Nattvardsgästerna

possibly my absolute favorite Bergman film. Gorgeous, the way a fresh blanket of snow on a frigidly cold winter night is.

Brutally bleak, "Winter Light" may be about losing religious faith, but I don't think you have to have a religious faith to identity with Gunnar Bjornstrand's character, the pastor of a small town. His "faith" is as much a will to live as anything else.

Bjornstrand and Ingrid Thulin are amazingly good, and Max von Sydow does more with a few subtle expressions, and very little dialog, than most any actor is capable of.

Not a film to watch in the dead of winter if you suffer from SAD, unless you're like me and get a perverse type of therapy from confronting the hopelessness head first.

The coldest thing you'll ever hold, a heart of stone within warm folds, impenetrable and dark, extreme, devoid of hope, bereft of theme.

You should wear a pair of thick socks and a woolly hat to avoid the icy tendrils that permeate throughout, and keep your gloved fingers crossed you never reach the depths of doubt and despair portrayed through the remarkable performance of Gunnar Björnstrand who, as Pastor Tomas Ericsson, has misplaced the vital elements that brought him to the pulpit. And if that isn't enough Ingrid Thulin delivers the most persistent and resilient performance of a woman who won't let go.

With this one Bergman touches the inner soul like no one ever did on film. The movie is about depression, how to deal with your principal beliefs when you don't believe in them anymore, "God's escaping me..." We feel the priest running out of strenght and slowly fading away in his disbeliefs, he then finds a man who he can relate to (Due to the depression he has, as heard about the bomb which the Chinese are creating, they are learnt to hate) He kind of uses him to give himself the power to get on with his own life, he doesn't listen to the man, but he explains his own problems, due to this the man kills himself, it's now the task of the priest to tell his wife, and by this he finds himself again, feeling again what his role in this so cruel world is. "What's the meaning of life" he says, "we can only know if we fight against ourself and our inner soul which leads us to suicide" that's why we live. Everything fits together so perfect, it's almost like I was living the movie. The characters play excellent, the cold winter settings make part of the mood the film was made for, make you feel, and that's why this movie is so excellent. It's a not so easy one but once you understand what it tells you realise why this movie exceeds storytelling of today's crap we get to see in theatres. Few films are so true and realistic.

I haven't seen all of Bergman's films, but for now this is the masterpiece 10/10

"I think I have made just one picture that I really like, and that is Winter Light…Everything is exactly as I wanted to have it, in every second of this picture." – Ingmar Bergman

"Winter Light" concentrates around the middle-aged priest named Thomas (extraordinarilly played by Gunnar Björnstrand) of a small Swedish church and his spiritual and emotional struggles during the one winter afternoon.

Tomas founds himself as a non-believer. He realized that he actually became a priest because he was weak, anxious and neurotic and not because of his faith. As a young man, not knowing the REAL world and its TRUE nature, Tomas became a priest. His wife was everything to him, yes. She encouraged his "believes". With her, his believes (or self-deceptions) were stable, steady. After her death, they were shaken (so were his whole life and its purposes) because he encountered the "real world".

After his wife's death he met Marta, schoolteacher – simple and realistic woman (played by brilliant Ingrid Thulin). Marta is in love with him. But he is bored with her and avoids her. Reasons for that are not very clear to the viewer or Tomas himself. He feels isolated and detached from the rest of the world. All the meanings and purposes of his life suddenly disappeared. Whole his life was one big – LIE.

So, why is he avoiding Marta? She is the real representation of the ''real world'' since being an atheist. Marta is the symbol of his failure, she ''reminds'' him that he dedicated whole his life to – nothing.

This is not, however, a religious film. It's a lot more exploring the real human nature and its possible ''faults''. It raises some universal issues like: ''Am I doing good things because I am a good person (because I have a good character) or because I am afraid of the consequences (because I am weak, fearful)''?

"Winter Light" is also masterfully crafted movie with formal elements absolutely supporting (and adding to) the issues of the script. It is a very cold movie with no music (intentionally). Sven Nykvist, Bergman's cinematographer did excellent job with his contrasted black and white photography, focuses and mise-en-scene conjuring up the emotional isolation and distances between the characters.

In the cold winter in the countryside of Sweden, the pastor Tomas Ericsson (Gunnar Björnstrand) is a bitter man living a crisis of lack of faith in God after the death of his beloved wife two years ago. After the mass, Karin Persson (Gunnel Lindblom) seeks out the pastor with her husband, the fisherman Jonas Persson (Max von Sydow), and tells that Jonas is tormented by an existential crisis when he learns that China has an atomic bomb and intends to commit suicide. Tomas unsuccessfully attempts to comfort Jonas but he is not convincing due to his lack of faith and Jonas kills himself with a shot of rifle in his head. Meanwhile, the schoolteacher Märta Lundberg (Ingrid Thulin) is in love with Tomas, but the widowed pastor rejects her love with bitter and tough words. In the end, Tomas discusses with the sacristan the true suffering of Jesus Christ in the Passion of Christ.

"Nattvardsgästerna" is the second part of Bergman's Trilogy of Silence with an unpleasant story of unrequited love, lack of communication and lack of faith on God. The pastor Tomas Ericsson is one of the bitterest characters that I have ever seen, and his speech to Märta Lundberg is one of the cruelest and coldest of a man to a woman in love. The performances are awesome as usual in a Bergman's film, with wonderful black-and-white cinematography, and this cold film does not have soundtrack. My vote is seven.

Title (Brazil): "Luz de Inverno" ("Light of Winter")