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A Fistful of Dollars

ओरिजिनल टाइटल: Per un pugno di dollari
  • 1964
  • A
  • 1 घं 39 मि
IMDb रेटिंग
7.9/10
2.5 लाख
आपकी रेटिंग
लोकप्रियता
1,650
108
A Fistful of Dollars (1964)
A Fistful of Dollars देखें
trailer प्ले करें1:41
2 वीडियो
99+ फ़ोटो
ड्रामापश्चिमीपीरियड ड्रामावन-पर्सन आर्मी एक्शनस्पेगेटी वेस्टर्न

एक भटकने वाला बंदूकधारी लालच, गर्व और बदला लेने से अलग हुए शहर में एक दूसरे के खिलाफ दो प्रतिद्वंद्वी परिवारों की भूमिका निभाता है।एक भटकने वाला बंदूकधारी लालच, गर्व और बदला लेने से अलग हुए शहर में एक दूसरे के खिलाफ दो प्रतिद्वंद्वी परिवारों की भूमिका निभाता है।एक भटकने वाला बंदूकधारी लालच, गर्व और बदला लेने से अलग हुए शहर में एक दूसरे के खिलाफ दो प्रतिद्वंद्वी परिवारों की भूमिका निभाता है।

  • निर्देशक
    • Sergio Leone
  • लेखक
    • Adriano Bolzoni
    • Mark Lowell
    • Víctor Andrés Catena
  • स्टार
    • Clint Eastwood
    • Gian Maria Volontè
    • Marianne Koch
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.9/10
    2.5 लाख
    आपकी रेटिंग
    लोकप्रियता
    1,650
    108
    • निर्देशक
      • Sergio Leone
    • लेखक
      • Adriano Bolzoni
      • Mark Lowell
      • Víctor Andrés Catena
    • स्टार
      • Clint Eastwood
      • Gian Maria Volontè
      • Marianne Koch
    • 408यूज़र समीक्षाएं
    • 149आलोचक समीक्षाएं
    • 65मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 5 नामांकन

    वीडियो2

    A Fistful of Dollars
    Trailer 1:41
    A Fistful of Dollars
    "The Mandalorian" Takes Star Wars to Wild West of Space
    Clip 4:02
    "The Mandalorian" Takes Star Wars to Wild West of Space
    "The Mandalorian" Takes Star Wars to Wild West of Space
    Clip 4:02
    "The Mandalorian" Takes Star Wars to Wild West of Space

    फ़ोटो260

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 256
    पोस्टर देखें

    टॉप कलाकार42

    बदलाव करें
    Clint Eastwood
    Clint Eastwood
    • Joe
    Gian Maria Volontè
    Gian Maria Volontè
    • Ramón Rojo
    • (Italian, English version)
    • (as John Wells, Johnny Wels)
    Marianne Koch
    Marianne Koch
    • Marisol
    Wolfgang Lukschy
    Wolfgang Lukschy
    • John Baxter
    • (as W. Lukschy)
    Sieghardt Rupp
    Sieghardt Rupp
    • Esteban Rojo
    • (as S. Rupp)
    Joseph Egger
    • Piripero
    • (as Joe Edger)
    Antonio Prieto
    Antonio Prieto
    • Don Benito Rojo…
    José Calvo
    • Silvanito
    • (as Jose Calvo)
    Margarita Lozano
    Margarita Lozano
    • Consuelo Baxter
    • (as Margherita Lozano)
    Daniel Martín
    Daniel Martín
    • Julián
    • (as Daniel Martin)
    Benito Stefanelli
    Benito Stefanelli
    • Rubio
    • (as Benny Reeves)
    Mario Brega
    Mario Brega
    • Chico
    • (as Richard Stuyvesant)
    Bruno Carotenuto
    • Antonio Baxter
    • (as Carol Brown)
    Aldo Sambrell
    Aldo Sambrell
    • Rojo gang member
    • (as Aldo Sambreli)
    Raf Baldassarre
    Raf Baldassarre
    • Juan De Dios
    • (बिना क्रेडिट के)
    Luis Barboo
    Luis Barboo
    • Baxter Gunman 2
    • (बिना क्रेडिट के)
    Frank Braña
    Frank Braña
    • Baxter Gang Member
    • (बिना क्रेडिट के)
    José Canalejas
    José Canalejas
    • Rojo Gang Member
    • (बिना क्रेडिट के)
    • निर्देशक
      • Sergio Leone
    • लेखक
      • Adriano Bolzoni
      • Mark Lowell
      • Víctor Andrés Catena
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं408

    7.9246.3K
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    फ़ीचर्ड समीक्षाएं

    9rbverhoef

    The first of the three

    'A Fistful of Dollars' is the first from Sergio Leone's trilogy about "The Man with No Name". The other two movies are 'For a Few Dollars More' and the famous 'The Good, the Bad and the Ugly'. Although 'The Good, the Bad and the Ugly' is considered the best this one comes pretty close. It is a remake of Akira Kurosawa's 'Yojimbo' and it comes also pretty close to that movie. It was also the first real Spaghetti Western.

    Clint Eastwood is "The Man with No Name" who comes to a small town where two families run the place. Both families hate each other and he thinks he can make a lot of money with playing both parties against each other. This is basically the main story. There are some sub-plots, one of them involves Marisol (Marianne Koch) who is taken by a leader of one of the families. Her husband and child still live in the town.

    For me it was not the story that made this movie interesting. It was the whole atmosphere. I like all Leone's westerns for that reason. Of course some are better than others, but they are never boring. The way we see Eastwood kill four man early in the movie is simply spectacular.

    This no 'Once Upon a Time in the West' or even 'The Good, the Bad and the Ugly' but we have the same atmosphere, the same kind of score by Ennio Morricone and a Clint Eastwood at the beginning of a great career.
    8winner55

    Italian Red Harvest

    In the middle '20's, Dashiell Hammett (best known as author of "The Maltese Falcon") wrote'Red Harvest", in which a nameless private eye (also alcoholic, a status shared by many Hammett heroes) is hired to clean up a small town kept in fear by two warring boot-leg mobs.

    I believe "Red Harvest" did make it to film in the '30's, but I haven't been able to track that down and never saw it.

    In 1961, Akira Kurosawa brought a version of the story to the screen in "Yojimbo', with Toshiro Mifune playing the nameless hero. Kurosawa and Mifune add an earthiness to the hero lacking in Hammett's tension filled original: Mifune's samurai is always scratching, eating, cringing or sneering. Perhaps this is to make up for the subtraction of the element of alcoholism that was the chief weakness of Hammett's anti-hero. But it also has the effect of rounding out the character so that he becomes human to us in a way Hammett's anti-hero is not.

    In 1965, an Italian director, not yet credited with completed film, Sergio Leone, was hired to do a typical "spaghetti western" of the era. Instead, he remade 'Yojimbo" (without giving credit to the original, by the way) as "A Fistful of Dollars". The failure to credit "Yojimbo" as inspiration raises some ethical questions - but it must be noted that Kurosawa himself made no reference to Hammett in the credits to "Yojimbo"! In any event, "A Fistful.(...)" is a young director's film, full of flaws; but it has an undeniable black-humor and is crisply directed, with some striking visuals that seem to come out of nowhere, given the genre context in which the film is made. The nameless hero is played with a particular coolness by Clint Eastwood, which undercuts the earthiness- the scratching and scruffiness - that remains from the Mifune version - Eastwood's anti-hero rarely eats, and never cringes or sneers. The pivotal torture scene from Yojimbo remains, given a peculiar brutality by the addition of a pan of the expressionless faces of the onlooking outlaws. This scene - predicated on Eastwood's unwillingness to give up the young family he has saved, is finally what makes him a hero. Is it enough? Well. if not, he's certainly one stinky of a masochist, taking a beating like that for nothing. In a world as corrupt as that in which our hero finds himself, it is the smaller sacrifices that determine the ethics of a man. Remaining silent is sometimes the boldest statement to make; it was good enough for Kurosawa and Leone; it's good enough for me.

    e.j. winner
    dtucker86

    The movie that started it all

    Clint Eastwood was best known to American audiences for his role as Rowdy Yates in the series Rawhide. The series had ended and he was offered this strange new and challenging role in this movie of the American West that was made in Italy! Eastwood said his wife read that script and liked it. She said it was really "wild" because it was written in Western "slang" by Italians who really didn't understand English. He did this picture almost as a lark, and then read that it had become one of the biggest hits in Europe and then when it was released in America it outgrossed even the most popular current American films and made Clint Eastwood both a star and a phenomenon. Its strange to me that the best films ever made about the American west should have been made by Sergio Leone, an Italian who couldn't even speak English. Clint Eastwood said that all he knew in Italian was "arrevadershi" and all Leone knew in English was "goodbye" and yet these two combined to make an awesome film. As the poncho clad "Man With No Name", Eastwood created a role that hit us like a punch in the face and really re-defined the definition of the true Western hero. Eastwood tore out pages and pages of the dialogue and reduced his character to the bare bones to make him more mysterious. Leone said that he clad Eastwood in that sweat stained serepe to give him a cloak of mystery and put the cheroot in his mouth as a pendant between his two cold eyes and it worked like a charm. He broke all the rules and re-defined screen violence. I read that Leone wanted to make a blood and guts Western and show to the audience "I want them to feel what the hell it is like to get shot" and he does it! The scene where Clint is beaten to a pulp is one of the most graphic that you will ever see. It would have killed most other men!
    8claudio_carvalho

    "Yojimbo" Revisited - The Beginning of the Spaghetti Westerns

    A drifter gunman (Clint Eastwood) arrives in the Mexican village of San Miguel in the border of United States of America, and befriends the owner of the local bar Silvanito (Jose Calvo). The stranger discovers that the town is dominated by two gangster lords: John Baxter (W. Lukschy) and the cruel Ramón Rojo (Gian Maria Volontè – a.k.a. John Wells). When the stranger kills four men of the Baxter's gang, he is hired by Ramón's brother Esteban Rojo (S. Rupp) to join their gang. However, the stranger plots a scheme working for both sides and playing one side against the other.

    "Per un Pugno di Dollari" is a milestone in the history of the cinema, since the genre of "Spaghetti Westerns" didn't really exist previous to this movie. Sergio Leone used the storyline of Akira Kurosawa's "Yojimbo", replacing the samurai without a master ("ronin") Sanjuro Kuwabatake performed by Toshirô Mifune and the scenario of the rural Japanese town in Nineteenth Century by the stranger without a name (Clint Eastwood) and a small Mexican town in the border of the Wild and Far West. The result is a magnificent and remarkable movie, and beginning of the trilogy of Clint Eastwood's character Joe, who proves that "a man with a rifle beats a man with .45", completed by "Per Qualche Dollaro in Più" and "Il Buono, il Brutto, il Cattivo", . My vote is eight.

    Title (Brazil): "Por um Punhado de Dólares" ("For a Fistful of Dollars")
    mentalcritic

    The Star Wars of westerns...

    When Per un pungo di dollari, or A Fistful Of Dollars, was released in the mid-1960s, the term "Spaghetti Western" was coined as a putdown to these brazen new films that dared to recreate the Wild West in a place as far away as Italy. However, the last laugh was shared by the Italian directors, whose new style of portraying Colonial America in a realistic style rather than the romanticised way that was characteristic of John Wayne and his contemporaries will be remembered long after the films of the romanticised style are no more.

    The plot is indescribably simple, as Clint Eastwood simply wanders into a town where gang warfare has stripped the economy to the point where only the local undertaker makes a profit and turns the two warring families against one another. Sergio Leone's best-known trademark, his dynamic use of widescreen ratios, comes to the fore here as Clint shares a film frame with no less than four of his enemies, all of whom have plenty to say to him and vice versa. This is one film where a pan and scan transfer is purely and simply vandalism. Some of the dialogue that is included here absolutely takes the cake for cleverness and wit, too. Asking four gunslingers to apologise to a horse, well, if it wasn't a man as famous for playing a gunslinger as Clint Eastwood, it'd be ridiculous.

    Transplanting old Samurai legends into the Wild West works well, as you can see here. Simply having an old mercenary who travels the land in search of wrongs to right and battles to be fought makes the story a lot more compelling than the Westerns where we are told every iota of the characters' motivations in the hope that it will give them some depth. The element of the main hero not getting involved in every scuffle that the bad guys cause, our semi-nameless hero's ignoring a drunken thug shooting at a little boy being the most obvious example, was another master stroke, one that got Eastwood involved in doing the film to begin with. The confrontation at the end of the film works well, too, with pyrotechnics exploding all over the picture in a bright display that keeps the film powerful and yet focused at the same time.

    All in all, Per un pungo di dollari gets nine out of ten from me. The lack of any interesting support characters does dull the story a little, but this mistake was quickly rectified in the two sequels. The addition of Lee Van Cleef also worked well, but in this effort, it's all Clint Eastwood, and while the rest of the cast are nowhere near as interesting, it's all a better watch than anything the Americans were lumping out at the time.

    इस तरह के और

    For a Few Dollars More
    8.2
    For a Few Dollars More
    The Good, the Bad and the Ugly
    8.8
    The Good, the Bad and the Ugly
    Once Upon a Time in the West
    8.5
    Once Upon a Time in the West
    The Outlaw Josey Wales
    7.8
    The Outlaw Josey Wales
    Hang 'Em High
    7.0
    Hang 'Em High
    Giù la testa
    7.5
    Giù la testa
    Unforgiven
    8.2
    Unforgiven
    डर्टी हैरी
    7.7
    डर्टी हैरी
    High Plains Drifter
    7.4
    High Plains Drifter
    पेल राइडर
    7.3
    पेल राइडर
    Yôjinbô
    8.2
    Yôjinbô
    Once Upon a Time in America
    8.3
    Once Upon a Time in America

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Clint Eastwood's contract for Rawhide (1959) prohibited him from making movies in the United States while on break from the series. However, the contract did allow him to accept movie assignments in Europe.
    • गूफ़
      When the Rojo gang ambush the Mexican army unit the gun Ramon uses to kill all the troops is a Mitrailleuse volley gun. Each barrel had to be laboriously loaded by hand before all barrels were fired together in a single volley. However, the film shows the volley gun being used as a form of machine gun. The only machine gun around at the time was the hand-cranked Gatling gun which the soundtrack also seems to depict.

      A volley gun could fire each round individually using a hand crank. However, Ramon clearly has both hands on the (incorrect) twin grips at all times.
    • भाव

      [Having said "get three coffins ready" earlier]

      Joe: My mistake. Four coffins...

    • इसके अलावा अन्य वर्जन
      The original British theatrical release had about 4 minutes cut by the BBFC. Many closeup shots of bloodied faces and bodies (including the body of Chico) were removed, as well as a shot of Ramon dripping blood from his mouth. The main cuts, however, were to the beating up of Eastwood, which lost a hand stomping scene, and extensive cuts to the assault on the Baxters' house which was cut to shorten the overall sequence by removing all shots of men on fire, and the shooting of Consuela Baxter. (The cut version removes the shot of her falling backwards.) The 1999 MGM video and DVD releases are fully uncut and the same as the USA DVD release.
    • कनेक्शन
      Featured in The Man with No Name (1977)
    • साउंडट्रैक
      Sweet Betsy from Pike
      (uncredited)

      Written by John A. Stone

      Performed by Clint Eastwood

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is A Fistful of Dollars?
      Alexa द्वारा संचालित
    • What do the voices chant in the opening theme?
    • Is this movie based on a book?
    • What is a "spaghetti western"?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 12 सितंबर 1964 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • स्पेन
      • पश्चिम जर्मनी
    • भाषाएं
      • इतालवी
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Por un puñado de dólares
    • फ़िल्माने की जगहें
      • Cabo de Gata, Almería, Andalucía, स्पेन
    • उत्पादन कंपनियां
      • Jolly Film
      • Constantin Film
      • Ocean Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $2,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $1,45,00,000
    • दुनिया भर में सकल
      • $1,45,16,248
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 39 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    A Fistful of Dollars (1964)
    टॉप गैप
    What is the streaming release date of A Fistful of Dollars (1964) in Australia?
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