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Of Human Bondage (1964)

भाव

Of Human Bondage

बदलाव करें
  • Nora Nesbitt: You're well out of it.
  • Philip Carey: Out of what?
  • Nora Nesbitt: Whatever you came here to forget.
  • Philip Carey: You do so much for me. Now what do I give you in return? What do you get out of it?
  • Nora Nesbitt: Copy for my next 10 books.
  • Philip Carey: But, what fun is there in this sitting here night after night, watching Mr. Hyde trying to become Dr. Jekyll?
  • Nora Nesbitt: What decided you to take her back?
  • Philip Carey: I don't know. I - there's a saying somewhere, isn't there, something about - human bondage.
  • Nora Nesbitt: Well, if there isn't, there ought to be.
  • Thorpe Athelny: Never marry a lady, for instance. I was married to a lady once - bloody disaster.
  • French Art Teacher: I know this model. She's very beautiful. You've made her look like a piece of meat in a butcher's shop. Perhaps you ought to become a butcher. Better be a good butcher than a bad artist.
  • Griffiths: Fancy giving up being an artist in Paris to coming here to study medicine. You must be off your rocker, old boy.
  • Philip Carey: I'm not really very good at it.
  • Griffiths: All those lovely models, absolutely gorgeous.
  • Philip Carey: Oh, I don't know. You soon get used to it. I suppose it's like being a doctor, in a way.
  • Griffiths: If I thought I was ever going to get that blasé about women, I'd give up medicine here and now.
  • Griffiths: I must say, Matty, I admire your choice. Look at that pelvis move.
  • Griffiths: Sheer physiological poetry.
  • 'Matty' Mathews: A perfect specimen.
  • Griffiths: I wouldn't mind trying out my bedside manner on her.
  • Griffiths: [looking at a nude] Did you paint this in the flesh?
  • Philip Carey: I didn't exactly do it from memory.
  • Griffiths: Oh, that's the life, isn't it.
  • Mildred Rogers: I think that one should be able to pick and choose the people you mix with.
  • Philip Carey: Like me.
  • Mildred Rogers: I spotted you as a gentleman. First minute I set eyes on you.
  • Philip Carey: Are gentlemen ever allowed to kiss you?
  • Mildred Rogers: It depends on how nicely they ask me.
  • Philip Carey: You tell me what to say and I'll say it.
  • Mildred Rogers: Oh, you're a talker, you are. Don't talk about things so much. You're always going on and on.
  • [lifts her veil and Philip gives her a long kiss]
  • Mildred Rogers: A gentleman always knows when to stop.
  • Philip Carey: Maybe I'm not a gentleman.
  • Mildred Rogers: The Second Class Waiting Room? Why did you think I'd be in the Second Class Waiting Room?
  • Philip Carey: I'm sorry. I just didn't think...
  • Mildred Rogers: Just because I'm only a waitress, doesn't mean I can't be a lady.
  • Mildred Rogers: Did any of the girls see you waitin' on me?
  • Philip Carey: I don't know. Why do you ask?
  • Mildred Rogers: [chuckles] They have a good laugh at you, you know.
  • Philip Carey: Do they?
  • Mildred Rogers: Oh, well its nothin' like that, silly. You're too touchy. No, they just think you're gone on me, that's all.
  • Philip Carey: Well, maybe they're right.
  • Philip Carey: Do you like this drawing I did of you?
  • Mildred Rogers: Not very flattering. I've had better. You're not the first, you know. I've been drawn by proper artists with letters after their name.
  • Philip Carey: Yes, I'm sure.
  • Mildred Rogers: It's a bit naughty, too.
  • Philip Carey: Naughty?
  • Mildred Rogers: Why, don't tell me you didn't know. You didn't draw it all from live, did you?
  • Mildred Rogers: I suppose you've revised your opinion too.
  • Philip Carey: I'm constantly doing that.
  • Mildred Rogers: Why are you lookin' at me like that?
  • Philip Carey: You're looking especially beautiful tonight.
  • Mildred Rogers: That's because I'm bein' nice to ya.
  • Philip Carey: Yes.
  • Mildred Rogers: I remember a poem I learned in school once: There was a little girl, Who had a little curl, Right in the middle of her forehead, And when she was nice, She was very, very nice
  • Philip Carey, Mildred Rogers: And when she was bad
  • Philip Carey: She was horrid.
  • Mildred Rogers: You remember that to. Am I that little girl?
  • Philip Carey: Sometimes. I've got a surprise for you.
  • Mildred Rogers: What? I love surprises!
  • Philip Carey: No, no. Later.
  • Mildred Rogers: Oh. Well, why don't you take me some place where we can be alone.
  • Philip Carey: Where?
  • Mildred Rogers: Well, you can always take me back to your place.
  • Philip Carey: To my place?
  • Mildred Rogers: Don't you want me to?
  • Philip Carey: Yes, of course. You are in a strange mood tonight, aren't you?
  • Mildred Rogers: And when I'm nice, I am very, very nice.
  • Griffiths: Well, at least you know where you stand with her, the bitch.
  • Philip Carey: Do I?
  • Griffiths: Well, you're not going to see her again, are you? Oh, help. Why don't you take some advice from dear old Uncle Grif: Love 'em and leave 'em." Don't get mixed up with 'em. They're not worth it. Not one of 'em.
  • Philip Carey: Mildred is.
  • Griffiths: Oh, come on.
  • Philip Carey: You don't know her like I do, Grif..
  • Griffiths: Look, she's as mean and selfish as they come.
  • Griffiths: You amaze me, Philip. You really do. I mean, I would have thought your living in Paris and all that, you'd have more experience with women. I mean, every student in this hospital knows what she's like, except you. She's got you so damn twisted up, you can't even think straight. Your works going to Hell. She's a whore, Phil. All right, maybe she doesn't walk the streets; but, she doesn't have to.
  • Philip Carey: Mildred, don't take what I'm going to say the wrong way. But, I know you have to have your flirtations. I don't think you're aware you're doing it half the time.
  • Mildred Rogers: What are you talking about?
  • Philip Carey: Maybe you can't even help it. But, don't humiliate me by going after Griffiths. It should only be embarrassing for both of us.
  • Mildred Rogers: Going after Grif?
  • Philip Carey: Well, you were flirting with him last night.
  • Mildred Rogers: What do you mean? I was doing no such thing. I can't help it if he makes out for me, can I? Can't slap his face.
  • Philip Carey: Do you think I care whether I'm a gentleman or not? What's so bloody special about that? If I were a gentleman, I wouldn't waste my time with a vulgar little tart like you!
  • Mildred Rogers: You're so good to me. And I'm awful to you. Am I that awful?
  • Philip Carey: No, you're just bearable.
  • Mildred Rogers: Philip, I'm so wretched.
  • Philip Carey: What else?
  • Philip Carey: Mildred.
  • Mildred Rogers: [turns around] Always turnin' up like a bad penny, aren't ya.
  • Philip Carey: Where do you live?
  • Mildred Rogers: Want to go home with me, darlin'? Come on, then.
  • Thorpe Athelny: And what about my daughter? She never kisses a boy, unless he's been here twice.
  • Philip Carey: You better ask me again then.
  • Sally Athelny: Why don't you come next Sunday?
  • Thorpe Athelny: See what I mean. You're quite safe with her. She's no lady.
  • Griffiths: She's on the streets, Phil. Someone saw her in Paddington last night. I always said she'd end up like that. Once a whore, always a whore.
  • Thorpe Athelny: Women are never at ease with themselves when they get ideas. They work by instinct, you know.
  • [points to his head]
  • Thorpe Athelny: Anything up here confuses them.

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