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La decima vittima

  • 1965
  • Not Rated
  • 1 घं 32 मि
IMDb रेटिंग
6.6/10
5.5 हज़ार
आपकी रेटिंग
Marcello Mastroianni and Ursula Andress in La decima vittima (1965)
Ursula Andress, voted the greatest Bond Girl ever, sports another iconic bikini, and this time it literally kills! Set in the near future, the film opens with Andress killing her penultimate victim in “The Big Hunt”, a reality-TV style game show which selects both ‘Hunter’ and ‘Victim’ from participants; the two then chase one another around the globe: kill your 10th victim and you win millions! Andress’ final victim is the cool, sun-loving Italian Marcello (Mastroianni) who also needs to notch up another kill!

Oscar® Winning director Elio Petri’s groundbreaking film heralded generations of films, like “Rollerball” or Schwarzenegger’s “Running Man”, about gladiatorial-death shows and announced our age of increasingly outrageous reality-TV and the latest fascination with “Hunger Games” dystopia.

Its exquisite Pop-Art visuals, and humorous visual observations have influenced countless films, none more than the Austin Powers sets and costumes. Sourced from HD master restored in the original widescreen film format. This truly seminal cult film is released for the 1st time in UK in this definite Numbered CollectorÂ’s Lenticular Edition.
trailer प्ले करें1:23
1 वीडियो
99+ फ़ोटो
डायस्टोपियन साइंस-फाईडार्क कॉमेडीडार्क रोमांसबी-एक्शनव्यंग्यSci-Fiएक्शनकॉमेडीथ्रिलररोमांस

अपनी भाषा में प्लॉट जोड़ेंIn a future where a human vs. human "Big Hunt" is used as an alternative to war, a veteran huntress' plan to kill a "victim" for a major TV sponsorship deal is compounded by romance.In a future where a human vs. human "Big Hunt" is used as an alternative to war, a veteran huntress' plan to kill a "victim" for a major TV sponsorship deal is compounded by romance.In a future where a human vs. human "Big Hunt" is used as an alternative to war, a veteran huntress' plan to kill a "victim" for a major TV sponsorship deal is compounded by romance.

  • निर्देशक
    • Elio Petri
  • लेखक
    • Robert Sheckley
    • Tonino Guerra
    • Giorgio Salvioni
  • स्टार
    • Marcello Mastroianni
    • Ursula Andress
    • Elsa Martinelli
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    5.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Elio Petri
    • लेखक
      • Robert Sheckley
      • Tonino Guerra
      • Giorgio Salvioni
    • स्टार
      • Marcello Mastroianni
      • Ursula Andress
      • Elsa Martinelli
    • 61यूज़र समीक्षाएं
    • 69आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 कुल नामांकन

    वीडियो1

    The 10th Victim
    Trailer 1:23
    The 10th Victim

    फ़ोटो119

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 113
    पोस्टर देखें

    टॉप कलाकार25

    बदलाव करें
    Marcello Mastroianni
    Marcello Mastroianni
    • Marcello Poletti
    Ursula Andress
    Ursula Andress
    • Caroline Meredith
    Elsa Martinelli
    Elsa Martinelli
    • Olga
    Salvo Randone
    Salvo Randone
    • Professor
    Massimo Serato
    Massimo Serato
    • Lawyer Rossi
    Milo Quesada
    Milo Quesada
    • Rudi
    Luce Bonifassy
    Luce Bonifassy
    • Lidia Poletti
    George Wang
    George Wang
    • Chinese Hunter
    Evi Rigano
    • Victim
    Walter Williams
    • Martin Tibbett
    Richard Armstrong
    • Cole
    Tonino Cianci
      Ennio Antonelli
      • Furniture Mover
      • (बिना क्रेडिट के)
      Jeff Cameron
      • Gladiator
      • (बिना क्रेडिट के)
      Pier Paolo Capponi
      Pier Paolo Capponi
      • Terrace Snack Bar Manager
      • (बिना क्रेडिट के)
      Jacques Herlin
      Jacques Herlin
      • Masoch Club Manager
      • (बिना क्रेडिट के)
      Wolfgang Hillinger
      • Baron von Richtofen
      • (बिना क्रेडिट के)
      Mickey Knox
      Mickey Knox
      • Chet
      • (बिना क्रेडिट के)
      • निर्देशक
        • Elio Petri
      • लेखक
        • Robert Sheckley
        • Tonino Guerra
        • Giorgio Salvioni
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं61

      6.65.4K
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      फ़ीचर्ड समीक्षाएं

      7claudio_carvalho

      Funny and Entertaining

      In the near future, violence is controlled in societies avoiding wars. Killing is allowed to violent individuals in a game called Big Hunt where the participants are alternatively Hunter or Victim. The winner of each round is awarded with a prize and the survivor after ten rounds, wins one million dollar award (in 1965).

      When the American huntress Caroline Meredith (Ursula Andress) completes her ninth round, she comes to Rome to kill her tenth victim. She negotiates with the sponsor Ming Tea Company to kill his victim in front of the cameras. The cynical Marcello Poletti (Marcello Mastroianni) is her target and has just succeeded in his marriage annulment with Lidia (Luce Bonifassy) but has not disclosed to his lover Olga (Elsa Martinelli). Marcello suspects that Caroline is his hunter, but is not sure; further he falls in love with her and he is reluctant to kill her.

      "La decima vittima" is a funny and entertaining comedy with a silly but cult story. The sexy Ursula Andress is in the top of her beauty and shows a perfect chemistry with Marcello Mastroianni. In the end, the viewer has 92 minutes of fun. My vote is seven.

      Title (Brazil): "A Décima Vítima" (The Tenth Victim")

      Note: On 31 January 2023, I saw this film again.
      8isotope_217

      An interesting look at the future's past

      Coming at the tail-end of one of the most provocative eras of film, European new wave, and featuring Italian cinema's premiere leading man of the time, Mr. Mastroianni, The 10th Victim exciting movie, given its year of release. The concept, that a group of over-bored members of a somewhat Utopian society spend their time hunting and being the hunted in the then-futuristic 1990's, works well, while the Italian backdrop is, as usual, a treat. While at times aping better Italian filmmakers of the time such as Fellini, the movie chugs along into a somewhat twisted relationship between hunter and hunted - the female component of this equation being played by Ursula Andress, yow!. Themes of a desensitized society, anonymity, and a thrill-seeking populace would re-emerge around the early 90's in America with cult obsessions over serial killers, a groundswell of violent video games/movies/television,and the formation of underground social cliques and groups such as gen x and "grunge" culture, whose attitudes towards sex/society/money/politics differed radically from the norm. The Tenth Victim may not have been on the spot prediction-wise, but its themes were accurate to the future scape it was attempting to create.
      jisenhath

      A wonderful example of 60s pop art filmmaking,Italian-style.

      As a wonderful example of 60s pop art filmmaking, Elio Petri has taken many of the decade's most popular culture crazes (the Bond films, Courreges fashions, discotheque jazz, etc.) and used them with great success to give a plausible look to a highly improbable (in 1965!) future world. Petri's digs at Mad Ave advertising and humanity's relentless pursuit of fame and money (no matter the price) are on-target, and his delight in mocking societal idiosyncrasies (the sun worshipers) is priceless. However, at the heart of The Tenth Victim is the old-fashioned battle-of-the-sexes plot (still very popular in the mid-60s), and yet Petri has the upper hand by his spoofing of the romantic-comedy genre and giving us instead a deliciously amusing trifle that is fun to watch for its joking attitude towards everything it depicts, including Marcello and Ursula! To one reviewer who found it outdated, it must be remembered that this film was made 35 years ago and so it naturally has nothing to do with today's standards - and why should it? That's like dismissing Griffith's Intolerance because it's a silent film!
      8jhd666

      A Futuristic, sci-fi, dark comedy

      In the future an organization sets up a game show that show people hunting each other. Two people are chosen: the Hunter and the Victim. Anything goes as the Victim flees for the designated time period. Marcello Mastorianni plays the most successful killer and then his number comes up as a victim. The hunters and victims have know knowledge of one another and Marcello must always be on guard. The hunter after him is the beautiful Ursula Andress, always dressed in knock-out fashions. Marcello's as cool as ever, always dressed in black, wearing sunglasses. The production design is fantastic. The colourful comic book architecture is the height of retro cool. For fan of Italian '60s pop art science fiction, this is one to check out.
      chaos-rampant

      Kitsch-art-camp political satire that has lost some of its bite but none of its stylish European charm

      THE TENTH VICTIM might not be the kind of film one readily associates with Italy's foremost political director, Elio Petri, but it sure has his leftist mark stamped all over it. Set in a not-so-distant future, a hodge podge of pseudo-futuristic art installments, snazzy backgrounds and a general air of camp-kitsch than a fully realized world, more A CLOCKWORK ORANGE than BLADE RUNNER in that sense, and involving a peculiar game called The Big Hunt where people are assigned to murder complete strangers and become in turns hunters and victims, an idea that seems to have resurfaced in another form in Robert Altman's QUINTET a decade later, The Tenth Victim is at once a biting critique of capitalism and all assorted paraphernalia and a thoroughly enjoyable absurdist comedy.

      Nothing escapes Petri's ire. Although not particularly profound, his satire makes the rounds firing among other things at the media's obesssion with violence, reality TV, society's fixation on youth and beauty, the ostracizing of the elders, etc. It's all very tongue-in-cheek and vibrant in an irreverent Euro-kitsch way but still quite imaginative for its time. Later in the film, Mastroianni presides in a sun ritual by the seaside, mourning the setting of the sun, which is interrupted by a group of 'neo-realists' throwing tomatoes at the assembled crowd. Petri's stab at Rossellini, De Sica and the rest? Mastroianni's character admits of doing the ceremony for the money and the tears he cried were fake thanks to a 'tear pill' that lasts for 15 minutes.

      That's pretty much the tone set for the entire movie. Petri doesn't seem to dwell on anything for long or take his critique any more serious than he has to. The movie declines significantly in quality in the last 20 minutes, the last 10, an awkward shootout between Mastroianni and his two ex-wives, should've been left out altogether, but overall it's never boring and it's filled with great little moments. The opening titty-shotgun murder in the Masoch Club, students beating each other up as a nonchalant Mastroianni walks through them, other players of the game popping up randomly throughout the movie shooting at each other. If all else fails, you can still oogle at the gorgeous Ursulla Andress and her skimpy outfits.

      इस तरह के और

      All for One
      8.1
      All for One
      Alipato: The Very Brief Life of an Ember
      5.9
      Alipato: The Very Brief Life of an Ember
      L'assassino
      7.0
      L'assassino
      Todo modo
      7.5
      Todo modo
      A ciascuno il suo
      7.0
      A ciascuno il suo
      I giorni contati
      7.6
      I giorni contati
      La classe operaia va in paradiso
      7.6
      La classe operaia va in paradiso
      La proprietà non è più un furto
      7.1
      La proprietà non è più un furto
      Abacus: Small Enough to Jail
      7.1
      Abacus: Small Enough to Jail
      The Allins
      7.1
      The Allins
      Indagine su un cittadino al di sopra di ogni sospetto
      8.0
      Indagine su un cittadino al di sopra di ogni sospetto
      24 Frames
      6.8
      24 Frames

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        Ursula Andress was cast only after Ann-Margret was forced to withdraw due to too many commitments with other studios.
      • गूफ़
        Marcello claims to have an issue of "Golden Age Flash" from 1935. The Golden Age of comic books ran from 1938-1956 and Flash Comics debuted in January 1940.
      • भाव

        Masoch Club Manager: The rules of the Big Hunt are quite easy, yet they are of great importance. The 21st Century... shall be the one that has legalized violence! Rule Number 1: each member is obliged to take ten hunts; five as a Hunter, five as a Victim, alternately. Each pair of Hunter and Victim is chosen electronically by a computer in Geneva. Rule Number 2: the Hunter shall know all about his Victim - name, address... habits, too. Rule Number 3: the Victim shall not be told who his Hunter is. He must find out... and kill him! Rule Number 4: the winner of each separate Hunt will win money. The one who comes out alive after the tenth Hunt... shall be proclaimed decathlete. He shall receive honors... and ONE MILLION DOLLARS!

      • कनेक्शन
        Edited into Marcello, una vita dolce (2006)
      • साउंडट्रैक
        Spiral Waltz
        Lyrics by Sergio Bardotti

        Music by Piero Piccioni

        Sung by Mina

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल17

      • How long is The 10th Victim?Alexa द्वारा संचालित
      • Why don't the subtitles match the dialogue on the DVD?

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 3 दिसंबर 1965 (इटली)
      • कंट्री ऑफ़ ओरिजिन
        • इटली
        • फ़्रांस
      • आधिकारिक साइट
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        • इतालवी
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        • The 10th Victim
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      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        • 1 घं 32 मि(92 min)
      • ध्वनि मिश्रण
        • Mono
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        • 1.85 : 1
        • 2.35 : 1(original ratio)

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