The Quick Gun

Fast paced but unsatisfying Western, starring Audy Murphy in a role he played more than once -- the tortured soul who wants to do the right thing, even though everyone is against him.

Unfortunately, director Sidney Salknow presents us with a very simplistic plot and very two-dimensional characters. The film has the `small' look of a television episode, with overly neat and overly well-lite sets (even at night!).

Still, the basic idea is good. Murphy is enroute to his home town to face up to the citizens who think he murdered the two sons of a local rancher, despite the fact that it was self-defense. Before arriving at the town, Murphy runs into the gang of outlaws he used to ride with. He finds out that they plan to rob the bank and burn the town to the ground.

Murphy tries to warn the citizens, but their prejudice against him makes them reluctant to listen. But Sheriff James Best, an old friend of Murphy's, DOES believe, and he organizes the citizen to defend the town.

The plot does plenty of unexpected things on its way to a reasonably satisfying climax, giving the film some merit in spite of itself. Merry Anders, the love interest, plays a key role in the climax, redeeming her less than stellar performance in the rest of the film. If you love Westerns (like me) and you're prepared for mediocre acting and lackluster direction, you can have fun with this one. Think of it as an imaginative amateur film that was made on a shoestring budget, starring a popular war hero who succeeded in a second career as an actor.

On a personal note, Audy's `rig' (his gun and gun belt) is a whole lot more appealing and practical than those in most big-budget Westerns. And he doesn't wear it half-way to his knees! Western fans notice things like this. . .

What a great cast. Any age can watch this western and the shootout scene.

But the director, writer and set up people did a bad job on some scenes. The main one is when the outlaws arrive in town, the townsfolk set fire to the barricade which is next to the church where the women and children are. Since on fire the townsfolk have to back away from the barricade which means it easy for the outlaws to shoot them.

This is an enjoyable Audie Murphy western.

Simple story with some nice drama but the highlights of the film all belong to the 'Spangler' character. He is dynamic, boisterous, over the top and often hilarious (intentional or otherwise).

Nice way to spend an afternoon :)

The Quick Gun is directed by Sidney Salkow and written by Robert E. Kent. It stars Audie Murphy, Merry Anders, James Best, Ted de Corsia, Walter Sande and Rex Holman. A Techniscope/Technicolor production with cinematography by Lester Shorr and music by Richard La Shelle.

1964 saw three Audie Murphy Westerns released, Bullet for a Badman was rather good, Apache Rifles was just above average and The Quick Gun was quite frankly poor. Which is a shame since the premise and double pronged dose of villainy showed good promise on the page. Plot essentially sees Murphy as Clint Cooper, a gunman returning to the town of Shelby two years after he had left because of killing two men. Although he was forced into the fight, many of the town denizens consider him an evil force, a problem since he is trying to get the whole town to understand that a gang of outlaws are on their way to pillage all and sundry. With the father of the two men killed by Cooper after his blood, the gang on their way and very much having Cooper in their sights since they know him well, Cooper has got it all to do to win the heart of the gal he loves and settle down in peace on his deceased father's ranch.

Of course it's a narrative tailor made for a Murphy character, defend the town against all hostilities whilst proving himself as a just man. But it never amounts to much more than a few half hearted up-tempo scenes. There are a number of villains for Cooper to deal with, but they are weakly performed by the actors, marking them out as unconvincing, with Walter Sande as Tom Morrison laughable as we are expected to believe his old and bulky frame can give a lithe Murphy a good fist fight. This is one of the many false things that dominate the picture, the fights are ultra slow, the stunt doubles all too obvious and the town of Shelby itself is one of the most unconvincing I have seen in a B Western. The interiors are all pristine and pretty, often looking like how someone would decorate a Wild West themed restaurant, badly artificial.

There's a decent sequence involving flames and as ever, Murphy is watchable and likable even in the most tawdry of Oaters, but this really smacks of unprofessionalism by those around him. Making it hard to recommend to anyone but the staunchest of Audie's fans. 5/10

'The Quick Gun' never exerts itself, but it's still a western that (only just) held my interest from start-to-finish.

The premise is watchable enough, which is fortunate as the acting, dialogue and fight scenes aren't great. All of the acting is on the wooden side, with the exception of Ted de Corsia who is pretty good as Spangler. The cast are all likeable, though don't quite give top performances in my opinion.

Dialogue-wise it's boring, there's quite a few moments with blocks of speaking. The combat isn't pleasing on the eye either, given its slow nature. The music and camera work is OK, I guess.

If you want to sit back and chill with a western that doesn't take much effort, then this is one for you. It's fine to watch, if underwhelming overall.