Il castello dei morti vivi

An intriguing slice of 'Golden Age Italian Gothic Horror,' this tale of a mad scientist called Count Drago (played by Christopher Lee) attempting to experiment on performers in a traveling circus rather than animals makes for a desirable curiosity piece, even though it's not very good. Alongside Lee, the cast includes Eurocult fave Philippe Leroy (The Frightened Woman), and Donald Sutherland in his first three film roles (he plays a Napoleonic soldier, an old man, and a Witch in heavy make up and a dress). As well as featuring an heroic dwarf named Nick, the movie has a complicated production history. Michael Reeves (Witchfinder General) received his first film credit aged just twenty, and a mere five years before his tragic barbiturate overdose, as assistant director, but it was rumoured that he contributed a lot more including directing an exciting sword fight on the castle walls. There were also rumours that Mario Bava provided special effects for the film. The movie was directed by Luciano Rick under the pseudonym of Warren Kiefer, and so grateful was Donald Sutherland for him giving him his first movie credit, that he named his son after him.

I've seen up to three directors credited for the film, although only Warren Kiefer is credited on the print I saw, as well as being credited as author of the story and screenplay. This low budget European shocker is the first film usually credited to Michael Reeves, who directed the horror classic "The Witchfinder General" (1968). His films are noted for their downbeat overall tone, and he directed only four feature length films before he died at age 25.

In 1820's Europe, a traveling circus gives a performance. Afterwards, they are invited to Count Drago's (Lee's) castle, to perform for him. On the way there, they are intercepted by an old woman who warns them against the castle and predicts some of them will die. As usual in such films, they ignore the warning and continue on anyways or else there would be no movie.

I've yet to find a good quality print of this film. It's American release was botched, and it ended up playing mostly drive-in theaters, and then fell into obscurity. The best quality print I have found has the ends cropped to make its aspect ratio 4:3.

Lee is head and shoulders better than the rest of the cast. Donald Sutherland is also notable in multiple roles in this, his first feature film appearance that was not a TV movie. The other actors are no better than adequate. The cinematography and score are both functional, at best. In the last 40 minutes, film stops and numbers are projected on screen for 15-30 seconds a couple of times.

If you are willing to overlook the films' faults (score, cinematography, abrupt changes in tone, and an ending that Reeves must have argued against) there are some good scares in this one.

It is worth sitting through if it ever comes your way. Weird factoid: Donald Sutherland's son Kiefer is named after the director. I have no idea exactly why.

The Castle of the Living Dead is quite a good, little known thriller about a man named Count Drago who has found the secret to preserving life instantly, a sort of life in death concept. His castle is full of all kinds of creatures that are in death just as they were in life. Lee plays the title role with relish as he entertains a group of roving entertainers in his castle. The film is quite atmospheric with some very good chase scenes through dark corridors and a graveyard as well. The cast is pretty decent with a pint-sized dwarf besting all. The film is of some note as it is one of the earliest performances of Donald Sutherland, who has a field day playing an incompetent policeman and a witch/old hag. Quite a good European little horror film!

Christopher Lee pops up in a lot of shonky Euro-horror, but I didn't expect to see Donald Sutherland's name to appear in the opening credits for Castle of the Living Dead. Sutherland's big screen debut sees the actor playing multiple roles: firstly, he plays an old hag who warns the members of a travelling acting troupe of impending death if they continue to the castle of Count Drago (Lee) where they are to perform; then he plays the incompetent police sargeant who is oblivious to the count's experiments in the suspension of life, using humans subjects; and according to IMDb, Sutherland also plays an old man, but I don't recall seeing that character.

The film's main star, Christopher Lee, could play his role in his sleep: villanous aristocrat Count Drago is bread and butter for the actor. The count is assisted in his work by a drooling maniac called Sandro (Mirko Valentin), who captures victims for Drago. In the film's best (ie. Funniest) scene, Sandro chases Nick (Antonio De Martino), the troupe's heroic dwarf, to the top of a tower, picks the little fellow up and throws him over the parapet. The dwarf, or rather a very unconvincing dummy, falls and lands on a pile of hay. Extra points awarded for dwarf throwing! Another cool moment sees Drago using a toy catapult to fire a poisoned dart into a man's eye. Nasty!

The direction by Warren Kiefer is rather clumsy, as is the editing, and the dubbing is terrible, but the crude technical nature of the film adds to its charm. Kiefer does make good use of his gothic location, especially the ornamental gardens and grottos that surround the castle (I know I've seen that place in another old horror film, but I can't quite put my finger in it*). All in all, this is a fun piece of low-budget Euro-horror that trundles along at a decent pace and never bores -- far from a classic but certainly worth a go for fans of this kind of hokum.

*I just read Bezenby's review, which lists other films that use the same location. The film I was trying to think of was Meridian (AKA Phantoms) starring Sherilyn Fenn.

After the many years I spent searching for "Castle of the Living Dead" and considering the rather high price I eventually paid for the Blu-Ray DVD, I can't help feeling a little bit disappointed. Surely, it's a fun and spooky gothic euro-horror effort, but it doesn't come close in terms of quality to some of Christopher Lee's other contemporary work in the same genre, like "The City of the Dead", "The Virgin of Nuremberg" or "The Torture Chamber of Dr. Sadism".

Compared to these three, and various other classic Gothic horrors, "Castle of the Living Dead" is a lot less atmospheric and unsettling, and the plot isn't very engaging. The opening sequences are still quite grim, with a mysteriously eerie figure randomly killing and abducting people in a forest. This person than invites a traveling circus community to come and perform privately at the castle of his master; - Count Drago. The count (Lee) turns out to be a fanatic taxidermist, but he doesn't necessarily only stuff animal, and his object don't necessarily have to be dead...

The film is ineffective as a wholesome, due to the muddled script and slow pacing, but several isolated highlights make this film worthwhile. There is, naturally, the intimidating performance of Christopher Lee (with pitch-black eyes), but also strong supportive roles by Mirko Valentin (as the nasty henchman) and Antonio De Martino (as a heroic dwarf), ominous set-pieces (like a tunnel entrance shaped as a devil face) and a few creepy shots of a room full of stuffed ...objects. Most reviewers mention the dual role of Donald Sutherland as another highlight, but I found his performance rather hysterical. But, most of all, I missed the feeling of genuine fright. Shame.