Vechera na khutore bliz Dikanki

I have seen a few Russian fairy tales and adventure movies from the same time which I enjoyed watching. This one about a blacksmith/painter and the devil and their struggle with each other I did find quite lackluster though.

The movie has nice color pictures for this sort of story. But the story feels like it moves in slow motion. The movie is only just over an hour long but I was bored before it ended. Things like special effects were handled by showing the movie backwards all the time. 10th time you see the movie going backwards it is not cute anymore.

You can find much better Russian movies and fairy tales from the same time period. I would suggest watching Mariya-iskusnitsa (1960) instead that I found more entertaining.

A very atmospheric movie. In Russia, it is always shown on New Years. Real Russian winter. Great acting and storyline.

This remarkable work merges into one powerful creative stream the genius of two outstanding figures of Russian culture: the writer Nikolay Gogol and the filmmaker-storyteller Alexander Rowe.

Gogol, a close friend of Pushkin, is a very original Russian writer, whose childhood and youth were spent in South-West Russia, also known as Little Russia or the Ukraine. He was one of the first to notice and embody the enormous literary potential of Little Russian life and folk art. The story "The Night Before Christmas", on which this film was shot, opens the cycle of his Little Russian works.

You might think that this is a typical love story, but in fact this is only the background, and in moral terms the Blacksmith, who fell in love with an arrogant and frivolous girl, is no better than the lustful Deacon who came to the Witch at night. This fits in well with the general outline of Russian literature, which traditionally looks down on the base passions of man. This is, first of all, a story about the triumph in a person's soul at Christmas in the context of a distinctive southern Russian village, which perfectly conveyed its atmosphere with all the qualities characteristic of the people of southern Russia, such as a sense of humor, kindness, broad soul, the ability to both deeply immerse themselves in thought and to walk, sing and have fun on all holidays, especially Christmas and Easter.

There is no evil in this story, the evil is leveled down to petty human vices, the victory over which is symbolized by the solemn worship at the end. Even the devil, played by the brilliant Georgiy Millyar, is not an enemy of humanity here, but the same victim of his own petty vindictiveness, appearing in an exclusively comical image. This is an exceptionally kind Soviet film for a kind holiday like Christmas and New Year.

It's pre-Christmas time, people are at home a lot, often old and young together. It's not uncommon to switch on the TV and watch a family film. You've seen the classics many times, but the films from the second series and especially the newer productions are usually more of a torture than a nice, cosy watch together. But there are also insider tips, lesser-known treasures, and this is definitely one of them. A magical fairy tale, ideal for the current times. And magical really hits the nail on the head, something like this cannot be reproduced today. The colours, Bava must have been delighted, the timeless tricks, it works without CGI, it works better without CGI, the backdrops, as if sprung from a dream, the surreal yet realistic atmosphere and last but not least the pleasant running time.

Add it to your programme, every year.

In the best tradition of Soviet fantasy, Dikanka is entertaining from start to finish. There isn't much a plot (hijinks during the night), but the practical effects are charming, and I laughed harder than I had in a long time.

The best element is the Devil himself. Rather than a figure of fear and evil, the Devil is a hairy, silly fellow who keeps busy by tormenting a blacksmith who drew a religious picture that the Devil found particularly offensive. In addition, there are a horde of lusty and/or drunken townsmen, and a cameo by the Tsarina herself. Also, a "Three's Company"-esquire set piece where character after character must hide out in the local witch's hut.