historical fiction(aka Robert E. Howard),but don't take it too seriously.