Laredo

'Laredo' was a comedy western with Neville Brown as Reese, the clownish Texas Ranger. He is marvelous in the scruffy role, which he throws himself into with complete, crude abandon. The other two Rangers were more along the lines of the glamorous cowboy TV actors of the period--Peter Brown as Chad and William Smith as Joe Riley. Philip Carey plays Captain Parmalee and Robert Wolders, familiar to me otherwise only as the last companion of Audrey Hepburn, comes in for the third season to be a fancy European cowboy.

It is William Smith, the Joe Riley character, who interests me because he is the only actor I have yet seen for whom bodybuilding actually was an asset and lent an extra dimension to the acting (maybe the other, more famous bodybuilders had no acting to which the dimension of bodybuilding could be added, so it looked like bodybuilding usually does--DUMB. Anyway, they don't deserve mention by name even if everybody does know who they are and culture now seems geared to repeating the same names ad infinitum--or ELSE...)

Bobybuilding actually even makes a man unattractive when it is overdone; of course, this sounds like an oxymoron, because the stereotype of the bodybuilder is always something overdone. Smith looks big, but not too big--TOO BIG begins to take on the ugliness of stupidity, and this never happens to him.

Somehow Smith manages this balance in which his acting works in spite of the bodybuilding as well as being enhanced because of it. It has to have something to do with his personality, which is not all that easy to research: you can see the list of films and gather that he came to Hollywood as a child and was an extra in a number of mainstream films like 'Going My Way', 'The Song of Bernadette', and 'A Tree Grows in Brooklyn', among others--he is quite visible in the last of these, the neighbor pal of Dorothy McGuire's son, and you see him once in the hallway of the tenement, and again very clearly you see the Smith child's-face in the cemetery crowd toward the end. Later, in his twenties, he has a bright bit part with Debbie Reynolds in 'The Matine Game', and a dazzling flash as an eyeful whom Shirley MacLaine and her galpals mentally devour in a restaurant in 'Ask Any Girl'--in the scene, he is proof of their inability NOT to think about men--EVER. There are a few facts about his life on websites, none of which are well done or in any way exhaustive. This is unfortunate, but probably normal for a B actor who is not a household word, even though he did have a second period of roles in the mainstream in his mid- to late-40's, with 'ay which Way You can' being the prime example (opposite Clint Eastwood; this climaxes in their big fight, which Smith would have won but wasn't A-List so lost, of course--in the way in which the biggest stars didn't get killed in 'The Towering Inferno', etc.) He also appeared as Lonnie "Lucky Man" Johnson, Cronenberg's so-called "lost movie" which has nice performances by Claudia Jennings and John Saxon as well. Much later still, in 1994, James Garner (with whom he had done some work in THE ROCKFORD FILES, singles him out for some well-deserved special homage.)

In the 'Laredo' series you see a character that is not as usually involved with the ladies as are Peter Brown and Robert Wolders. His costumes are excellent for the Western swagger and dazzling smile that are what we easily imagine--or is it demand?--the ideal cowboy to be; and there is a subtle burlesque that occurs only rarely that is interestingly ephimeral and arresting; and is not the overt exhibitionism one sees in 'Bonanza', among other Westerns with their ambitious young actors of the period.

This body-acting was equally effective in the Hell's Angels movies Bill Smith started making in 1969, beginning with Run Angel Run', continuing with such products as 'Angels Die Hard', 'Chrome and Hot Leather,''Nam's Angels,' and 'CC and Company'(in the latter, Joe Namath calls him "Your Majesty--both sarcastically and not sarcastically is my guess--and when Ann-Margret is kidnapped, Smith strokes the delicate white skin of her neck, caressing her beautiful face lightly...two different but very real STARS cross paths...) In these films, the body-acting is so effective that in 'Angels Die Hard', he is even called "boy" by one of the redneck burghers; how often does this happen--and seem convincing--when the "boy" is 35 years old?

Bill Smith is one of my three favourite actors, and has a fabulously colourful and varied career.

The 'Laredo' series has various appeal to different interests, but finding it is not that easy.

I have recently found episodes of "Laredo", being aired on Retro TV. I have fond memories of watching this show in in its first run days when I was sitting the neighbours two sons. I had not much of a social life back then and needed the money. I enjoyed the byplay between all the main characters. My favourite would have been the Reese Bennett character played by Neville Brand. It was a good way to spend an hour watching a light hearted western show with a bunch of Texas Rangers that surely must have driven poor Captain Parmalee to distraction. Peter Brown and William Smith were excellent in their roles. I am not too sure about Robert Wolders or Claude Akins. I thought the Wolders character was a little bit too Jim West, from, "The Wild, Wild West" and I did not care for Cotton Buckmeister replacing Neville Brand's character.

"Laredo" featured Peter Brown, William Smith, and Neville Brand as a male bonding trio of Texas Rangers portrayed tongue-in-cheek as a combination Dead End Kids go Western and AWOL members from Sergeant Bilko's platoon. As conditions warranted they could also become a trio of Dirty Harrys whom Philip Carey as Captain Parmalee would let loose to track down, catch, and sadistically interrogate the suspects of some crime of the wild west. It really was a fun show which could even be interpreted to be a kind of predecessor to and portrayal of the Texas Rangers Call and McCray of "Lonesome Dove" before they got old.

Watching the show as a teenager was fun! They were the Three Musketeers, plus D'artagnan. Nice to see the reruns on Get TV.

One of television's most lighthearted looks at the Old West was the series Laredo. It involved three Texas Rangers who to use the description of John Wayne in Fort Apache, would fight over cards and women and liquor, but would share the last drop of water in their canteens on a desert. They also shared a common trait of always trying to put one over on their captain who was played by Philip Carey.

Our three heroes were played by Neville Brand, William Smith, and Peter Brown. Brand who played many a villain on the big screen and was probably best known before Laredo for playing Al Capone in Robert Stack's The Untouchables discovered his vein for comedy. His career took a similar turn to his fellow character actor Jack Elam in that way. Brand as Reese was loud, brawling, and braggadocious. William Smith who later on played some really nasty villains was the brawny one who was raised among the Indians. Peter Brown who had already had one TV western under his belt with Lawman, played the good looking one in the cast to attract a few women to this testosterone driven western.

Later on Claude Akins and Robert Wolders joined the cast as the brawling and the handsome one, but it was not the same without the original three. Laredo only lasted two seasons with public tastes changing from westerns and cast changes as well. But the episodes which were done with a heavy comic flavor are fondly remembered.

If you like such things as John Wayne's McLintock and the Cheyenne Social Club with James Stewart and Henry Fonda, you'll find Laredo to your taste. Don't expect any sophisticated dialog here, just a lot of belly laughs as outlaws meet justice at the end of every episode.