Unearthly Stranger

There are a handful of fine films that have never been released on tape or disk. Sometimes they show up on the few independent TV stations around the country that still have access to the old collections of movies that used to circulate in the days before cable. Nearly lost films, except in the memories of people who saw them at drive-ins or on TV before the current age of homogenous viewing. Unearthly Stranger is a perfect example of this kind of film. Not the masterpiece that Invasion of the Body Snatchers is, Unearthly Stranger is still a wonderful science fiction story with trappings of the paranoia that characterizes Body Snatchers, I Married a Monster, and other, earlier, SF films. Stranger was a throwback when it was new, and that may be why it was pretty much ignored when it was released. With DVD releases of an awful lot of true garbage, there really is no excuse for the continued neglect of this stylish, almost lost movie.

Even though I'm a fan of obscure movies, it's amazing to me that I even heard of this movie, much less find a copy, but I consider it worth the effort. The stark minimalism technique makes this like a slightly extended episode of an anthology series like "The Twilight Zone" (and the running time is still quite short at 75 minutes). The one word I think that best describes this movie is "competent." In other words, the filmmakers knew exactly what they were doing; they had to, I suppose, working with what seems an almost non-existent budget. They knew how to elicit an emotional reaction of claustrophobia from the audience - something few filmmakers can do exceptionally well in the sci-fi genre - Ridley Scott's "Alien" is one other film that comes to mind. Every bizarre angular shot composition, every set piece, every facial close-up, every soundtrack cue, is blended seamlessly to make the viewer sweat.

For science fiction, this movie is very unique - even for a typically-cerebral British sci-fi production. There are no slimy aliens to look at, no space craft, and no robots. Instead, like the storyline itself, all the suspense comes from the viewer's own imagination. If you can find it, I highly recommend seeing this at night. The only other movie I can think of which demonstrates such continuous suspense with scant resources is Edgar G. Ulmer's 1945 film noir "Detour." I almost think they should show this as a primer to film students on how to make a film successfully with little or no money.

I remember the first time that I saw this SF chiller was at a local drive-in theater in the late 60's as the second feature. I don't remember what the first one was--that's how creepy "Unearthly Stranger" was for me. For a low-budget film it has everything: wit, intelligence, excellent acting, compelling direction, and for it's modest budget more than adequate (minimalist) use of special effects. I've seen it a few times since on t.v., and just recently acquired a second or third generation copy on ebay. I was waiting for the scene where the professor's wife ( whom we already know is a tad unusual) goes for a walk into town and loiters near the public schoolyard, where the nine-to twelve-year-olds are playing. While standing there, the children, one by one, begin to take notice of her, and in a mass, start backing away from her...well, if you haven't seen it, what follows is worth the price of viewing by itself. A bit of info: many years ago a friend told me that this film was actually inspired by the SF novel "To Walk The Night" by William Sloane, originally published in 1938. When I finally got a copy, I was surprised how the closely the plotline of "Unearthly Stranger" hews to Sloane's novel. Hard to understand why the producers would fail to give credit where credit's due...at any rate, find a copy where you can, and pray for it's release on DVD!

Just watched this on Talking Pictures TV, here in the UK, an independent channel that is always screening little known or forgotten movie gems. Unearthly Strangers being a good example. It starts off with one of the main characters running up a superb spiral staircase, had this been filmed in colour instead of black and white the effect would not have been anywhere near as good. But talking of effects, in regards to the aliens they are practically non existent. The only give away signs are that they don't blink, nor do they suffer burns when handling hot casserole dishes without wearing gloves! Acting is good. Gabriella Licudi is gorgeous. The film is very reliant on dialogue and may bore some viewers but the final scene is genuinely chilling and worth waiting for.

This is a film that is well worth watching, and is in danger of being forgotten. I suspect this is because for whatever reason, it has been completely overlooked by not being issued either on video or DVD. I know that there ARE copies to be had, but these are usually from questionable sources and are of inferior quality. The only time I have seen a decent copy is when it has been shown on TV. Certainly, if I was to compile a list of films that have been neglected and are overdue for release, this would way up there on top. Sci-fi films are not usually my bag, but this film holds your interest all the way, and has fine performances from all concerned.