Les amitiés particulières

Or mgic. or refreshing. or mysterious. or provocative. the film is the long shadow of the novel. and the novel is the right challenge for discover and explore an universe , in strange way, more familiar than you expect. a film about a sort of friendship. not comfortable, many, for a part of public. but useful. not exactly for the message. but a perspective about love, life and young ages , escaping from the ordinary definitions.

At first I did not think that the movie will be interesting. But I soon changed my opinion. The fact that the movie is in black and white makes it even more appealing than if it was in colour. The action takes place in a boarding school located in France. Actually the scenes from the dinning room reminded me of the movies for Harry Potter.

The main characters are Georges de Sarre – 16 years old student and the young Alexandre (age 12) who is a student at the same school. Their friendship is really beautiful – and heart touching. It sure brought some old memories too. There is a lot of poetry in this movie – it seems that I am getting hocked to poetry- again! Few years ago there was a girl who was sending me sonnets of Shakespeare. I even tried to write some poems myself. I still haven't finished watching the movie – it turned out to be on two CDs and I only got one of them, but will get the second one soon- then I will complete this review.

I have finished watching the movie and its ending made me sad – sad and disgust. Disgust that there are such people who refuse to accept that a true, special friendship can exist and interfere – to hurt everyone, but their pity selves. And do I know of such people – because they are not only shown in the movies you know – they lurk amongst us – trying to make the rest believe and thing what they do – such people really disgust me….

Les amitiés particulières is based on 1943 novel by French writer Roger Peyrefitte.

People who have loved the novel by Roger Peyrefitte should equally love the film by Delannoy. This story of a thwarted love between two young boys in a french Catholic college in the 50's, faithfully transcribes the nearly oppressive atmosphere which prevailed in religious boarding schools in those days. The climate of repressed, contained passion at times culminates in sublimated eroticism as when Georges kisses the medal worn by Alexandre against his breast. The film perfectly renders the perversity of some priests who secretly encourage the forbidden love, sharing it by proxy, while openly condemning it. A remake of this film could not possibly be made nowadays. It tells a story of a time when,as the great Burke wrote, though at a far anterior period, "vice itself lost half its evil by losing all its grossness". The cast is excellent and the Black & White pictures superb.

Francis Lacombrade stars as the young Comte Georges de Sarre, student at a French boarding school run by the priests. Didier Haudepin is the even younger Alexandre, another student at the same school. It is post WWII France, and the school is run with heavy discipline.

Georges develops a special friendship with Alexandre, hence the title of the novel and the movie made from the novel. Roger Peyreffite is quite a famous French author, and this story is his best work.

The two boys develop their friendship in spite of the rules of the fathers who are dead set against this sort of thing happening at their school. Not that there is anything sensual about the relationship, just a few chaste kisses and poems with Georges describing Alexandre as his "bijoux".

There is a touching scene in the movie with the two boys hidden in a haystack lying besides each other, sharing the joy of their company and a stolen cigarette.

Not to give away the ending, but tragedy befalls the two boys.

Interesting to note that a friend of Peyreffite, who also worked as a French civil servant, Henri de Montherlant also wrote a novel about the love between two boys. The Boys is also set in a Catholic boarding school, but around the turn of the 19th century. And a similar tragic ending.

In both stories, the Church and its rules against too much affection between schoolboys plays a major role in the story as one of the antagonists. We are left wondering just how well both stories might have turned out if the boys had been left alone to share their friendships.

I have long wished to see this film and finally a DVD of it has been made available, so I watched it with enormous curiosity. I must say I am very much touched by LES AMITIÉS PARTICULIÈRES, for everything rings absolutely true in this film. The screenplay by Jean Aurenche and Pierre Bost is perfection itself, rending Peyrefitte's autobiographical novel totally cinematic, visually striking and emotionally devastating. The acting by the two leading men is beyond anything I could have expected from such young performers. Didier Haudepin gives the best performance by a child actor I have ever seen in fifty-some years of film-going, standing alongside the likes of Patty Duke in THE MIRACLE WORKER, Brigitte Fossey in LES JEUX INTERDITS and Enzo Staiola in LADRI DI BICICLETTE. The supporting cast is equally to be praised, particularly the great Michel Bouquet. Frankly, Jean Delannoy deserves ample credit for having brought to the screen a film of such beauty and flawless artistry. I believe François Truffaut has never done anything that even approaches such a high level of film-making.