A Global Affair

Hope is wonderful in this movie. Yes I agree the plot is unrealistic but that is the beauty of this film. It is played for laughs and does not take itself seriously in any way. The movie is entertaining and fun. This movie shows Bob Hope gagging it up and having fun with a script that could have been better but still manages to make us laugh and entertains us. It is wonderful to see what NYC was like in 1964 when I was 7 years old! I do agree that one major flaw was the fact that no one would allow a baby to be handled in such a matter without contacting the authorities. The movie is predictable and that is part of its charm.

I'm a huge Bob Hope fan but this film's rather disappointing, rather dull, and not terribly funny. There are some amusing moments and recognizably-typical Hope lines but the premise is limited and proceeds slowly in spots, especially in the prolonged scene between Hope and Lilo Pulver, a Soviet sociologist featuring now-dated, propagandistic comments from both parties, and is tediously talky in nature. Mr. Hope himself looks trim and moves and speaks appealingly but aside from some of his lines, almost anybody else could've played the role. For a Hope comedy, it's not funny enough. Perhaps if some other actor was playing the part of Lattimore, it wouldn't've seemed so obvious, as not as much would've been expected, or been as desirably-dependent on a star's well-known personality. Hope, as always, is likeable and smooth but the plot and script don't give him much to work with. The movie, as mentioned, is dated. Almost noone watching today would recognize the silent cameo of Adlai Stevenson, a household name in his day. And, until recently, not many viewers would understand the U.S./Russia rivalry, as presented here with regard to the baby. In fact, the entire vehicle has a Cold War, pro-West propaganda feel to it--almost as if the U.N. cultural unit asked Hollywood to make such a feature, using the most patriotic American comedian then in existence, Bob Hope. In fairness, the star was trying new things by this point in his film career. He was getting older, and couldn't remain popular with audiences in the same way as he did during the studio system's heyday. By the time of "A Global Affair", Hope was playing a more mature type of suburban, middle-class American, usually a father or a businessman, or both, rather than a knockabout, wisecracking clown-type, great as he was in those earlier roles, often with songs and musical interludes. By 1964, all this was passe', and the comedian's movie roles began reflecting the changing, mid-20th century society of the country. In short, "Affair", though offering a potentially cute premise, doesn't really deliver much with it. The film screams for some big comedy moments, or, at least, a huge, hilarious ending but it was not to be. Although the storyline's clearly padded, more inventive, humorous situations might've saved it. Surprisingly, the movie picks up a little steam in the last quarter-hour, becoming livelier and a little funnier but, in truth, the film seems like an extended sketch from one of Bob's TV specials, where it might've come off better on a smaller, more intimate, screen.

This movie is an exercise in wasted talent. Bob Hope, who was so funny in the 40s and early 50s, sleepwalks through this film. He once used to toss off wisecracks and one-liners with body posture, facial expression, and voice intonation all adding to the impact. In this film, he seems encased in cement and bored. Another misfire: Lilo Pulver, the gorgeous, hilarious, sexy secretary (to James Cagney) in "One, Two, Three." is wasted. She was given a drab wig and mousy dress and mainly used to give Hope an opportunity to tell her that the USA is superior to the USSR. The rest of the cast shows no sparkle; the gags are old and performed with no verve. To bring this down to rock bottom, there are saccharine drenched parts.

This should be shown in screen writing classes to demonstrate how a comedy can be made to be insufferable.

As the countries of the earth gathered at the New York World's Fair in 1964, Bob Hope and Producer Ed Small (who would produce a series of films in the 60's that became increasingly cataclysmic disasters with each subsequent release) felt this topical comedy on the United Nations and an abandoned child "adopted" by Hope would be a natural for laughs. Nope. Hope's effortless sauntering around a set in lieu of acting became standard by this time, and here his search for a mate among the international nubile hostesses at the U.N. is particularly dated and borderline offensive. As was undoubtedly said at the time- Hope sets the sites on his laugh targets low... and misses. Even a mild diversion as "Bachelor In Paradise" just three years hence would prove a high-water mark of the latter half of Hope's film career. They may have "hoped" to succeed "Globally" but stank locally.

One of the four projects in which Jack Arnold directed Bob Hope, "A Gobal Affair" has Larrimore (Hope) taking an abandoned baby home for the weekend, apparently one of his responsibilities at the UN building. Hope had just done Road to Hong Kong, the last ROAD film, in 1962. Of course, Larrimore's neighbor Mr. Snifter is suspicious, and keeps threatening to throw him out of his apartment. Viewers will recognize the neighbor ( John McGiver ) from "Breakfast at Tiffanys", and "Mame". All sorts of silly things happen to Larrimore and the baby, and they attempt to explain why they don't just turn the baby over to the police. There is a not-so-graceful edit while Larrimore is addressing the UN, and it sounds like a line was added later. Co stars Yvonne DeCarlo and Nehemia Persoff. Even appearances by Hugh Downs and Adlai Stevenson. Throw in some silly dates with women from Russia, Spain, and Japan who are out to prove a point, and you've got this movie. Starts out light, gets heavy in the middle, and must all be ironed out by the end. Where were we ...? oh that's right, it's all being done to figure out where the baby should grow up. Some quickie lines for Hope, but not his best work.