Stingray

I've never been able to get into Thunderbirds or the rest of these marionette shows but I enjoy this one. Even though they are the protectors of the sea, they know almost nothing about it. They are constantly encountering new races of under water people they have never heard of and those people know everything about Stingray and WASP and want to destroy them. They have a woman who never speaks and never has anything to do with the story but the song over the end credits is about her. None of it makes any sense but I like it.

I did enjoy Stingray when I was younger, and still do, but not as much as some of the other Supermarionation shows. The show was simply about a submarine, and the stories weren't as varied. However, it did have its good points.

The stories were entertaining, and divided into three sections; an investigation into a situation, a plan to kill Troy Tempest or to destroy Marineville. The best episodes were in the category of the latter two, the investigation episodes weren't as exciting. There were a few 'it was all a dream' episodes which did nothing for me.

The series ended with a flashback episode based on 'This is Your Life' which worked really well, and had the best ending of all the Stingray episodes; after being called out on a mission near the end of the episode Commander Shore remarks to the presenter, 'Thanks for a great show, but I'm afraid, whether you like it or not, this has got to be the end'. You couldn't have asked for a better closure.

Not my favourite of the Supermarionation puppet shows, but the entertaining scripts made up for it.

I liked Stingray a lot. It was a great Gerry Anderson show right up there with Thunderbirds and Captain Scarlet.

It was quite a depressing show in a way. I don't know what it is but I find anything set underwater depressing. The bottom of the ocean doesn't look like a nice place even in real life. It was quite a gloomy show. I suppose the evil villain called Titan added to the gloom.

However, just when things were getting too gloomy Troy Tempest and Phones (and the beautiful Marina) went into action in Stingray to combat Titan and his evil plans. This show was a 25 minute show which was just the right length to set up a story and action.

I may be crazy saying this but as a child I found Atlanta and Marina extremely beautiful which probably added to my enjoyment of the show.

Stingray is my favorite Supermarionation show by far! The themes are often strangely adult, we're shown Troy Tempest's dreams in some of the episodes, and there's a lot of unrequited desire between the puppets. Not surprisingly, the puppets drink pretty often.

This is not to dismiss the technical aspects of the show usually harped on. The look of the show is amazing, representing a larger, color version of the outlandish production design of the nifty Fireball XL-5. The Stingray itself is as mod-looking as the Batmobile. In fact, I'd say Stingray had to have been a major influence of the TV incarnation of Batman (1966.) (Kids could watch it for the action, adults could watch it for the humor and weird sexual tension.) And the music of Barry Gray is excellent as always.

I'm 35 and never saw Stingray as a child. But, despite the lack of a personal nostalgia factor, I must make room for it among my all-time favorite shows. It's pure escapism, but with a caricatured sense of human nature. For me, Thunderbirds and the other Anderson shows just became increasingly flat, with the puppets looking more and more like mannequins.

When it comes to marionettes, I get my kicks under water!

The four Supermarionation shows, Supercar, Fireball XL5, Stingray and Thunderbirds, were strange but cool. And often they showed some real creativity. One of my favorite bits was the alarm system in Stingray. As their base went on alert, they didn't use horns or sirens, but drum beats over the PA. As they went to higher stages of alert different rhythms would superimpose themselves over the previous rhythms. It sounded neat and was a really effective way to build up the tension. Someday I'm going to find an excuse to steal the idea.