What a Way to Go!

"WHAT A WAY TO GO" is the epitome of the lush mid 60's style comedies. Great cast. Shirley MacLaine as Louisa, is a simple girl who longs for the simple life. Although her mother, played by the great Marx Brothers straight woman Margaret Dumont, pushes her to get with the money, Louisa marries for love. Once a little prosperity has touched hubby # 1, he works himself to an early grave. Poor Louisa goes through 3 more husbands who also are devoured by their various forms of greed leading to their demise(s). Finally with husband # 5 , Dean Martin as Leonard Crawley, she has found the simple life...or has she ? As Louella Parsons would have put it : Shirley was never lovelier than in this picture ! Edith Head clothes, and hair by Guilaroff, MacLaine looks wonderful wallowing in her chicest mourning weeds...Best Segment : Hubby #3 Bob Mitchum ........

MacLaine gets a huge workout in this episodic comedy about a woman from humble beginnings who is satisfied with the smaller things in life, but who keeps marrying men who make a fortune and then die, leaving her a wealthy widow four times over! Each one of the marriages sees MacLaine experiencing a new level of frustration and enveloping herself in an increasingly over-the-top super-glam wardrobe. As she relates the marriages to the rather manipulative psychologist Cummings, each relationship is seen as if it were a certain movie genre. Van Dyke lives a simple existence as a small-time store owner and their sequence contains an old silent-movie vignette. Newman is an expatriate artist living in Paris, so theirs is a slightly naughty French art film. Mitchum is a businessman loaded with dough which lends itself to a parody of the fur-and-fashion Ross Hunter women's pictures. Then marriage to small town hoofer Kelly includes a big song and dance number out of a 1940's musical. Also on hand is loutish playboy Martin, who plays the man her mother (Dumont) wanted her to marry in the first place. MacLaine gives a worthy performance with lots of physical comedy and an impressive dance sequence. She's occasionally a little shrill, but that's the character. Van Dyke is solid, Newman is sexy (and shows more skin here - albeit G-rated - than in the bulk of his other movies), Mitchum is charming, Kelly is appropriately self-involved and Martin is his usual suave, laid-back self. All of the actors establish a nice chemistry with MacLaine (who lived many a gal's dream when she got to pair up with all the leading men of this film!) It's fun to see these actors hamming it up and having fun with their unusual roles. The real star, however, apart from MacLaine, is the eye-popping, jaw-dropping parade of costumes and wigs. Some are breathtakingly glamorous, some are atrociously eye-assaulting, but they really steal the show, especially during the Mitchum sequence. Edith Head clearly had a field day (but lost the Oscar to equally-gifted Cecil Beaton for his "My Fair Lady" gowns.) There are also some attention-getting set designs. It's the kind of frothy, harmless, yet beautiful film that rarely gets made today. Some modern movie-goers will note MacLaine's uncanny resemblance to Renee Zellweger at times in this film. She gave this type of frothy flick a go in "Down With Love", but no one came (of course, it wasn't as good, so it isn't surprising!) The pattern of the movie threatens to become tiresome, but the changes in stars and venues and the clever scripting of Comden and Green help keep it afloat.

This is a great film. Some have said it epitomizes the 1960s glamour comedies but what it cleverly does is parody them, and other film genres, through its movie dream sequences and the ridiculous and gorgeous costumes Shirley wears. It has a great cast and everyone is in top tongue in cheek form. Dick Van Dyke plays his usual neo-Marx brothers physical comedy schtick (with Margaret DuMont, no less!) at the height of his powers. Paul Newman is great playing against type as a tortured artist, a perfect sendup of Kirk Douglas' portrayal of Van Gough in *Lust for Life* (he even wears the same beard). Mitchum is suave and cool as a kind of Cash McCall gone wrong, but far more slick then Jim Garner ever was. To top it off, Gene Kelley does an incredible spot on parody of himself in the Holywood story, with iconic images taken straight from his greatest triumph *Singing in the Rain,* turned on their head and twisted into a grotesque commentary on the evils of Hollywood as opposed to its dreams and glamour. The scene where he is trampled to death by his fans holds up a hilarious mirror to the similar scene in *Singing in the Rain* where he has his clothes torn off by them. This film elevated parody to a high art form before anybody had even heard the term "post modernism!" And those gowns she wears! The best one is the one which is just a string of pearls down Shirley's sexy back (she faces away from the camera for the shole scene because she is obviously topless). They must have cost a fortune! this is obviously a film with a very Lush Bugett!

This was a film which, like many in the old days, used to come on 'regular' commercial television as a weekend matinée. Now, of course, it is nowhere to be found on television and is just itching to be released on home video. In retrospect, it impresses even more as a dark comedy; how much darker can you get when the central character is a four-time widow? And what a cast: Dick Van Dyke at the height of his TV popularity; Paul Newman (one of the biggest movie stars of the 1960's); and veterans Robert Mitchum, Dean Martin, and Gene Kelly. And the fantasy vignettes!! Some viewers have commented that they don't like them, but I think they add to the insane atmosphere of the film: MacLaine's union with Newman viewed as a black-and-white, slightly X-rated, Italian film or her life with Kelly imagined as a Hollywood musical (a clever way, incidentally, to show off her own talent as a dancer- not to mention those long, magnificent legs). My favorite one (isn't it everyone's?) is the fantasy sequence with husband Robert Mitchum- which shows off a spectacular Edith Head fashion show. I don't know who is sitting on the rights to this film, but it would be a wonderful gift for the movie-loving public to see this released to the masses ASAP.

Oh yes, absolutely. Just go to the movies to see a flick done with all the nerve in the world and for what? "To make a buck" I have an idiot sitting next to me, he is the pseudo intellectual who killed movies like this. I envy my parent's generation, as far as movie going habits are concerned. Doris Day comedies and Belle de Jour. Tell me who could be so unself conscious today to make "What a Way To Go" for what it is. The world has changed so much, women, us, that it would be impossible not to make it feel satirical,"Down with loveish" "What a Way to go" maybe satirical in its own way but it's not self conscious. If we cold only disconnect the micro chip implanted in our brains during the 70's we could have a wider spectrum of our lives without passing judgment, learning or re learning to enjoy. Shirley Mac Laine is priceless. Adorable. Superb. Paul Newman, lovely and very funny. Robert Mitchum plays it hysterically straight. The Gene Kelly episode has a life all of its own. Robert Cummings plays Robert Cummings beautifully as usual. Dean Martin plays himself and a softer version of himself, Dick Van Dike plays a sort of Rob Petrie who wants to simplify. Directed by J Lee Thompson, a Brit, with "Guns of Navarone" to his credit. He had signed a few odd gems like "Woman in a Dressing Gown", "Tiger Bay" and "Return from the Ashes". I thought I mention that. Listen to me, disconnect the micro chip, lay back and enjoy!