IMDb रेटिंग
6.9/10
6.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA homemaker's sudden rise to fame as a soap spokesperson leads to chaos in her home life.A homemaker's sudden rise to fame as a soap spokesperson leads to chaos in her home life.A homemaker's sudden rise to fame as a soap spokesperson leads to chaos in her home life.
- पुरस्कार
- 2 कुल नामांकन
Anne Newman Bacal
- Miss Thompson
- (as Anne Newman)
फ़ीचर्ड समीक्षाएं
The Thrill Of It All finds James Garner and Doris Day as typical suburban couple, two kids, big house, live-in maid, and he's a doctor. Could a girl ask for more.
But Garner's the doctor for Arlene Francis who's having one of those late in life babies and she and husband Edward Andrews are excited as all heck. He and Doris get invited to their house for a little get together where Doris spontaneously extols the virtues of Happy Soap to the delight of Reginald Owen who is Edward Andrews's father. Owen is less excited about becoming a grandfather than he is with discovering Doris whom he insists become the new Happy Soap spokeswoman.
After that it's Garner who has a really difficult time in adjusting to his wife's new found celebrity. And Doris is liking the idea of making tons of money, more than Garner's practice brings in.
This was the first of two films James Garner and Doris Day are teamed and while they never became as famous as Rock Hudson and Doris Day they certainly had good chemistry together. Both by this time were becoming pretty old hands at screen comedy.
Best sequence in the film is when the spontaneous gift of a swimming pool for Garner and Day from Reginald Owen plus several boxes of bars of Happy Soap and the chain of events caused. It's still side splitting funny after 45 years.
Owen wanted a wholesome celebrity created for Happy Soap and you can't get more wholesome than Doris Day. The film bears certain similarities to the Jack Lemmon comedy Good Neighbor Sam where company owner Edward G. Robinson sees in Jack Lemmon's family wholesome spokespeople for his dairy products.
So if you want to see Doris Day morphed into Mrs. Butterworth, The Thrill Of It All is your film. Fans of Doris and Jim will be wanting more and they soon got it.
But Garner's the doctor for Arlene Francis who's having one of those late in life babies and she and husband Edward Andrews are excited as all heck. He and Doris get invited to their house for a little get together where Doris spontaneously extols the virtues of Happy Soap to the delight of Reginald Owen who is Edward Andrews's father. Owen is less excited about becoming a grandfather than he is with discovering Doris whom he insists become the new Happy Soap spokeswoman.
After that it's Garner who has a really difficult time in adjusting to his wife's new found celebrity. And Doris is liking the idea of making tons of money, more than Garner's practice brings in.
This was the first of two films James Garner and Doris Day are teamed and while they never became as famous as Rock Hudson and Doris Day they certainly had good chemistry together. Both by this time were becoming pretty old hands at screen comedy.
Best sequence in the film is when the spontaneous gift of a swimming pool for Garner and Day from Reginald Owen plus several boxes of bars of Happy Soap and the chain of events caused. It's still side splitting funny after 45 years.
Owen wanted a wholesome celebrity created for Happy Soap and you can't get more wholesome than Doris Day. The film bears certain similarities to the Jack Lemmon comedy Good Neighbor Sam where company owner Edward G. Robinson sees in Jack Lemmon's family wholesome spokespeople for his dairy products.
So if you want to see Doris Day morphed into Mrs. Butterworth, The Thrill Of It All is your film. Fans of Doris and Jim will be wanting more and they soon got it.
If one of today's "actresses" gave half as good a performance as Doris Day gives in "The Thrill of it All," they'd be nominated for an Oscar. Just look at what wins Academy Awards today! Day's acting in "Thrill" is just as good, or better, than Helen Hunt in "As Good As it Gets."
Hollywood seems to have "had it in" for Doris. In this film, she was so natural, so damn good, and above all, FUNNY. She and James Garner made a handsome couple and gave this film that extra sparkle. Thanks to the clever script/screenplay by Carl Reiner, this comedy had lots to say.
I enjoyed all of the performers here. Zazu Pitts was extremely funny as Olivia, the maid. Doris has always had wonderful support in her films and this one was no exception. Arlene Francis was great as the expectant older mother and Edward Andrews deserved a best supporting Oscar nod. Why he didn't get one is beyond me. It's similar to the way the Oscars ignored Tony Randall's superb work in all three Day/Hudson flicks.
Alice Pearce ("Bewitched") was a scream as the money hungry wife during the traffic jam. This is the scene where Andrews displayed his expertise in comedy (this should have been Oscar time for him).
One of my favorite scenes in the picture was when Beverly and her Dr. husband were besieged by Bev's fans in the restaurant. Very effective and not overdone.
Day was wonderful in most of her scenes and really broke me up when she first did her soap commercial. The whole picture is a delight and director, Norman Jewison was right on target. Boy, do I wish he'd directed "Pillow Talk," for he would have kept a tight reign on Doris' tendency to get "too cutesy." Here, she was appropriately mature AND sexy.
Very touching was the scene after the baby was born in the back of the limo. Day is overwhelmed by the experience of assisting in the birth and just wants her Dr. husband to hold her. Beautiful. This one gets the highest rating in my book.
Hollywood seems to have "had it in" for Doris. In this film, she was so natural, so damn good, and above all, FUNNY. She and James Garner made a handsome couple and gave this film that extra sparkle. Thanks to the clever script/screenplay by Carl Reiner, this comedy had lots to say.
I enjoyed all of the performers here. Zazu Pitts was extremely funny as Olivia, the maid. Doris has always had wonderful support in her films and this one was no exception. Arlene Francis was great as the expectant older mother and Edward Andrews deserved a best supporting Oscar nod. Why he didn't get one is beyond me. It's similar to the way the Oscars ignored Tony Randall's superb work in all three Day/Hudson flicks.
Alice Pearce ("Bewitched") was a scream as the money hungry wife during the traffic jam. This is the scene where Andrews displayed his expertise in comedy (this should have been Oscar time for him).
One of my favorite scenes in the picture was when Beverly and her Dr. husband were besieged by Bev's fans in the restaurant. Very effective and not overdone.
Day was wonderful in most of her scenes and really broke me up when she first did her soap commercial. The whole picture is a delight and director, Norman Jewison was right on target. Boy, do I wish he'd directed "Pillow Talk," for he would have kept a tight reign on Doris' tendency to get "too cutesy." Here, she was appropriately mature AND sexy.
Very touching was the scene after the baby was born in the back of the limo. Day is overwhelmed by the experience of assisting in the birth and just wants her Dr. husband to hold her. Beautiful. This one gets the highest rating in my book.
Doris Day made a lot of movies that were a lot better than people knew and so many of them went practically unnoticed. A prime example was the 1963 comedy THE THRILL OF IT ALL, which starred Doris as Beverly Boyer, the wife of a doctor (James Garner), who, quite accidentally, becomes a television spokesperson for a product called "Happy Soap" and becomes an overnight celebrity much to the consternation of her husband. Day is at the height of her charm here as she is completely winning as the housewife thrown into the celebrity spotlight and doesn't really know how to handle it. Garner matches her note for note as the slightly chauvinistic husband who would rather have his wife at home. There is also a lovely supporting turn by Arlene Francis as a friend of Doris' who Doris actually helps to give birth in a cab and Carl Reiner (who also co-wrote the screenplay) has an amusing set of cameos as the star of the show where Happy Soap is advertised. A warm family comedy that showcases brilliantly why the world loved Doris Day...and still does.
This is the first time I write a comment about a film. Considering that my favorite films, since I discovered the movies, are by Scorsese, Gonzalez Inarritu, Polanski, etc. What am I doing selecting a Doris Day comedy for my first review. Okay, let me tell you. I was overwhelmed by the sheer brilliance of the lady. I've always heard about Doris Day but I had never seen her (The Man Who Knew Too Much is my next one). She is extraordinary because in the midst of all the zaniness there is an unquestionable truth. I believed completely in her character I never thought for a moment she was trying to sell me something. I recognized her, I knew who her character was and then, of course, I laughed, loud and hard. So the reason that I've selected "The Thrill Of It All" as my first review is because that's what cinema is all about. Surprises and discoveries. Thank you Doris Day, you've given me something new to look forward to.
One of my favorite Doris Day movies with James Garner, her OB doctor husband; but the funniest scenes of all was when Arlene Francis, who plays an older woman having her first child in a taxi cab because of a traffic jam, and her hubby is running all over the place. It is still an undated romantic comedy with some great one-liners. Doris gets bored with home life and becomes a superstar TV commercial for soap products; still this is one of her best because the writers were the best; Larry Gelbart and Rob Reiner 7/10
क्या आपको पता है
- ट्रिवियाThe ad agency's viewing room has both color and black-and-white televisions side by side. This was common in the 1960s, allowing the executives to see how the commercial would appear in both color and B&W.
- गूफ़When the Boyers are being driven to the Fraleighs' home, the limo driver looks at them in the rear view mirror, but the image is not reversed. Mrs. Boyer is still on the right of Dr. Boyer.
- क्रेज़ी क्रेडिटThe credit for David Webb's Jewels is followed with "Cameos by Carl Reiner". (A cameo being a form of jewelry, but in this case substituting as Reiner's credit for his series of appearances within the film.)
- कनेक्शनEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
- साउंडट्रैकThe Thrill Of It All
Music by Arnold Schwarzwald
Lyrics by Frederick Herbert
Vocals by The Johnny Mann Singers
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,17,79,093
- चलने की अवधि1 घंटा 48 मिनट
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- 1.85 : 1
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