Da zui xia

Cheng Pei-Pei was the Michelle Yeoh of the Sixties. A stunning action star who was as cold as ice in a fight. In this film she takes on around 40 or 50 guys and still manages to keep her cool. Seeing her two-fisted sword technique as the Golden Swallow is well worth the price of admission.

Unintentionally hilarious English subtitles and occasionally clumsy editing aside (consider it part of the charm), Come Drink with Me is a fun, old-fashioned martial arts romp. The story is simple. A gang of bandits kidnap the son of a governor, in a bid to exchange him for their captured and soon to be executed leader. Golden Swallow, a fierce (and pretty) warrior and sister to the captured man, comes to free him. Lots of sword-fighting ensues. Oh, and she's aided by a beggar known alternatively as the Drunken Cat and the Drunk Hero, which is cool for reasons that surely don't have to be explained. 

If you enjoyed other Shaw Brothers films, Come Drink with Me will be a pretty sure bet for you. Maybe the fights aren't as satisfying compared to the complex choreography of today's martial arts epics, but it's got a classic charm that some will eat up. And many of the most revered martial arts movies of today were clearly influenced by what was done here.

Being the second film I've seen from King Hu (the first being A Touch of Zen), there were definitely some clear differences with the ways both films handled the characters. The initial portrayal of Golden Swallow as formidable in combat and Fan as harmless, yet noble recalled the characters in A Touch of Zen, but as the film went on, the clearer it became that Fan had a lot to hide, both in regards to his superior fighting skills and his history with the bandit's leader. While Golden Swallow can fight well in combat by herself and kill a few bandits here and there (albeit taking some scratches in the process), Fan is shown to understand the craft far better than her and can kill his opponents much quicker. How surprising it will be when, given the strong emphasis on Golden Swallow's rivalry with Jade Faced Tiger, she gets overshadowed and pushed aside during the final fight by Fan's rivalry with Liao (a dynamic which was given comparably less screen time in the film). It's an unexpected change of focus and, while such an idea would normally be a flaw, it's a more than fitting narrative choice for this film, given how well Fan was developed throughout the film (if I could change one aspect though, I'd give Liao some more prominence since he lacked the memorable development which Fan had). Not sure I like this film more than A Touch of Zen, but the former film has sat better with me upon reflection. The idea of slowly revealing the true colors of a formidable fighter who eventually rips through the fabric of the narrative has resonated with me quite well.

If you want to see the inspiration for Crouching Tiger, Hidden Dragon this is it. I saw this after being opened up to wuxia (Chinese sword fight pics) by CTHD. Ang Lee was obviously inspired by Come Drink With Me. Remember the rooftop scene in CTHD?, the big bar brawl?, catching those little darts?, and the actress who played the Jade Fox (Cheng Pei Pei)? All are in Come Drink With Me. The story behind the movie is that Run Run Shaw of the legendary Shaw Brothers Studio wanted to make a Chinese version of a Japanese Samurai (Chanbara) movies. He hired a young, inexperienced, director now known to us as King Hu. The result was a movie that, for its time, was groundbreaking and it is still a lot of fun to watch today. Somebody PLEASE release a high quality DVD version though, because the only one I have found is AWFUL!

Come Drink With Me is touted as arguably the greatest martial arts film, ever. In its day, this is the movie that broke a lot of grounds, thanks to meticulous direction and vision of King Hu.

The story is simple though, telling of Golden Swallow's (Cheng Pei Pei) quest to rescue her brother, a government official, in a ransom case with a bunch of bandits. While her prowess is formidable, a little help is always appreciated when up against the masses, and little does she know that a beggar of sorts, called the Drunken Cat (Yueh Hua), turns out to be her guardian angel. While the Chinese title is obviously a reference to Yueh Hua's character, this movie is clearly Cheng Pei Pei's breakthrough in the martial arts genre.

The martial arts here is distinctively different. For its time, it was a breakthrough, with its moving cameras, violence, splattering of blood, as well as fights done with adequate pauses and breaks, like a Western stand off at times, before lunging at each other. The movement, while fluid, is slow compared to these days, then again, having action done too fast would mean either stunt people taking over, or you can't see a thing. The style in this movie struck me as samurai styled swordplay, even though the weapon our heroine used was a pair of short swords rather than katanas. The weapons used too were real, lending a sense of realism when the combatants clash.

There are still some opera influences in the movie, especially when it comes to the music, done with Chinese orchestra, and accentuates the scenes like a big opera. Playing in sync to the action on screen, it's an early base on which films like Crouching Tiger Hidden Dragon adopted to great effect. The cinematography is great too, given the many exterior shots in backlots and elaborate sets, featuring classical locales like inns and temples. The introductory scene in the inn will take your breath away, never mind that some cheesy (for today) techniques of stop motion and the reversing of film were used.

Cheng Pei Pei is a star in the movie, and she has managed to infuse her background in ballet and dance to the martial arts moves for the movie, bringing forth a very beautiful poise when executing her moves. Her eyes too were luminous and have a life of their own, and can stare daggers at her enemies. Yueh Hua though felt more carefree, given his role as a wandering beggar. And while there are hints of romance between their characters, don't hold your breaths on counting them developing it any further.

A to-the-point story, and excellent martial arts. This is a definite must watch for all martial arts genre fans.

IVL Code 3 DVD Extras:

A departure from the other IVL releases I've watched so far, this DVD had a valuable commentary by Cheng Pei Pei herself, and daughter Marsha Yuen, presented by film producer Bey Logan, in English. It's quite hilarious listening to Logan try and identify some of the actors, but always getting them wrong and had to be corrected by Pei Pei, until he knew not to embarrass himself further and allowed Pei Pei to introduce them instead. Marsha however, had little to contribute, except to laugh loudly into the microphone.

There are two Come Drink With Me trailers included, one the original which had its written script which you have to read running from right to left, and the quality is pretty degraded. The new remastered one is definitely clearer, and so were the trailers for other movies, some starring Pei Pei herself.

You have the usual extras as well, like the few movie stills, one original poster, a one page one paragraph worth of production notes, as well as a short cast and crew biography and filmography. A pity thought that you can note some typos in the DVD menus and subtitles.

The real gems of the extras, are the interview clips.

The longest interview on the disc is with Cheng Pei Pei (18 mins 30s) done in English, where she compares martial arts movies then and now, shared some production nuggets such as the duration of shooting the fight scenes, on sexuality of those days, her working relationship with King Hu, provided insights into working under Shaw Bros. explained her ease with learning martial arts, and shared on her working experiences with Yueh Hua.

Yueh Hua too has an interview included, though it was quite short, clocking at 4 mins 45s. He shares his thoughts on working with King Hu and Cheng Pei Pei, as well as revealing that he had real wine in that wine bottle prop to assist him in getting into character. However, the interview is conducted in Mandarin, with no subtitles provided.

I'm surprised at the inclusion of an interview with Marsha Yuan (daughter of Cheng Pei Pei) in English, for 6 mins and 40s, as she shares her thoughts on the movie, her realization when growing up that her mom was famous, and the big revelation is that there is going to be a sequel she's gonna star in. Is there?

The last two interviews are with film critic Paul Fonoroff and film producer Bey Logan, as both talk about Cheng Pei Pei and King Hu, clocking at 9 mins 50s, and 4 mins 40s respectively. The former interview is more insightful though, as he shares a little on the history of the rivalry between Shaw and Cathay in their heydays.

The restored version in the DVD is pristine, save for one or two scenes in soft focus which seemed a little blur. Audio transfer is great too. The only pity is that it's not in Anamorphic Widescreen.