Ercole contro i tiranni di Babilonia

This movie takes place about 3000 years ago with a man named, "Salman Osar" (Livio Lorenzon), his brother "Azzur" (Tullio Altamura) and their sister, "Taneal" (Helga Line) jointly ruling the Babylonian Empire. Although the affairs of state are being effectively managed by mutual consent, the fact is that all three desire sole authority and each of them secretly scheme against the other two. This intrigue soon becomes even more heated when a Babylonian raiding party sent to obtain slaves unknowingly captures "Asparia" (Anna Maria Pollani), the Queen of the Hellenes. Soon both the Assyrian "King Phaleg" (Mario Petri) and "Hercules" (Peter Lupus) set out for Babylon to release her from Babylonian captivity. While King Phaleg seeks to force her to marry him in order to extend his empire, Hercules only wants to reunite her with her subjects. Now, as far as the overall movie is concerned, although I thought it started off pretty good it seemed to lose its sense of direction towards the end. In any case, Peter Lupus managed to portray Hercules reasonably well and both Helga Line and Anna Maria Pollani certainly added to the scenery. But other than that I really didn't see anything that remarkable about this movie. Accordingly, I rate this movie as just slightly below average.

"Hercules and the Tyrants of Babylon" was picked up by American- International Pictures for a stateside release. However, A.I.P. decided to release the movie directly to television instead of giving it a theatrical release. When A.I.P. did that, it usually meant they didn't have confidence that the movie in question would do well in theaters, and they were probably right in this case. The movie is not awful by any means - it has some spectacle, from some good production values. And the movie moves from scene to scene fairly briskly. On the other hand, the Hercules in this particular movie doesn't always come off so well. In the first 30% or so of the movie, he only makes two brief appearances. And there is sometimes a goofy vibe to him, such as with the gigantic club he likes to carry around with him. Another problem is that while the movie moves from scene to scene briskly, it soon becomes apparent that there isn't a terrible amount of plot; there are instead a lot of characters equally trying to make their presence known. And a few more action sequences would have helped. If you really like sword and sandal movies, this movie is acceptable, but in no way is it likely to make converts to the genre.

Peter Lupus who later was a regular on Mission Impossible takes his turn as Hercules in Hercules And The Tyrants Of Babylon. His mission in this peplum is to save the Queen of the Hellenes.

The two middle eastern empires of the time have raided and sacked Greece and one of them has carried off the Queen of the Hellenes. Problem is that Babylon doesn't know that they have her, but the Assyrian king sure does. When the Assyrian king visits the three sharing Babylonian monarchs and wishes to buy all their captive women slaves, they smell something up.

In the meantime Hercules is on his mission to save her from whomever. To aid Lupus in his quest, he's got himself one mighty club, the stick which looks like a big and thick tree branch can give a mighty whack when Hercules wields it.

As peplum pictures go, this one's a bit above the norm.

Peter Lupus (aka Rock Stevens) stars as Hercules in this colorful Italian sword-and-sandal opus, one of four Lupus made in Italy in

1964-65, before rocketing to stardom in the Mission Impossible TV show. We don't really think of any particular manner of dress in Babylon-- at least I don't!--so the costumers came up with some outlandish fashions here, and the art design is also creative! The scenes of intrigue in the palace are dramatically well-done and feature peplum/swashbuckler regular Livio Lorenzon as the ruler of Babylon, dealing with both his queen, the King of Assyria, and Hercules, who has come to reclaim the Queen of the Hellenes, taken as a Babylonian slave. In some scenes in the film Hercules has a over-large club that he both swings at people and throws! It lends a comic-book flavor to those sequences that is not really in keeping with the serious nature of the rest of the film. Lupus has a powerful physique and is one of the best actors in the peplum genre--all four of his Italian films are worth watching and are distinctly different from each other. Domenico Paolella directed three of Lupus' four peplums and also worked with such Amercians as Guy Madison, Lex Barker, Ed Fury, Don Megowan, Richard Harrison, Mark Forest, Ken Clark, John Ericson and John Ireland. Whether a peplum, a pirate film, a spy film, or a western, he seemed to be able to put together a fast-moving and entertaining feature. Hercules and the Tyrants of Babylon is recommended to any serious peplum fan. The VHS copy I watched, while a pan-and-scan TV print, is crisp and clear and colorful.

Hercules is a quasi-hero here, overall does the 'good' thing though it's always important to remember that civilians can often be collateral damage when collapsing buildings and empires. I guess finesse isn't a Herculean trait. Along with the strongman sorts of acts, there was a fair bit of fighting to be had as well. Some political intrigue brought about mild interest into how all this was going to unravel.

Plot became very contrived, predictable, and absurd, but am fairly sure this wasn't the point of the movie. Acting was very much lacking by most, especially those who had a lot of screen time. I'm alright with hokey effects, but there's got to be some points of redemption somewhere.