Twilight of Honor

In an unnamed city in a fictional county in New Mexico, a vicious killer (Nick Adams) is being tried for murder. The courtroom drama focuses on an ambitious prosecutor (James Gregory) and a young and inexperience defender (Richard Chamberlain).

Gregory is trying to ride the publicity surrounding the trial to a high political office, and there seem to be a lot of people willing to railroad the kid into the gas chamber. The case has several curious aspects. Adams has signed two different confessions but both of them have omitted large parts of his story. Adams also has a tramp for a wife (Joey Heatherton) who turned him in for the reward!

Into this media circus of lies and hype comes young Chamberlain who must battle the system ((including a judge who clearly favors the prosecutor). He relies on advice from a wily old lawyer (Claude Rains) who's been sidelined by ill health. Rains also has a comely daughter (Joan Blackman) who has eyes for Chamberlain.

Can the young lawyer navigate the complicated legal waters and fight the corruption to save his client?

All the actors are fine. Chamberlain (currently starring on TV as Dr. Kildare) gets the star build-up here from MGM. Rains steals all his scenes and Gregory and Adams are solid performers (Adams won an Oscar nomination). Heatherton makes her film debut here.

Cast includes Jeanette Nolan as the widow, Linda Evans as her daughter, Edgar Stehli as the judge, Arch Johnson as the bartender, Robin Raymond as Heatherton's ma, and Pat Buttram as the victim.

Much of the film is told in flashback, but the overall storyline suffers by being a tad too close to the classic Anatomy of a Murder (1959). Still worth a look.

Always enjoy viewing this film mainly because Joey Heatherton's father was a mail man and delivered the mail to my home at the time in Nassau County, Long Island, New York. Richard Chamberland,(David Mitchell),"The Pavilion",'99, was a lawyer in this picture and wound up having to defend Joey Heatherton's (Laura Mae Brown), husband from a crime he was accused of performing on a police officer. The police officer was found not breathing in the bed in which Laura Mae shared herself. Laura is a very sexy hot to trot gal and performs all sorts of wild movements with her body in a bar next to a classic jukebox in the 1960's. Claude Rains,(Art Harper),"The Invisible Man",'33 makes a brief appearance and adds a good supporting role. This is a very entertaining film in Black and White and held my interest from beginning to the very end.

This is, though entertaining, far from a good movie. It comes across as a long television show. And no wonder! The director did mostly TV. At the time, star Richard Chamberlain was known primarily for his Dr. Kildare series.

The supporting cast is lots of fun. It runs the gamut from -- OK, ready? Pat Butram .... to Joey Heatherton ... to Claude Rains. Yes, in the middle of this tale of a poor low class kid (Nick Adams, suitably confused looking) caught in the midst of a class-conscious small Southern town, Rains is the patriarchal retired lawyer. Yes, Claude Rains.

He looks frail and certainly doesn't seem especially Southern. But here was a man who never turned in a bad performance.

Chamberlain is good, too, and Jeanette Nolan is touching as the wife of the man Adams is accused of murdering.

As a break from his Dr. Kildare series, Richard Chamberlain got to get some good exposure on the big screen in Twilight of Honor. He didn't stray too much from his character of Dr. James Kildare though. Chamberlain is an idealistic young doctor on the small screen, on the big screen he's an idealistic young lawyer.

Twilight of Honor does have the potential for a television series. Claude Rains is the older and wise lawyer mentor here, just as Raymond Massey was on television for Chamberlain. Rains also has an attractive young daughter in Joan Blackman who aids both of the men in her life.

The real acting honors go to among others Nick Adams as the poor dumb hick of an Air Force veteran who is arrested for the murder of one of the town's leading citizens. The whole small New Mexican town is quite stirred up by the homicide and there's a lynch mob mentality brewing. A lot of very influential folks want to see Adams given a death sentence with at most a perfunctory trial. Adams is quite touching in his performance and was given an Oscar nomination for his performance.

Two other cast members worthy of note are James Gregory as the smarmy ambitious special prosecutor brought in for the judicial lynching. And the real surprise to me is Pat Buttram who plays the deceased and who's story gets told in flashback. For those of you who remember Pat from Green Acres, Hee Haw, or as Gene Autry's sidekick on his television series, this is quite a revelation. He's quite good in a serious role as a man going through a midlife crisis. But I'm sure the public just didn't accept him in a serious part, I can't recall him ever getting another one.

I'm sure MGM had a problem with this one. A few years later when made for TV movies started, Twilight of Honor would have been one of the best acclaimed. It sort of slipped in and out of the theaters before real notice was paid attention. That's a pity because it is a good film and catch it the next time TCM runs it.

OK courtroom drama from Perlberg-Seaton, with MGM capitalizing on Richard Chamberlain's TV success by casting him as a rather Kildare-like defense attorney. He's recently widowed, and he's given the unenviable job of defending sleazy-but-polite Nick Adams, who's already confessed, twice, to murdering Pat Buttram, a well-liked local politico who was trying to make time with Adams' sluttish wife, Joey Heatherton. Chamberlain's OK, and so are the courtroom exploits, with a screenplay that seems to delight in pushing the envelope a bit in terms of sexual conversation circa 1963. There's discussion of impotence, sleeping nude, and prostitution, and several sequences of Joey Heatherton twitching luridly next to a jukebox. But the best reason to watch is Claude Rains, as Chamberlain's former professor and current legal adviser. He looks genuinely unsteady and hasn't many good lines, but it's a beautiful, modest, underplayed performance. Joan Blackman is on hand as his daughter, to provide the rather tepid romantic interest, and Jeanette Nolan is good (when wasn't she) as Buttram's protective widow. The flashback format is unwieldy, and Boris Sagal directs it like it's a big TV show, but it keeps your interest pretty steadily, especially as a barometer of what was and wasn't permissible on screen in1963.