अपनी भाषा में प्लॉट जोड़ेंCousins St. Clair and Fleming are con-men so successful they no longer need to con. They can be persuaded, however, to use their skills: in a just cause, where a mark deserves it very, very ... सभी पढ़ेंCousins St. Clair and Fleming are con-men so successful they no longer need to con. They can be persuaded, however, to use their skills: in a just cause, where a mark deserves it very, very much.Cousins St. Clair and Fleming are con-men so successful they no longer need to con. They can be persuaded, however, to use their skills: in a just cause, where a mark deserves it very, very much.
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I saw this series as a preteen and agree with the previous reviewer -- it was wonderful! With such suave men as David Niven and Gig Young, how could it fail. My mother was British, so perhaps my sense of humor was a bit perverse, but then, look at the success of Monty Python! I'd love to know where you can find this for purchase or to watch in syndication.
If you're a fan of great comedy, this is definitely the series for you. Too bad the American audience didn't see it that way. I'm pretty sure most (or all) of the primary characters are gone now, alas, so this will be a lesson for some in 'when actors were really actors.'
If you're a fan of great comedy, this is definitely the series for you. Too bad the American audience didn't see it that way. I'm pretty sure most (or all) of the primary characters are gone now, alas, so this will be a lesson for some in 'when actors were really actors.'
This was one of our favorite shows during the one brief season it was on. I've taken every opportunity to watch reruns, but they are almost never available. I would watch every episode many times over again, and hope to be able to at some time. The writing was clever and sharply witty, delivered by actors who knew exactly how to speak the lines and how to fit their expressions and actions to the words. I could take each one and say his or her performance was priceless. It's sad that it did not receive the audience in the U.S. to keep it running for many seasons.
10adevrx
I have been looking for DVD's of The Rogues for several years now. I am happy to hear that at least someone has begun the process of making them available but only in Europe - I assume in PAL format. What a shame it's not available in the US. Hopefully the light will dawn that a small bit of money could be made by releasing the series US format. It was one of the truly great series broadcast during a time when prime time TV was not 90% mindless junk. Please someone bring back a most memorable series which featured imaginative writing and excellent acting. I would add in order to have the requisite number of lines that I suspect there are a great number of people who would jump from the woodwork to buy or rent The Rogues DVDs
Obviously a show as deliciously witty and as sparklingly clever as this, with such a magnificent cast - David Niven, Gladys Cooper, Charles Boyer, Robert Coote, Gig Young, Larry Hagman, and John Williams - was too good for the tastes of the American public. It lasted just one season. On the other hand, the execrable "Beverly Hillbillies" - a more accurate barometer of the American public's sense of humor - marched on in glory for nine tedious years.
David Niven and Charles Boyer were two of the stars who formed FOUR STARS in the 1950s, and did many television programs as stars or producers. THE ROGUES was to be a series for them and Gig Young to alternate the leading role each week as the hero/anti-hero of the episode. Gig Young joined them to do the episodes, but as time passed he was the lead in most of the episodes (occasionally Boyer would appear). Larry Hagman (not yet on I DREAM OF JEANNIE, and decades from DALLAS and "J.R.Ewing") substituted for Young on several later episodes. And Dame Gladys Cooper and Robert Coote rounded out the family of regulars - the Fleming/St.Claire clan - who took on the greedy and cruel of the world.
They had great villains: Walter Matthau (before his "Whiplash Willy" performance catapulted him to stardom), George Sanders, John McGiver, Robert Webber, Everett Sloane, Telly Savalas (before THE DIRTY DOZEN and before he discovered lollipops in Kojack), J.D.Cannon, and others. In every episode the clan would manipulate the antagonist at his weak spot and remove a sizable amount of his (occasionally her) cash. Webber is a pretentious sex-magazine publisher (actually it is not fair to Bob Guiccione or Hugh Hefner to compare him to them - they have more class), who they convince to buy the original "Shakespearean" manuscript of THE AWFUL TRAGEDY OF KING HAROLD THE FAIR. It is neatly denounced as a forgery by Shakespearean critic and expert John Abbott at the episode's end.
Sanders is left with the ruins of his couturier business (based on stolen fashion ideas) when he is manipulated into cornering the marabou market. Before he does he has a choice moment of near apoplexy dealing with a call from an hysterical woman (Dame Gladys, trying to slow down Sanders for the plot) demanding he produce her philandering husband "Harry". Sanders ends up telling her he fully sympathizes with "Harry" for his philandering before slamming the phone down. Coote scares the hell out of selfish Horatio T. White (John McGiver), shipping tycoon, by dressing up as McGiver's dead partner appearing at a window on a stormy night. Young tells a corrupt Arab sheik that he has the weapons he ordered (and gives the "ace of spades" as his calling card. The sheik turns red in the face claiming he has no knowledge of the man. The memories of the bits from the shows warm me...I wish the shows would be revived one day. Or put on DVD
They had great villains: Walter Matthau (before his "Whiplash Willy" performance catapulted him to stardom), George Sanders, John McGiver, Robert Webber, Everett Sloane, Telly Savalas (before THE DIRTY DOZEN and before he discovered lollipops in Kojack), J.D.Cannon, and others. In every episode the clan would manipulate the antagonist at his weak spot and remove a sizable amount of his (occasionally her) cash. Webber is a pretentious sex-magazine publisher (actually it is not fair to Bob Guiccione or Hugh Hefner to compare him to them - they have more class), who they convince to buy the original "Shakespearean" manuscript of THE AWFUL TRAGEDY OF KING HAROLD THE FAIR. It is neatly denounced as a forgery by Shakespearean critic and expert John Abbott at the episode's end.
Sanders is left with the ruins of his couturier business (based on stolen fashion ideas) when he is manipulated into cornering the marabou market. Before he does he has a choice moment of near apoplexy dealing with a call from an hysterical woman (Dame Gladys, trying to slow down Sanders for the plot) demanding he produce her philandering husband "Harry". Sanders ends up telling her he fully sympathizes with "Harry" for his philandering before slamming the phone down. Coote scares the hell out of selfish Horatio T. White (John McGiver), shipping tycoon, by dressing up as McGiver's dead partner appearing at a window on a stormy night. Young tells a corrupt Arab sheik that he has the weapons he ordered (and gives the "ace of spades" as his calling card. The sheik turns red in the face claiming he has no knowledge of the man. The memories of the bits from the shows warm me...I wish the shows would be revived one day. Or put on DVD
क्या आपको पता है
- ट्रिवियाNelson Riddle wrote the theme music played at the beginning and end of each episode.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does The Rogues have?Alexa द्वारा संचालित
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- चलने की अवधि50 मिनट
- रंग
- पक्ष अनुपात
- 1.33 : 1
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