The Face of Fu Manchu
- 1965
- 1 घं 29 मि
IMDb रेटिंग
5.8/10
2.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter cheating death, master criminal Dr. Fu Manchu returns with a plot to contaminate the River Thames with a powerful toxin extracted from Tibetan poppies.After cheating death, master criminal Dr. Fu Manchu returns with a plot to contaminate the River Thames with a powerful toxin extracted from Tibetan poppies.After cheating death, master criminal Dr. Fu Manchu returns with a plot to contaminate the River Thames with a powerful toxin extracted from Tibetan poppies.
Howard Marion-Crawford
- Dr. Petrie
- (as Howard Marion Crawford)
Francesca Tu
- Lotus
- (as Poulet Tu)
Peter Mosbacher
- Hanumon
- (as Peter Mossbacher)
Ric Young
- Grand Lama
- (as Eric Young)
Deborah DeLacey
- Slave Girl
- (as Deborah De Lacey)
फ़ीचर्ड समीक्षाएं
In the light of its considerable reputation, this is a big disappointment. It's the old tale of Fu Manchu, the Yellow Peril, trying to take over the world. The racism of this is so self-evident it's probably not worth mentioning, although the blazing red whenever the Chinese are around, and the worker-like garb of Manchu's henchmen, suggest some sort of allegory of Communism - or is this story of a megalomaniacal, world-domination-lusting, Chinaman a parody of such portentousness?
I really wanted to like this film, but there's so much wrong with it. It's been called a spoof, but if so, the joke's on me. The 1920s setting is somewhat rudimentary - a few contemporary cars and hats in what looks like a very 1960s London (although the reviewer below suggests it is in fact Dublin). Far from camp, the plot is played so straight as to be unenjoyable. Every absurdity and implausibility, rather than hurtling us into the giddy realms of fantasy, rather lumbers us in a plot of cliched hackery.
The acting is abysmal - I've never gotten the point of Christopher Lee (he never had Peter Cushing's middle-aged anguish), although his plummy English tones in the supposed role of a fiendish Chinaman, offers some amusement, as does his daft moustache; worst of all is Nigel Green as the oaklike hero, Nayland Smith - a man so unexpressive and graceless should be funny, but here is dull, slowing down the film at every turn. Only FU Manchu's very sexy daughter, Tsai Chin, enthralls, her subservience to her father suggesting perverse depths of sado-masochism.
This is all the more frustrating in that the film has merit in abundance. The colour schemes, costumes, set-designs and compositions are frequently gorgeous, if sometimes let down by leaden direction; the afoementioned incestuous undertones in the relationship between Fu and daughter; a splendid ironising, despite the racism, of the noble West - Nayland Smith is quite clearly insane, and with his Chinese ladyservant, and death mask ornaments, seems more of a mirror image than a foil for Fu Manchu (there is also something wrong with chemists that research into a concoction that can wipe out whole peoples - there is a RIVER KWAI-like frisson in the plight of the Professor who ironically, and enthusiastically, aids his captor); there is a splendidly directed and designed car chase, reminiscent, as Tom Milne notes, of silent serials.
Best of all is the setting of this grotesque potboiler in placid England. This discrepancy gives the film an AVENGERS-like chill on occasion, especially the amazing scene where Fu Manchu first exercises his power, and wipes out an entire village - spinetingling, chilling, and much more frightening than a similar scene in GOLDFINGER.
I really wanted to like this film, but there's so much wrong with it. It's been called a spoof, but if so, the joke's on me. The 1920s setting is somewhat rudimentary - a few contemporary cars and hats in what looks like a very 1960s London (although the reviewer below suggests it is in fact Dublin). Far from camp, the plot is played so straight as to be unenjoyable. Every absurdity and implausibility, rather than hurtling us into the giddy realms of fantasy, rather lumbers us in a plot of cliched hackery.
The acting is abysmal - I've never gotten the point of Christopher Lee (he never had Peter Cushing's middle-aged anguish), although his plummy English tones in the supposed role of a fiendish Chinaman, offers some amusement, as does his daft moustache; worst of all is Nigel Green as the oaklike hero, Nayland Smith - a man so unexpressive and graceless should be funny, but here is dull, slowing down the film at every turn. Only FU Manchu's very sexy daughter, Tsai Chin, enthralls, her subservience to her father suggesting perverse depths of sado-masochism.
This is all the more frustrating in that the film has merit in abundance. The colour schemes, costumes, set-designs and compositions are frequently gorgeous, if sometimes let down by leaden direction; the afoementioned incestuous undertones in the relationship between Fu and daughter; a splendid ironising, despite the racism, of the noble West - Nayland Smith is quite clearly insane, and with his Chinese ladyservant, and death mask ornaments, seems more of a mirror image than a foil for Fu Manchu (there is also something wrong with chemists that research into a concoction that can wipe out whole peoples - there is a RIVER KWAI-like frisson in the plight of the Professor who ironically, and enthusiastically, aids his captor); there is a splendidly directed and designed car chase, reminiscent, as Tom Milne notes, of silent serials.
Best of all is the setting of this grotesque potboiler in placid England. This discrepancy gives the film an AVENGERS-like chill on occasion, especially the amazing scene where Fu Manchu first exercises his power, and wipes out an entire village - spinetingling, chilling, and much more frightening than a similar scene in GOLDFINGER.
...Death to Fu-Manchu!
And so begins this great movie! Well, maybe its not so great overall, but the opening sequence of this film rivals any other in intensity. After all, would you lay down face up for your own beheading? The fun thing about this movie is that every character, regardless of age or sex, avidly fist fights several times throughout the picture. Bottom line is... great fun to watch, just don't take it too seriously.
And so begins this great movie! Well, maybe its not so great overall, but the opening sequence of this film rivals any other in intensity. After all, would you lay down face up for your own beheading? The fun thing about this movie is that every character, regardless of age or sex, avidly fist fights several times throughout the picture. Bottom line is... great fun to watch, just don't take it too seriously.
'The Face Of Fu Manchu' is the first in a series of five movies produced by the legendary Harry Allan Towers. Towers is probably best known for his collaborations with Jess Franco, indeed Franco directed the last two movies in the series, but this one is directed by Don Sharp ('Rasputin: The Mad Monk', 'Psychomania') and scripted by Towers himself. Horror legend Christopher Lee plays the fiendish Dr Fu Manchu, super criminal, and Nigel Green ('Zulu', 'Countess Dracula') plays his nemesis Sir Nayland Smith. Towers plays fast and loose with Sax Rohmer's original characters and stories with entertaining results. The main reason the movie works is because of the performances by Lee and especially Green, who is just terrific. The plot concerns the kidnapping of a German scientist (played by Joachim Fuchsberger) who Fu Manchu forces to develop a super weapon. The lovely Karin Dor ('You Only Live Twice') plays the scientist's daughter, Tsai Chin is Fu Manchu's evil daughter Lin Tang, and Howard Marion-Crawford is Nayland Smith's Watson-like sidekick Dr. Petrie. 'The Face Of Fu Manchu' isn't a great movie by any means but it's fun to watch, and a great way to spend a rainy afternoon.
Since 1923, Sax Rohmer's arch-villain Fu Manchu had been brought from the novels to the screen again and again, the most famous interpretation probably created by Boris Karloff in 1932. Between 1965-68, Christopher Lee starred in 5 more Fu Manchu movies. The German co-producers often added stars from the Edgar Wallace series, such as Joachim Fuchsberger and Karin Dor when the new series opened with "The Face of Fu Manchu". Strangely enough, it begins as if it was a sequel to something, describing Fu Manchu faking his execution while Nayland Smith watches, although we are not told how they got into this situation. Anyway, Fu Manchu comes to London with a weapon of mass destruction, while Smith tries to stop him. Smith had a feeling" from the beginning that he was cheated at the execution, but it was not completely reasonable for a man like him, since the first hints at new activities were vague. So I thought he might have been be a bit more surprised when he actually meets the criminal mastermind. The last third of the movie is a bit rushed, especially the scenes in Tibet. It is not a perfect movie because it has a few holes, but it was a good start for the new series. I voted 7/8/5/7/4 for the five movies.
First outing about the terrifying exploits of the mystic Fu Manchu. Sax Rohmer's fiendish 'Yellow Peril' revived and performed straight in a beautifully designed, competently paced and genuinely exciting thriller. At the film there are adventures, action, thrills, sadism and atmospheric outdoors filmed in London and country exteriors. Produced , as usual, in medium budget by Harry Allan Towers and also written under pseudonym of Peter Breck . Christopher Lee excels in this first chapter as the evil powerful Fu Manchu , the ominous genius who doesn't give up easily, and is out to destroy world or bent on conquering it. This time has designed a fantastic scheme , he returns with a plot to contaminate the River Thames with a powerful toxin extracted from Tibetan poppies. Along the way, abducted people and beautiful girls are tortured by Fumanchu and his nasty daughter (T Sai Chin) . Inspector Nayland Smith (an excelently imperturbable Nigel Green) of Scotland Yard is his perennial adversary and arch-nemesis , he takes the center of attention when undergoes the dangerous mission. Nayland Smith is assigned the case along with his assistant Dr. Petrie (Howard Marion Crawford) and helped by Carl Jannsen (Joachim Fuchsberger), all of them go into the action . The most evil man the world has ever known! Fiendish! Fantastic! Frightening! The sinister minister of fear is here! Who dares look into The Face of Fu Manchu?. Obey Fu Manchu... or every living thing will die!
This is a bizarre blending of thriller, suspense, action , intrigue and fantastic adventure . This exciting, diverting picture is full of Chinese killers, British adventurers , abducted scientist and megalomaniac villains . Christopher Lee with his usual stoic acting as Fu displays efficiently his abilities and killing mercilessly people. Fine 1920s atmosphere with good sets and old vehicles. Chinoiserie sets are notable, even better are the locations, so carefully chosen for their twenties' period, like the great chase with rattletrap cars speeding along cobbled alleys while the pilot of a pursuing aeroplane leans, entrancingly, over the side to drop his squat, fin-tailed bombs by hand. Good performance by Nigel Green as Nyland Smith who in subsequent episodes was interpreted by Douglas Wilmer, and, Richard Greene, as always supported by Dr. Petri from ministry of Interior played by Howard Marion Crawford. The villain T Sai Chin stands out as Fu Manchu's daughter. International and cosmopolitan support cast formed by European actors from diverse countries, such as: Joachim Fuchsberger, James Robertson Justice, Tsai Chin , Ric Young, Walter Rilla and gorgeous Karin Dor who was the wife of producer Harry Allan Towers.
Fu Manchu-Christopher Lee series usually set in London and loosely based on Sax Rohmer's characters were the following: The best installments were ¨Face of Fu Manchu (1965, Don Sharp)¨, and ¨Brides of Fu Manchu ( 1966, Don Sharp)¨, the latter not as nice as ¨Face of Fumanchu¨-also by Don Sharp- but is still amusing and entertaining. And followed by the very inferior sequels: ¨Vengeance of Fu Manchu (1967 by Jeremy Summers ) and most critics felt the outing ¨Blood of Fumanchu¨ was one of the weakest entries along with ¨The castle of Fu Manchu¨, both of them directed by Jess Frank with similar casting , plenty of stock-shots and a Z-series style. Rating The Face of Fu Manchu (1965) : 6/10, acceptable. A witty, fun, stylish, and a treat to watch first installment.
This is a bizarre blending of thriller, suspense, action , intrigue and fantastic adventure . This exciting, diverting picture is full of Chinese killers, British adventurers , abducted scientist and megalomaniac villains . Christopher Lee with his usual stoic acting as Fu displays efficiently his abilities and killing mercilessly people. Fine 1920s atmosphere with good sets and old vehicles. Chinoiserie sets are notable, even better are the locations, so carefully chosen for their twenties' period, like the great chase with rattletrap cars speeding along cobbled alleys while the pilot of a pursuing aeroplane leans, entrancingly, over the side to drop his squat, fin-tailed bombs by hand. Good performance by Nigel Green as Nyland Smith who in subsequent episodes was interpreted by Douglas Wilmer, and, Richard Greene, as always supported by Dr. Petri from ministry of Interior played by Howard Marion Crawford. The villain T Sai Chin stands out as Fu Manchu's daughter. International and cosmopolitan support cast formed by European actors from diverse countries, such as: Joachim Fuchsberger, James Robertson Justice, Tsai Chin , Ric Young, Walter Rilla and gorgeous Karin Dor who was the wife of producer Harry Allan Towers.
Fu Manchu-Christopher Lee series usually set in London and loosely based on Sax Rohmer's characters were the following: The best installments were ¨Face of Fu Manchu (1965, Don Sharp)¨, and ¨Brides of Fu Manchu ( 1966, Don Sharp)¨, the latter not as nice as ¨Face of Fumanchu¨-also by Don Sharp- but is still amusing and entertaining. And followed by the very inferior sequels: ¨Vengeance of Fu Manchu (1967 by Jeremy Summers ) and most critics felt the outing ¨Blood of Fumanchu¨ was one of the weakest entries along with ¨The castle of Fu Manchu¨, both of them directed by Jess Frank with similar casting , plenty of stock-shots and a Z-series style. Rating The Face of Fu Manchu (1965) : 6/10, acceptable. A witty, fun, stylish, and a treat to watch first installment.
क्या आपको पता है
- ट्रिवियाChristopher Lee wrote in his memoirs, how his leading lady Tsai Chin assisted him with memorizing the Cantonese dialogue.
- गूफ़As the two soldiers stop for a cup of tea, one leans his rifle against the table behind them. It then slowly falls over, totally ignored by the two men as they discuss the weather.
- इसके अलावा अन्य वर्जनWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'U' rating. All cuts were waived in 1991 when the film was granted a 'PG' certificate for home video.
- कनेक्शनFeatured in London Labyrinth (1993)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Face of Fu Manchu?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Ich, Dr. Fu Man Chu
- फ़िल्माने की जगहें
- Skerries, Fingal, County Dublin, आयरलैंड(Fleetwick)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $28,34,000
- चलने की अवधि1 घंटा 29 मिनट
- पक्ष अनुपात
- 2.35 : 1
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