Branded

As a "Rifleman" fan, I wasn't impressed with this series too much, even though I've always liked Chuck Connors' work.

The premise, a man who was thought to have abandoned his cavalry brothers in cowardice - but not really, gave the opportunity, like Star Trek, Route 66, The Fugitive and other t.v. shows, for the main character to roam from town to town, place to place, etc., to meet other people and help them deal with whatever crisis they happened to be facing at the time.

The theme song was great and gave opportunity for some wag to come up with alternative lyrics... "Stranded, on the toilet bowl. What do you do when you're stranded without a roll?"

Branded was no masterpiece that's true, but as a little boy in the 60's, I thought it was great. It had Cowboys, Indians and adventure. You "critics" kill me! We had two or three channels back then and most of us didn't own a color set. This show served a purpose. It entertained. Superman stunk also, but we loved it! Don't tell me you think "The Andy Devine Show" was quality programing. I only saw it in re-runs, but I remember it was rather poorly made. My sister and I still watched it after school. (Ya gotta love Ignatz!) Don't over work everything just to hear yourself talk. Just sit in quiet misery while the rest of us enjoy 30 minutes of pure fantasy.

The lone survivor of the Battle Of Bitter Creek, an Apache massacre of U.S. cavalrymen, Chuck Conners is falsely court-marshaled for cowardice and desertion. Dishonorably discharged, he's forced to roam the west, taking on odd-jobs, while enduring cruel taunts and unprovoked violence, proving his manhood time and again.

Branded is pretty high-concept for a fairly low-budget thirty-minute show, with a lot of early episodes (under the supervision of series creator Larry Cohen) dealing with the nature of cowardice and what exactly makes a man a man, as well as Connors' attempts to keep the secrets of Bitter Creek, his encounters with various friends and relatives of his deceased men and the inevitable vengeance-seekers among them.

The first season is the more cerebral and ambitious of the two, with much of the action taking place primarily in town and leading to some anticlimactic conclusions to some of the episodes. The second season finds the series upgraded to color, with a bigger budget and better- staged action scenes. It's a bit of a trade-off though, with Connors' past (and the participation of Cohen) pushed to the back-burner. There's still some quality scripts, though in the spirit of a more conventional western series. It does however, provide a serviceable ending to the series.

One of the show's strengths, over only two seasons, is it's virtual army of old and new guest stars: Johnny Crawford, Burt Reynolds, Bruce Dern, Noah Beery, Beau Bridges, Lee Van Cleef, Dick Clark (!), Jay Silverheels, L.Q. Jones, Warren Oates, Ben Johnson, Cesar Romero, Iron Eyes Cody, James Best, Pat O'Brien, John Carradine, John Ireland, Claude Akins, Burgess Meredith, Martin Landau, Angelo Rossito, Pat Wayne, Dick Miller, Victor French, etc.

As the show ended, the producers gathered much of the crew, Connors and Branded guest stars Michael Rennie and James MacArthur for the feature, Ride Beyond Vengeance. Fans of this should definitely check it out.

Even though this series is rarely shown in some areas,Chuck Connors follows up on his "Rifleman" series with a western that only ran two seasons on NBC-TV from January 24,1965-April 23,1966 producing 48 episodes and afterwards was never heard from again..until now. "Branded" was the type of show that gave Chuck Connors astounding ability to pass as both hero and villain,but in this one he is regarded as a coward for deserting his troops during an Indian attack,and that is just half on if,but we viewers know differently. I had a chance to check out one of the episodes watching a late night flick on TV,and in this episode Connors is captured by hostile Indians,gagged and bound while being forced to duel to the death,and in another one Connors fights off a gang of outlaws who want to turn him in for money which they want to hang him,but he manages to escape from great danger(this episode was in black and white). All of the scenes have Connors barechested and this a far cry from his days as Lucas McCain on "The Rifleman". However some of the episodes were in color(and they're on videocassette),and it was that macho crap that underlay some westerns and this was one of those shows that didn't last very long.

NOTE: During the show's first season,the episodes were shot in black and white(1965-66)while the second season episodes were in color(1966). The show was produced by NO other than game show veterans Mark Goodson and Bill Todman(the guys behind "The Price Is Right")and this was their first try at a weekly series(and the last time they will ever do so).

This follow-up to Chuck Connors' fondly remembered series "The Rifleman" isn't even in the same league as that show, though it had far more production values, bigger casts, and did a lot of location work, as opposed to "The Rifleman," which was shot almost entirely in a studio. The stories in "The Rifleman" were what really made the show, and the relationship between Lucas McCain and his son. In "Branded," Connors' character, Jason McCord, doesn't have any kind of relationship with anybody; he drifts from town to town and from situation to situation, and the viewer really has no clear idea as to what exactly he's doing or where he's going. "The Rifleman" had a core story: an ex-gunfighter trying to make a life for himself and his son on a small ranch, and running into people and situations which, in one way or another, tried to prevent him from doing that. In "Branded," Jason McCord is cashiered from the army for cowardice--which, we're told, was untrue--and pretty much drifts around the west. He doesn't try to gather facts to prove his innocence, or find people who can testify for him, or anything that you'd think a person falsely accused of cowardice would try to do. He just wanders around, making you wonder exactly what the point of this show is. Apparently the producers didn't quite know, either; in one multi-part episode, they had McCord working as a secret agent for President U.S. Grant and trying to break up an organized crime ring!

Connors did his best, but the trite story lines and the general aimlessness of the show finally did it in. It only lasted two seasons. That was enough.