Murder at the Gallop

Miss Marple (Margaret Rutherford) and Mr. Stringer (Stringer Davis) are collecting money for The Reformed Criminals Assistance League, and the old lady decides to pay a visit to the stingy Old Enderby (Finlay Currie). They go to his manor and witness him dying frightened to death by a cat. Miss Marple snoops around the house and finds a piece of mud that she keeps with her.

She calls the police and later she reports to Inspector Craddock (Charles Tingwell) that Old Enderly was murdered. However he tells that the Death Certificate states the cause of his death as heart failure and Old Enderby had had a severe heart condition for many years. Miss Marple decides to investigate one of the heirs but she finds her dead in her house with her housemaid Miss Milchrest (Flora Robson). Then she lodges in The Gallop Hotel to investigate who might be the murderer. When her prime suspect is killed, she finds the reason why the assassin is killing the relatives of Old Enderby. Now Miss Marple plots a scheme to catch the killer.

"Murder at the Gallop" is another highly entertaining comedy and mystery with Miss Marple. There are delightful scenes, like Miss Marple telling the Inspector Craddock that he should read Agatha Christe, or Miss Marple dancing Twist with Mr. Stringer. My vote is seven.

Title (Brazil): "Sherlock de Saias" ("Sherlock in Skirts")

I have not read the book on which the film is based--but I understand it was a Hercule Poirot book not a Miss Marple book. Anyway in Christie's novels with Miss Marple there was no "Mr Stringer" the real life husband of Dame Margaret Rutherford. But it is Dame Margaret and Stringer Davis that makes the Marple films come alive apart from Ron Goodwin's charming score.

This is the first movie I have seen in which the author of the book on which the film is based is discussed. This movie will not survive trenchant criticism--it is best viewed as a fun movie with loads of British humour.

What strikes you is that the film is really a women's film, with even Robert Morley having to take a back seat to Dame Margaret and Dame Flora Robson who steal the show.

Of the films in the series, 'Murder Ahoy' I thought was most charming because of the supporting cast and a stronger role for Mr Stringer. "Murder at the gallop" has a weaker story and screenplay in comparison. Yet all these Miss Marple films can be enjoyed by one and all, years after they were made.

As is well known by now, Dame Agatha Christie was not enamoured of Dame Margaret Rutherford's take on her Jane Marple creation. Fair enough as Dame Agatha had lovingly constructed a plain Jane, spinster/every-woman who, underneath the quiet demeanour and placid knitting possessed a mind sharper than the point of any of her knitting needles. And like television's Columbo she was always under-estimated, to the eventual chagrin of the guilty party in the crime under investigation. As a fan of the BBC/PBS Masterpiece Mystery series I have probably seen most if not all of Dame Agatha's books dramatized, my favourites being those with Joan Hickson whom I find to be the very embodiment of the Jane Marple Dame Agatha originally had in mind. That said, I am not so much of a purist that I cannot enjoy Dame Margaret Rutherford's decidedly non Dame Agatha approach to super sleuth Jane Marple. In short, all four films in the MGM produced series are a pure delight with MURDER AT THE GALLOP just barely edging out MURDER SHE SAID as my personal favourite.

Others have more than adequately provided a synopsis of this and the other trio of Marple movies in the series, so I won't re-till that ground. Suffice to say, if you haven't seen any of them, or you just want a good, light, engaging Brit whodunit then don't miss any of these wonderful confections. I've seen them all many times and yet every repeat showing finds me totally entertained by Dame Margaret, real life hubby Stringer Davis, Charles Tingwell, the excellent casts of supporting players and Ron Goodwin's superb scores. Indeed, they are still as much fun today as when first viewed in their initial theatrical runs back in the sixties.

Murder At The Gallop was one in a series of Miss Marple/Margaret Rutherford British mysteries...Rutherford certainly appears and acts quite differently from the character of Miss Marple which Agatha Christie created. If you want to see the Christie books presented accurately on screen, view the versions with Joan Hickson as Miss Marple. They work perfectly with the characters, settings and time period of the orginals.

However, authenticity is not one of the reasons for seeing this series of films. Margaret Rutherford is a screen gem...working with her real life husband, Stringer Davis, as co-sleuth (his character never appeared in any of the Christie novels) they form a wonderful partnership. I only wish they had continued this series. 'Gallop' features some excellent supporting actors -- Flora Robson, Finlay Curie and especially Robert Morley. It's filmed in beautiful black and white which captures the early 1960's quite well.

For an entertaining evening of pure delight this is a mystery to cherish!

This is possibly MARGARET RUTHERFORD's most satisfactory excursion into Agtha Christie-land and she's helped by a delightful Ron Goodwin score that emphasizes her character with an infectious main theme and the gorgeous B&W photography, full of sinister shadows and proper atmospheric effects.

Furthermore, Miss Rutherford is surrounded by some formidable British talent, such as Stringer Davis (his Mr. Stringer is always a delight), Robert Morley (blustery but fun), and most notably, FLORA ROBSON, remarkable as the timid companion of an elderly woman.

I've seen most of these Miss Marple mysteries from the 1960s, and this has got to be one of the best. It moves at a swift gallop (unlike some of the more tedious, slow-paced BBC versions), and the accent is on the humorous characterization that Rutherford is capable of. Purists may not think it serves Agatha Christie well, but taken on its own as a piece of comedy/mystery entertainment, it stands up well in that genre.

Highly recommended.